Judge Carli Kierny (00:00):
The order in which the instructions are given has no significance as to their relative importance. Three, an indictment is but a formal method of accusing a person of a crime and is not of itself any evidence of his guilt. In this case, it is charged in an indictment that on or about the seventh day of September 1996, the defendant committed the offense of murder with use of a deadly weapon within the county of Clark, State of Nevada, contrary to the form, force, and effective statutes in such cases made and provided and against the peace and dignity of the State of Nevada. Did willfully, unlawfully, and feloniously and knowingly for the benefit of, at the direction of, or in affiliation with the criminal gang, to wit South Side Compton Crips, with malice of forethought killed Tupac Amaru Shakur, a human being, with the use of a deadly weapon, to wit, a firearm, by shooting at and/or into the body of the said Tupac Amaru Shakur, said killing having been willful, deliberate, and premeditated, the defendant being criminally liable under one or more of the following principles of criminal liability, to wit.
(00:52)
One: Directly committing this crime, and/or two: Aiding or abetting in the commission of the crime with the intent that the crime be committed by counseling, encouraging, hiring, commanding, inducing, and/or otherwise procuring the other to commit the crime. To wit, the defendant obtaining a firearm for the purpose of seeking retribution against Tupac Amaru Shakur and/or Marion Knight, AKA Suge. And while in a vehicle with Terrence Brown, AKA Bubble Up, and/or Deandre Smith, AKA Big Dre, and/or Orlando Anderson, AKA Baby Lane, did provide said firearm to Deandre Smith, AKA Big Dre, and/or Orlando Anderson, AKA Baby Lane, with the intent that said co-conspirators commit said crime; and/or three: Pursuant to a conspiracy to commit the crime with the intent of this crime be committed, defendant and/or Orlando Anderson, AKA Baby Lane, and/or Deandre Smith, AKA Big Dre, and/or Terrance Brown, AKA Bubble Up, aiding or abetting and/or conspiring by acting in concert throughout.
(01:44)
It is the duty of the jury to apply the rules of law contained in these instructions to the facts of the case and determine whether or not the defendant is guilty of the offense charged. Four: A conspiracy is an agreement between two or more persons for an unlawful purpose. To be guilty of conspiracy, a defendant must intend to commit or to aid in the commission of the specific crime agreed to. The crime is the agreement to do something unlawful. It does not matter whether it was successful or not. A person who knowingly does any act to further the object of a conspiracy or otherwise participates therein is criminally liable as a conspirator. However, mere knowledge or approval of or acquiescence in the object and purpose of a conspiracy without an agreement to cooperate and achieving such object or purpose does not make one a party to conspiracy.
(02:23)
Conspiracy is seldom susceptible of direct proof and is usually established by inference from the conduct of the parties. In particular, a conspiracy may be supported by a coordinated series of acts in furtherance of the underlying offense sufficient to infer the existence of an agreement. A conspiracy to commit a crime does not end upon the completion of the crime. The conspiracy continues until the co-conspirator has successfully gotten away and concealed the crime. Five: It is not necessary in proving a conspiracy to show a meeting of the alleged conspirators or the making of an express or formal agreement. The formation and existence of a conspiracy may be inferred from all circumstances tending to show the common intent and may be proved in the same way as any other fact may be proved, either by direct at the testimony of the fact or by circumstantial evidence or by both direct and circumstantial evidence.
(03:05)
Six: Each member of a criminal conspiracy is liable for each act and bound by each declaration of each other member of the conspiracy if the act or the declaration is in furtherance of the object of the conspiracy. The act of one conspirator pursuant to or in furtherance of the common design of the conspiracy is the act of all conspirators. Every conspirator is legally responsible for a specific intent crime of a co-conspirator so long as the specific intent crime was intended by the defendant. A conspirator is also legally responsible for a general intent crime that follows as one of the reasonably foreseeable consequences of the object of the conspiracy, even if it was not intended as part of the original plan and even if he was not present at the time of the commission of such act. Seven: Of one member of a conspiracy withdraws from the agreement before an overt act in furtherance of the conspiracy's target crimes has been committed by any members of the conspiracy, the withdrawing member is not responsible for the future crimes of his or her co-conspirators.
(03:54)
Withdrawal from a conspiracy requires the following elements. One: that the defendant completely withdrew from the agreement. A partial or temporary withdrawal is not enough. Two: that the defendant took affirmative steps inconsistent with the objectives of the conspiracy to disavow or defeat the objectives of the conspiracy. Three: that the defendant made a reasonable effort to communicate those acts to his co-conspirators or that he or she disclosed the scheme to law enforcement authorities. And four: that the defendant withdrew before any member of the group committed an overact in furtherance of the conspiracy. An affirmative step would include an act that is inconsistent with the purpose of the conspiracy and is communicated in a way that is reasonably likely to reach the other members, but some affirmative step is required. A mere cessation of activity in the conspiracy or just avoiding the other members of the group is not sufficient to withdraw.
(04:36)
Eight: Evidence that a person was in the company or associated with one or more other persons alleged or proved to have been members of a conspiracy is not in and of itself sufficient to prove that such person was a member of the alleged conspiracy. However, you are instructed that the presence, companionship, and conduct before, during, and after the offense are circumstances from which one's participation in the criminal intent may be inferred. Nine: Where two or more persons are accused of committing a crime together, their guilt may be established without proof that each person did every act constituting the offense charged. All persons concerned in the commission of a crime who either directly and actively commit the act constituting the offense or who knowingly and with criminal intent aid and abet in its commission or, whether present or not, who advise and encourage its commission with the intent of the crime be committed are guarded by the law as principals in the crime less committed and are equally guilty thereof.
(05:21)
A person aids and abets the commission of a crime if he knowingly and with criminal intent aids, promotes, encourages, or instigates by act or advice or by act and advice the commission of such a crime with the intention that the crime be committed. The state is not required to prove precisely which defendant actually committed the crime and which defendant aided and abetted. 10: Murder in the first degree is a specific intent crime. Defendant cannot be liable under a conspiracy and/or aiding and abetting theory for first-degree murder for acts committed by a co-conspirator unless the defendant also had a premeditated and deliberate specific intent to kill. Murder in the second degree may be a general intent crime. As such, the defendant may be liable under conspiracy theory and/or aiding or abetting for murder of the second degree for acts committed by a co-conspirator if the killing is one of the reasonably foreseeable consequences of the object of the conspiracy.
(06:03)
11: In this case, the defendant is accused of an indictment alleging an open charge of murder. This charge may include murder of the first degree or murder of the second degree. The jury must decide if the defendant is guilty of any offense and, if so, of which offense. 12: Murder is the unlawful killing of a human being with malice of forethought, either expressed or implied. The unlawful killing may be affected by any of the various means by which death may be occasioned. 13: Malice of forethought means the intentional doing of a wrongful act without legal cause or excuse or what the law considers adequate provocation. The condition of mind described as malice of forethought may arise from anger, hatred, revenge, or from particular ill will, spite, or grudge toward the person killed. It may also arise from any unjustifiable or unlawful motive or purpose to injure another proceeding from a heart fatally bent on mischief or with reckless disregard of consequences and social duty.
(06:48)
Malice of forethought that does not imply deliberation or the lapse of any considerable time between the malicious intention to injure another and the actual execution of the intent but denotes an unlawful purpose and design as opposed to accident and missed chance. 14: Express malice is that deliberate intention unlawfully to take away the life of a human being, which is manifested by external circumstances capable of proof. Malice may be implied when no considerable provocation appears or when all the circumstances of the killing show an abandoned and malignant heart. 15: Murder of the first degree is murder which is perpetrated by means of any kind of willful, deliberate, and premeditated killing. All three elements, willfulness, deliberation, and premeditation, must be proven beyond reasonable doubt before an accused can be convicted of first-degree murder. Willfulness is the intent to kill. There need be no appreciable space of time between the formation of the intent to kill and the act of killing.
(07:32)
Deliberation is the process of determining upon a course of action to kill as a result of thought, including weighing the reasons for and against the action considering the consequences of the action. A deliberate determination may be arrived at in a short period of time, but in all cases the determination must not be formed in passion, or if formed in passion, it must be carried out after there has been time for the passion to subside and deliberation to occur. In here [inaudible 00:07:55] rash impulse is not deliberate even though it includes the intent to kill. Premeditation is a design and determination to kill distinctly formed in the mind by the time of the killing. Premeditation need not be for a day, an hour, or even a minute. It may be as instantaneous as successive thoughts of the mind. For if the jury believes from the evidence that the act constituting the killing has been perceived by and has been the result of premeditation, no matter how rapidly the act follows the premeditation, it is premeditated.
(08:19)
16: The law does not undertake to measure in units of time and length of the period during which the thought must be pondered before it can ripen into an intent to kill, which is truly deliberate and premeditated. The time will vary with different individuals and under varying circumstances. The true test is not the duration of time, but rather the extent of the reflection. A cold calculated judgment and decision may be arrived at in a short period of time, but a mere unconsidered and rash impulse, even though it includes an intent to kill, is not deliberation and premeditation as will fix an unlawful killing as murder of the first degree. 17: Although your verdict must be unanimous as to the charge, you do not have to agree on the theory of liability. Therefore, even if you cannot agree on whether the facts established the defendant is liable as a principal, aider or an abetter or co-conspirator, so long as all of you agree that the evidence establishes the defendant's guilt of murder in the first degree, your verdict shall be murder of the first degree.
(09:05)
18: You are instructed that if you find the state has established that the defendant has committed first-degree murder, you shall select first-degree murder as your verdict. The crime of first-degree murder includes the crime of second-degree murder. You may find the defendant guilty of second-degree murder if one: you have not found beyond a reasonable doubt that the defendant is guilty of murder of the first degree and two: all 12 of you are convinced beyond a reasonable doubt that the defendant is guilty of the crime of second-degree murder. If you are convinced beyond reasonable doubt that the crime of murder has been committed by the defendant, but you have a reasonable doubt as to whether such murder was of the first or second degree, you must give the defendant the benefit of that doubt and return a verdict of murder in the second degree.
(09:37)
19: All murder which is not murder of the first degree is murder of the second degree. Murder of the second degree is murder with malice of forethought, but without the admixture of premeditation and deliberation. 20: The killing of another person in self-defense is justified and not unlawful when the person who does the killing actually and reasonably believes one: there is imminent danger that the assailant will either kill him or cause him great bodily injury and two: it is absolutely necessary under the circumstances for him to use, in self-defense, force or means that might cause the death of the other person for the purpose of avoiding death or great bodily injury to himself. 21: A bare fear of death or great bodily injury is not sufficient to justify killing. To justify taking the life of another in self-defense, the circumstances must be sufficient to excite the fears of a reasonable person placed in a similar situation.
(10:18)
The person killing must act under the influence of those fears alone and not in revenge. 22: An honest but unreasonable belief in the necessity for self-defense does not negate malice and does not reduce the offense from murder to manslaughter. 23: The right of self-defense is not available to an original aggressor, that is, a person who has sought a quarrel with a design to force a deadly issue and thus, through his fraud, contrivance, or fault, to create a real or apparent necessity for making a felonious assault. However, where a person without voluntarily seeking, provoking, inviting, or willingly engaging in a difficulty of his own free will is attacked by an assailant, he has the right to stand his ground and need not retreat when faced with the threat of deadly force. 24: Actual danger is not necessary just to justify killing in self-defense. A person has a right to defend from apparent danger to the same extent as he would from actual danger.
(11:01)
The person killing is justified if, one: he is confronted by the appearance of imminent danger, which arouses in his mind an honest belief and fear that he's about to be killed or suffer great bodily injury and two: he acts solely upon these appearances and his fear and actual beliefs; and three: a reasonable person in a similar situation would believe himself to be in like danger. 25: The killing is justified even if it develops afterwards that the person killing was mistaken about the extent of the danger.
(11:24)
26: If evidence of self-defense is present, the state must prove beyond a reasonable doubt that the defendant did not act in self-defense. If you find that the state has failed to prove beyond reasonable doubt that the defendant did not act in self-defense, you must find the defendant not guilty. 27: If a person kills another in self-defense, it must appear that the danger was so urgent and pressing that, in order to save his own life or to prevent his receiving great bodily harm, the killing of the other was absolutely necessary and the person killed was the assailant or that the slayer had really and in good faith endeavored to decline any further struggle before the mortal blow was given.
(11:53)
28: You are instructed that if you find the defendant guilty of first or second degree murder, you must also determine whether or not a deadly weapon was used in the commission of the crime. If you find beyond reasonable doubt that a deadly weapon was used in the commission of the crime, you shall return the appropriate guilty verdict reflecting with use of a deadly weapon. If, however, you find that a deadly weapon was not used in the commission of such an offense, but you find it was committed, then you shall return the appropriate guilty verdict reflecting that a deadly weapon was not used. 29: "Deadly weapon" means any instrument which, if used in the ordinary manner contemplated by its design and construction, will or is likely to cause substantial bodily harm or death or any weapon, device, instrument, material, substance which, under the circumstances in which it is used, attempted to be used, or threatened to be used, is readily capable of causing substantial bodily harm or death.
(12:33)
A firearm is a deadly weapon. 30: The state is not required to have recovered the deadly weapon used in an alleged crime or produced the deadly weapon in court at trial to establish that a deadly weapon was used in the commission of the crime. 31: If more than one person commits a crime and one of them uses a deadly weapon in the commission of that crime, each may be convicted of using the deadly weapon even though they did not personally himself or herself use the weapon. An unarmed offender uses a deadly weapon when the unarmed offender is liable for the offense. Another person liable to the offense is armed with and uses a deadly weapon in the commission of the offense, and the unarmed offender had knowledge of the use of the deadly weapon. 32: To constitute the crime charged, there must exist a union or joint operation of an act forbidden by law and an intent to do the act.
(13:16)
The intent of which an act is done is shown by the facts and circumstances surrounding the case. Do not confuse intent with motive. Motive is what prompts a person to act. Intent refers only to the state of mind with which the act is done. Motive is not an element of the crime charge, and the state is not required to prove a motive on the part of the defendant in order to convict. However, you may consider evidence of motive or lack of motive as a circumstance in the case. 33: The defendant is presumed innocent until the contrary is proved. This presumption places upon the state the burden of proving beyond reasonable doubt every element of the crime charged that the defendant is the person who committed the offense. A reasonable doubt is one based on reason. It is not mere possible doubt; it is such a doubt as would govern or control a person in the more weighty affairs of life.
(13:53)
If the minds of the jurors after the entire comparison and consideration of all the evidence are in such a condition that they can say they feel an abiding conviction of the truth of the charge, there is not a reasonable doubt. Doubt, to be reasonable, must be actual, not mere possibility or speculation. If you have a reasonable doubt as to the guilt of the defendant, he is entitled to a verdict of not guilty. 34: You are here to determine if the defendant is guilty or not guilty based on the evidence in the case. You are not called upon to return a verdict as to the guilt of any other person. So if the evidence in the case convinces you beyond a reasonable doubt of the guilt of the defendant, you should so find even though you may believe one or more persons are also guilty.
(14:25)
35: The evidence you are to consider in this case consists of the testimony of the witnesses, the exhibits, and any exact facts admitted or agreed to by counsel. There's two types of evidence, direct and circumstantial. Direct evidence is the testimony of a person who claims to have personal knowledge of the commission of the crime which has been charged, such as an eyewitness. Circumstantial evidence is the proof of a chain of facts and circumstances which tend to show whether the defendant is guilty or not guilty. The law makes no distinction between the way to be given either direct or circumstantial evidence. Therefore, all the evidence in the case, including the circumstantial evidence, should be considered by you in arriving at your verdict. Statements, arguments, and opinions of counsel are not evidence in the case. However, if the attorney stipulates to the existence of a fact, you must accept the stipulation as evidence and regard that fact as proved.
(15:03)
You must not speculate to be true any insinuation suggested by a question asked to a witness. A question is not evidence and may be considered only as it supplies meaning to the answer. You must disregard any evidence to which an objection was sustained by the court or any evidence stricken by the court. Anything you may have seen or heard outside the courtroom is not evidence and must be disregarded. 36: It is a constitutional right of a defendant in a criminal trial that he may not be compelled to testify. Thus, the decision as to whether he should testify is left to the defendant on the advice and counsel of his attorney. You must not draw any inference of guilt from the fact that he does not testify, nor should this fact be discussed by you or enter into your deliberations in any way. 37: You have heard evidence regarding drug trafficking, federal convictions, and gang affiliation of the defendant.
(15:43)
This evidence was not offered to show propensity of the defendant to commit crimes, and you may not consider this evidence for that purpose. You may only consider this evidence for the purpose of motive, identity, or the credibility of the defendant's statements. 38: A proffer agreement is a contractual agreement between a specific government entity and a defendant that obligates that specific government entity and that defendant to its terms wherein both sides of the contract expect a benefit in exchange for entering into the contract. It does not bind any other specific government entity. In this case, you have heard the defendant entered through counsel into an agreement with the United States government. The state of Nevada is not bound by that agreement. 39: A statement need not have been made by the defendant himself to be considered his own statement. If you find that the defendant by his own words or conduct manifested that he adopted a statement or believed it to be true, you may consider that statement as the defendant's own statement, the same as if he had made it himself.
(16:32)
40: Statements the defendant made during a police interview have been admitted in evidence. Such statements may be confessions, which are acknowledgements of guilt, or admissions, which are acknowledgements of the existence of facts that tend to incriminate the defendant, or neither. If you determine any statement of the defendant made during the interview to be a confession or admission, you must first determine if the statement was voluntarily made. A confession or admission is not voluntary if it was coerced by physical intimidation or psychological pressure such that the defendant's capacity for self-determination was critically impaired and his or her will was overborne at the time he or she made the confession or admission. Improper coercive police activities and necessary predicates of finding that a confession or admission is not voluntary, and there must be a link between the course of conduct and the defendant's confession or admission. A confession or admission is not rendered involuntary by moral or psychological pressures to confess emanating from sources other than improper police coercion.
(17:19)
Police coercion does not include factors which motivate a person to speak because of self-interest or the expectation of a benefit. 41: In making a decision about the voluntariness of a confession or admission, you should consider all the evidence about the statement, including the circumstances under which the defendant may have made it. Factors should be considered in determining whether a confession or admission was voluntary include one: the use of the accused, two: his or her lack of education or his or her low intelligence. Three: the lack of any advice of constitutional rights. Four: the length of the detention. Five: the repeated and prolonged nature of questioning. And six: the use of physical punishment such as the deprivation of food or sleep. The state has the burden of proving by a preponderance of the evidence the defendant's confession or admission to police was voluntarily made. To prove something by the preponderance of the evidence is to prove that it is more likely true than not true.
(18:02)
This is a lesser burden than proof beyond a reasonable doubt. If you determine a confession or admission of the defendant was not voluntary, you may not consider it for any purpose. If you determine a confession of the defendant was voluntary, you may consider it like any other testimony or evidence in the case. 42: Where independent evidence establishes that the victim's death was caused by the criminal agency of another, a defendant's own statements, if believed, admitting the crime need not be further corroborated by evidence connecting the defendant to that crime. It is up to the jury to determine the weight to be given any admission or confession.
(18:32)
43: Whenever there is slight evidence that a conspiracy existed and that the defendant was one of the members of the conspiracy, then the statements and the acts by any person. Likewise, a member of the conspiracy may be considered by the jury as evidence in the case as to the defendant found to have been a member of the conspiracy, even though the statements and acts may have occurred in the absence and without the knowledge of the defendant, provided such statements and acts were knowingly made and done during the continuance of such conspiracy and in furtherance of some object or purpose of the conspiracy.
(18:59)
44: The credibility or believability of a witness should be determined by his manner upon the stand, his relationships with the parties, his fears, motives, interests, or feelings, his opportunity to have observed the matter to which he testified, the reasonableness of his statements, and the strength or weakness of his recollections. If you believe a witness has lied about any material fact in the case, you may disregard the entire testimony of that witness or any portion of his testimony which is not proved by other evidence. 45: A witness who has special knowledge, skill, experience, training, or education in a particular science, profession, or occupation is an expert witness. An expert witness may give his opinion as to any matter in which he is skilled. You should consider such expert opinion and weigh the reasons, if any, given for it. You are not bound, however, by such an opinion; give it the weight you deem it not entitled, whether that be great or slight, and you may reject it if, in your judgment, the reasons given for it are unsound.
(19:43)
46: Although you are to consider only the evidence in the case in reaching a verdict, you must bring to the consideration of the evidence your everyday common sense and judgment as reasonable men and women. Thus, you are not limited solely to what you see and hear as witnesses testify. You may draw reasonable inferences from the evidence which you feel are justified in the light of common experience. Keeping in mind such inferences should not be based on speculation or guess. A verdict may never be influenced by sympathy, prejudice, or public opinion. Your decision should be the product of sincere judgment and sound discretion in accordance with these rules of law. 47: During this trial, you have received into evidence certain audio recordings together with typewritten transcripts of those recordings to help you follow along and understand their contents. Keep in mind the recordings themselves are the evidence in the case.
(20:21)
The transcripts are provided only as an aid to assist you in understanding the recording. 48: In your deliberation, you may not discuss or consider the subject of punishment, as that is a matter which lies solely with the court. Your duty is confined to the determination of whether the state has proven that the defendant is guilty beyond a reasonable doubt. 49: When you retire to consider your verdict, you must select as one of your number to act as foreperson, who'll preside over your deliberation and will be your spokesperson here in court. During your deliberation, you'll have all the exhibits which were admitted into evidence, these written instructions, and forms of verdict which have been prepared for your convenience. Your verdict must be unanimous. As soon as you have agreed upon a verdict, have it signed and dated by your foreperson and then return with it to this room. 50: If during your deliberation you should desire to be further informed on any point of law or again hear portions of the testimony, you must reduce your request to writing signed by the foreperson. The officer will then return you to court, where the information sought will be given to you in the presence of and after notice to the district attorney and the defendant and his counsel. Playbacks of testimony are time-consuming and are not encouraged unless you deem it a necessity. Should you require a playback, carefully describe the testimony will be played back so the court reporter can arrange your notes. Remember the court is not at liberty to supplement the evidence. If during your deliberation you should desire to be further informed on any point of law or again hear portions of the testimony, you may send a note through the marshal signed by one or more of you.
(21:37)
No member of the jury should ever attempt to communicate with me except by signed writing, and I will respond to the jury concerning the case only in writing or here in open court. If you send out a question, I will consult with the lawyers before answering it, which may take some time. You may continue to do your deliberations while waiting for the answer to any questions. Remember, you are not to tell anyone, including me, how the jury stands numerically or otherwise on any questions submitted to you, including the question of the guilt of the defendant until after you've reached a unanimous verdict or have been discharged. 51: During deliberations, other than deliberating with each other in the deliberation room, jurors are not to one: communicate with anyone in any way regarding this case or its merits, either by phone, text, internet, or other means.
(22:13)
Two: read, watch, listen to any news or media accounts or commentary about the case. Three: do any research, such as consulting dictionaries, using the internet, or using reference materials. And four: make any investigation, test the theory of the case, recreate any aspect of the case, or in any way investigate or learn about the case on your own. 52: Now you will listen to the arguments of counsel, who will endeavor to aid you to reach a proper verdict by refreshing your mind of the evidence and by showing the application thereof to the law. But whatever counsel may say, you will bear in mind that it is your duty to be governed in your deliberation by the evidence as you understand it and remember it to be and by the laws given to you in these instructions with the sole, fixed, and steadfast purpose of doing equal and exact justice between the defendant and the state of Nevada. Given this 31st day of August 2026 by District Court Judge Carli Kierny. All right. State, are you prepared to give your closing argument at this time?
Attorney Binu Palal (23:03):
Yes, Your Honor.
Judge Carli Kierny (23:04):
You may proceed whenever you're ready, Mr. Palal.
Attorney Binu Palal (23:09):
You folks got all that from the judge? About two weeks ago, exactly two weeks ago, I came before you and said this was a case about gang retaliation and revenge. Nearly 30 years ago, Orlando Anderson was beaten at the MGM Grand by Tupac Shakur, Suge Knight, and the group that he was with. And Orlando Anderson was somebody of consequence in the South Side Crips. And Duane Davis was the head of the Burris Street faction in the South Side Crips. And Duane Davis in the culture of gangs could not let that stand. And so what did he do? He acquired a firearm, got his group together, and went hunting for Mr. Shakur and Mr. Knight. They went to Club 662; they didn't find them. They go to a liquor store, decide to have some drinks. Then in happenstance, they happen to run into Tupac and Suge Knight going the opposite way of Flamingo.
(24:12)
And in that moment, a decision is made not to keep going but to make a U-turn, turn around, pass a gun, and shoot into Tupac and Suge's car, killing Tupac Shakur. So I know the judge went over about 52 jury instructions, and I want to go over a couple of them as well so we can kind of understand what we're talking about here. So the first one the judge went, and I kept the numbers up there in case you want to have them, is reasonable doubt. And what the law says is reasonable doubt is based on reason, which is not very helpful; at least I don't find it. But it also tells you what reasonable doubt is not. Doubt, to be reasonable, must be actual, not mere possibility or speculation. And so when holding the state to its burden, you should absolutely be determining whether or not we've met the evidentiary threshold, but possibility and speculation is not reasonable doubt. There's a common-sense instruction. It's number 46. As you may recall, we spent about a week picking you folks to be part of our jury, and we asked a lot of questions.
(25:19)
We asked whether or not you'd accept all kinds of evidence or requires to only have one type of evidence. We asked about what your knowledge of the facts in this case. We asked about your background. I think we even asked about what your favorite movie was. But the goal is to create a cross section of our community. You all have different experiences, different knowledge, different ways of having dealt and processed with information. Moreover, you have a different sense of common sense, right? Different sound sense of judgment. And what the goal here is, you don't have to pretend your judgment or your common sense doesn't exist just because you walk into this courtroom. You bring your common sense as a whole, your judgment as a whole, your personage as a whole when you come to this courtroom.
(26:08)
One thing I think is very important to discuss is in opening the statement, Mr. Sanft told you that you have to corroborate every word of the defendant's sentence in order to believe it. I think he even had a slide up there that said, I mean, not nonsense, but BS, I guess, right? BS. But that's not actually true. That's not the law. Jury instruction number 42 tells you what the law is. "When independent evidence establishes that the victim's death was caused by the criminal agency of another, a defendant's own statement, if believed, admitting the crime need not be further corroborated by evidence connecting the defendant to the crime." So this notion of corroboration, I will tell you, I think we'll discover that there is corroboration, but this notion of corroboration, the mandatoriness of corroboration, does not exist in the law. It is absolutely untrue and not part of our requirement.
Attorney Michael Sanft (27:07):
I apologize, Your Honor. May we approach?
Judge Carli Kierny (27:08):
You may.
Attorney Binu Palal (27:58):
All right. So, like I was saying that the criminal agency of another defendant's own statement, if believed, admitting the crime need not be further corroborated by the evidence. So this hunt for corroboration that Mr. Sanft has put you on is not a legal requirement, but what I told you is I think there is corroboration, and I think we'll talk about that as we go on. But the one thing we have to prove without corroboration is that somebody was killed by the act of another. We don't have to say who that person is. We don't have to corroborate who that person was, but we have to say somebody was killed by the act of another. And here we know Tupac Shakur's death was caused by the criminal act of another person. So we've met that threshold. And once we've made that threshold, no further corroboration is required.
(28:47)
The last general instruction I want to talk to you about is direct versus circumstantial evidence. That's jury instruction number 35. In this courthouse, we have an analogy that we frequently use to explain what direct versus circumstantial evidence is. So if you were to go outside and you saw rain, that would be direct evidence, right? Mr. Davis' confessions are direct evidence of a crime, but there's also circumstantial evidence. So what is circumstantial evidence? Well, in that same analogy, let's say after a long day here at court, you go home, you go to your car, you go home, and you notice that there's dark clouds in the air, a little bit of humidity, the weather's a little bit cooler than you'd normally expect, and then you go inside to your house. While going inside your house, you see the sidewalks are dry, the grass is dry, all of that.
(29:43)
You go to sleep, you wake up the next morning, and you notice that the ground is wet, the grass is wet, maybe your car is wet. That is circumstantial evidence that it rained, and so you have direct evidence. "I saw it. I was there." And circumstantial evidence, those facts that exist that show something happened. And I will submit to you that this case is drenched with circumstantial evidence even beyond Mr. Davis' statements.
(30:17)
So I want to do a little experiment as we go through this. Instead of focusing on Mr. Davis' statements, let's see what happens if we just throw all those statements away and see what we have. Because it seems like you've been told that there's nothing that exists outside of Mr. Davis' statements, and that is simply not true. So we know we heard from gang detectives that Compton was a 10 square miles that had two gangs that are relevant to this case, Mob Piru, South Side Compton Crips. Bobby Ladd told you that. And Reggie Wright Jr. and Mob James told you that Death Row Records had the head, Suge Knight, and one of its main artists, Tupac Shakur. And interestingly enough, we learned that there were two types of security. There was a Mob security and Death Row security. And the Mob security for our purposes involved Mob James McDonald, his brother Alton "Buntry" McDonald, Roger "Neckbone" Williams, and Trevon Lane.
(31:15)
And that the more straight security or official security was Reggie Wright Jr. and Frank Alexander. And Frank Alexander was the person that was with Tupac Shakur the night that he was killed. We also know that their rival was the South Side Compton Crips. We heard that from a lot of people outside of Mr. Davis. In fact, we heard from Bobby Ladd and Devonta Lee, Dirt Rock, say that Duane Davis was the leader of the South Side Compton Crips. You actually even heard Wade Lee, the detective who was investigating him on narcotics charge, say that he was the leader of the South Side Compton Crips due to his narcotics trade, that money was the lifeline of gangs. Bobby Ladd, he went so far as to say he was the shot caller of the South Side Compton Crips. And Bobby Ladd is the person who could tell you that. He was the one working gangs in the 1990s in Compton. Moreover, since then he's become an expert talking to people all around the world about the gangs of Compton, particularly the Crips and the Bloods.
(32:20)
So outside of anything Mr. Davis has said, you can establish that he was a leader, a shock caller, the narcotics trafficker. We also know through Devonta Lee and Bobby Ladd that Orlando "Baby Lane" Anderson was a member of the South Side Compton Crips and also Duane Davis's nephew. In fact, Detective Dupree also tells you that Orlando "Baby Lane" Anderson was very close. He used the word "prince" of South Side, only behind Duane Davis. And then we also learned about the other members of the South Side Compton Crips. We learned about Terrence "Bubble Up" Brown, Corey "C Ray" Edwards, who we did not get to show up. We learned about Deandre "Big/Freaky Dre" Smith. We heard about Orlando "Baby Lane" Anderson. And then we had Devonta "Dirt Rock" Lee also testify here today. He told you about these folks, as did Bobby Ladd.
(33:18)
We also learned about the connection between Keffe D and Eric "Zip" Martin. We learned about that through both Wade Lee, who did the narcotics investigation into Duane Davis, and we learned it through Bobby Ladd, who told you that he was assisting in federal investigations with Duane Davis and his connection with Zip Martin. And in fact, what Bobby Ladd had told you was that Duane Davis had gotten so high on the food chain that he wasn't somebody that Bobby Ladd would be investigating as a gang detective. That was more of a FBI, DEA type investigation. Through Mike Dorsey, we also learned about the connection between Sean Combs and Zip Martin. We also learned from...
Speaker 1 (34:00):
... Martin. We also learned from Dirt Rock and from Reggie Wright Jr. and from Mob James that Duane Davis was providing some form of security for Bad Boy Entertainment. Now, this is not official security. This is just be around, make sure our guys are okay in case they run into mob guys. And we learned that from all those other witnesses, not a word from Duane Davis. And then we learned from all those witnesses that this developed into a rivalry that involved both gangs and music lanes.
(34:40)
Then we had the Lakewood Mall incident. Now we've heard a lot of people talk about having heard about the Lakewood Mall incident, including Bobby Ladd and Reggie Wright Jr. and a number of other folks, but we actually heard from somebody who was there. We heard from Dirt Rock himself. He said there was five or six, there was a number of mob guys there, the number of South Side Crips there, and there was a brawl inside the Foot Locker. And the brawl was so big that it caused a lot of damage inside the Foot Locker. And then we also learned that it was about a Death Row chain or a Death Row chain was involved. We learned from both Devonta Lee and from Bobby Ladd that taking the chain was an ultimate sign of disrespect.
(35:22)
Now let's talk about September 7th, 1996. What else do we know about September 7th, 1996 that doesn't involve Duane Davis' estate? Well, we know the Burris Street Crew was in Las Vegas. We know at least two of them. Orlando Anderson, there's a receipt for him at the Excalibur Casino on September 6th, 1996 through September 8th. You see it in his name. We also know that Corey Edwards, one of the older OGs, one of the older guys in the South Side Compton Crips was in Las Vegas as well. And that's proved independent of anything Duane Davis has said in this receipt. But the same time period, there he is. And we also know from Devonta Lee that the older folks would tend to be with the older folks who tend to hang out with the older folks, the younger folks would tend to hang out with the younger folks, which tells you the inference you can draw is that the older folks are staying at the Monte Carlo.
(36:22)
Then the video that you've seen a number of times, Orlando Anderson getting beat by Tupac Shakur, Suge Knight, Buddy, Nick Bone, Trayvon Lane. Reggie Wright Jr., we identified all those folks for you. And then you heard from security and from patrol that the person who was in the Dan Marino jersey was in fact Orlando Baby Lane Anderson.
(36:59)
The other thing you heard was that when Orlando Anderson was asked, "Do you want to press charges or do you want to assist or do you want medical attention?" Orlando says, "No. No." And what you learned from the witnesses is Orlando's beating required immediate violent retaliation. Bobby Ladd told you that he could not go back into the Compton and had suffered such a public beat down. Mob James put it more succinctly when I asked him, "Hey, there's this rumor that Tupac knocked you out." And what did Mob James say? "I would have shot him." I couldn't even get the sentence out of my mouth because that was the nature of the gang life in the 1990s in Compton.
(37:46)
What Mob James said is, "You had no choice. You You could not go back to Compton having gotten beaten publicly, otherwise you were going to be tested by every person in your neighborhood." The need for retaliation exists without a single word from to Orlando.
(38:07)
Then two and a half hours after the beating, Tupac and Suge leave for Club 662. And we heard from three people who were part of that entourage. We heard from Malcolm Greenidge, who was a performing artist, a member of the Outlaws, one of the groups that Tupac was associated with. We heard from Ingrid Stokes and we heard from Leonard Jefferson and they all joined at various points of the entourage.
(38:34)
And here's an interesting question. So were the women yelling for Tupac? So Ingrid Stokes says now, "One of my girls in the back was talking to Suge." Malcolm says, "Yeah, there's something going back and forth. They're talking to Tupac and Suge." And ladies and gentlemen, there's no dispute that they were both there. It's just depending on where you are, your perspective and how you're perceiving things changes. So Ingrid Stokes is in the car with the women. Malcolm Greenidge is in the car behind them. They see how things are going differently. It doesn't mean they weren't there.
(39:11)
And then Ms. Stokes does a favor of drawing this diagram of saying where she was. And what she says is that there's an empty lane to the left, there's Mr. Knight, her car's behind Mr. Knight and then she goes to the right of Mr. Knight. And then I took the opportunity to try and fill some of these gaps, poorly, but some of these gaps. And so what we hear about the lineup, and let's just focus for the time being on the lineup on the left with Suge's car, we heard from William Heidmeyer who had seen what's going on there.
Michael Sanft (40:12):
And then with regards to the vehicles themselves, your testimony was that there was a white van of some sort or maybe a vehicle in front of the black BMW?
William Heidmeyer (40:21):
Yeah, it was a white Dodge Stratus.
Michael Sanft (40:22):
I see. Is that a van? No, that's a car.
William Heidmeyer (40:27):
It's a two door sedan.
Michael Sanft (40:28):
Okay. And then behind it is the BMW?
William Heidmeyer (40:30):
Yes.
Michael Sanft (40:30):
Then behind it are multiple cars leading back?
William Heidmeyer (40:34):
Yes.
Michael Sanft (40:35):
And your testimony was that you had identified, is it a Lexus behind it?
William Heidmeyer (40:40):
I think it was a Lexus, I believe so.
Michael Sanft (40:41):
And then another vehicle and then a white Chevy, and then it just kept going all the way down. Correct. So even though we're identifying these vehicles, you don't know how many vehicles were in the procession or the-
William Heidmeyer (40:52):
It was several. I didn't count them at the time, but it was a good 10 vehicles.
Speaker 1 (40:58):
[inaudible 00:40:59] know about these clips. Ultimately, your memory is what determines what happened in this case. And be careful both of my clips and Mr. Sanft's clips, of what the context is of these statements. Don't just take my clips or Mr. Sanft's clips word for it. Obviously you've taken notes, you were here. So be careful and hold me to the fact that these clips accurately reflect what you remember in the case. But I think that's a pretty long enough presentation to see what he's talking about, all the cars on the left.
(41:32)
Now let's talk about the cars on the right. You have Ingrid in a Sebring and she incidentally you see after the shooting, the white Cadillac goes right on Koval and then Ingrid also follows that Cadillac. Now she's not following the Cadillac because she wants to go attack or pursue the shooting vehicle. She has her head down and she's freaking out and she's like, "Let's get out of here." She makes the immediate right. She happens to follow the Cadillac. Now this is an interesting thing that we talked about perception because Duane Davis says, "Oh yeah, these broads," I think is what he saying, "These broads are trying to follow me." That's his perception. I mean, and to some extent it's understandable. They are following him, but they're not trying to pursue him. They're freaking out and trying to get out from around there. And then he says, "And then we shot at them." And Ingrid says, "It's possible that we were shot at." And then he says, "We shot a windshield there." And then she says, "No, that didn't happen." But a reasonable inference is, well, he thinks they're chasing them. They shoot at them and then they stop. It's a reasonable inference to think that, hey, maybe they stopped because we hit them, right? It's all about people have different perspectives based on what car they are in.
(42:48)
Regarding the shooting, one arm out of the rear driver's side window, one firearm used, and we learned that it's a 40 caliber Glock semi-automatic from the cartridge cases recovered. And it's key. There's only one firearm used. We learned that Suge makes a U-turn once that happens and goes back to Las Vegas Boulevard and ultimately crashes or the wheels on the other side of the car are destroyed from that turn when he gets onto Las Vegas Boulevard and that he stops, he gets out of the car, he's bleeding from the head. And when police arrive, he says, "Help my friend. Help my friend. He's hurt." And a brief note about Mr. Knight, you also heard about Mr. Knight's level of cooperation or lack thereof in this case, right? We learned that from Detective Becker that Mr. Knight did not initially want to come to talk to police. And then when he did, he came with three lawyers. And that when he came, he said, "I didn't know anything. I didn't see anything." And then you also heard from Detective Dan Long who said, "I tried to reach out with him through a friend. I happened to have a friend who played football with him or a coworker that played football with him. I tried to reach out to him then. And then when Mr. Knight heard what it was about, he immediately hung up." So Mr. Knight does not want to be involved in this case for a long time. And has said, at least to police, you heard from Brett Becker that he didn't see anything for whatever that's worth.
(44:22)
We learned that Mr. Shakur is taken into an ambulance. He's able to talk. Malcolm Greenwich says, he tells me, "Get down. I don't want you to get hurt by the officers. I don't want you to get shot." So he's able to talk. He's still communicative. And so Gary Dale, who goes down with him to the hospital says, "Hey, so who did this to you? What information can you get?" And what Mr. Shakur says the whole time is, to the extent he's communicated, "We'll take care of it." Which tells you two things, right? This is further part of the gang culture that's existing. This is the environment that's happening right here. It's not, "Let me tell you who did it" in the same way it wasn't for Orlando Anderson, let me tell you who did it. It was, "We'll take care of it."
(45:02)
The other inference I think you can draw from this though is that "we'll take care of it" is this is not a stranger. This is not a shock. This is not some random person, some random fan off the street. "We'll take care of it." The inference there that you can draw reasonably using your common sense is, "I know what this is about and we will take care of it."
(45:26)
While all this is going on, Reggie Wright Jr. and Mob James are at Club 662. And I think there was some inference that somehow Reggie Wright Jr. was involved in this, but we learned from James McDonald, but "as about impossible" is what he said. That was the exact words, "Impossible." And there at Club 662, Reggie Wright was in charge of legitimate security. Mob James said he was in charge of mob security. Reggie says, "Well, I don't know if that's true. He may have been working on his own hustle," but Mob James says he was in charge of mob security. And then what we know is that from Reggie Wright Jr. that Alton Buntry McDonald and Roger "Neckbone" Williams arrived from the entourage, arrived from where the shooting occurred. Remember Reggie said they told him about the shooting. He though they were joking at first because sometimes they tried to mess with him. They were also part of the group that had beaten Orlando Anderson that day.
(46:24)
So where we are in the timeline is that two people who were part of the entourage come to Club 662 to tell Reggie and to tell Mob James what had happened. In fact, one of them is Mob James's own brother because they told Reggie about the shooting. And what did Reggie relay about the shooting? He immediately calls his father, the lieutenant of the gang unit in Compton and says, "South Side did it." That night, this is not Mr. Davis said South Side did it. This is that night contemporaneous, "South Side did it."
(47:06)
But Mob James goes one step further. He has more specific knowledge. And this is not surprising really because he's talking to not the official security, he's talking to the mob folks, one of whom is his brother. And this is what he has to say about that.
James McDonald (47:22):
When I was a part of that life, I was a part of that. No, because you're asking something that's going to hurt this dude. Okay, let me stop. When we got back to Compton, it was a gang war. People were getting hurt. People was being assaulted. People were looking for certain individuals from his neighborhood as well as they did mine. But Orlando, him and certain other people were being assaulted because people wanted to kill them.
Michael Sanft (48:07):
Sure. Were they the only ones that they wanted to kill?
James McDonald (48:25):
Am I the only one up in here? No, they weren't the only one. It's his neighborhood in particular, but they were the main subjects of a gang war. It was in the middle, such as me.
Michael Sanft (48:26):
So you're telling us that people back home somehow had some type of information that said that that guy and a bunch of other people were involved in what?
James McDonald (48:37):
In the murder of Tupac.
Michael Sanft (48:40):
But my question to you.
James McDonald (48:44):
Stop.
Speaker 1 (48:47):
So I've got to say, been doing this for a while. I have not seen testimony quite exactly go like that, and it's easy to get caught up in what was the drama of that moment and miss the content of the moment. I know I missed some of it as well. I didn't ask any follow-up questions because I was just so caught up in the moment. But if you actually listen to what Mr. McDonald is saying, it's pretty damning regarding Mr. Davis. What does he say? "That night, we know who did it. We're hunting for two people in particular, Orlando Anderson and that dude." That's what he says. And then Mr. Sanft follows up, "Well, for what?" " For the murder of Tupac." Before we get to one word from Mr. Davis, we have contemporaneous 1996 intelligence, 1996 relay of who was responsible for the murder of Tupac Shakur.
(49:47)
And he says two names and two names only, Orlando Anderson and Duane "Keffe D." Davis, this guy. And he doesn't even want to be here as you recall, right? He says, "I don't want to be part of this. I don't want to put you in prison." And even tries to guide Mr. Sanft away from asking these questions that lead to the inevitable conclusion that Mr. Davis is responsible for the murder of Tupac Shakur. And again, we haven't gotten to one word of what Mr. Davis is saying. Not one word. We're not required to give you corroboration, but I don't know anything else to call that.
(50:33)
South Side named that night, Orlando Anderson, Keffe D, before the world had the name, Mob Piru had that name. And the war breaks out in Compton based on this. And it's not a war between two random gangs. Bobby Ladd told you there was over 50 gangs at the time. These two are the ones going back and forth. These two are the ones that are doing the killings. And what you heard is in a mere 10 days, three people were killed on Mob and Piru side. You heard a 10-year-old girl got shot. She wasn't the only one. A lot of folks got shot, but Mob James told you is a lot of people got hurt behind this. And you could see that it was a very real thing to him. It's not just an abstraction. It's not just Mob or South Side. These are real people whose lives were altered forever as a result of this ongoing war. So before Duane Davis has a single word, we know that Duane Davis is the leader and shot caller of the South Side Crips. Orlando Anderson was his nephew and the prince of the South Side Crips, that Zip Martin had a drug connection with Davis and connection with Sean Combs. That South Side through Davis was assisting Bad Boy Records of protection, that there was a fight at Lakewood Mall between Bob Piru and South Side Crips that involved a Death Row chain, that the Burris Street members, Corey Edwards and Orlando Anderson were in Vegas for the Tyson fight.
(51:58)
And one thing I want to add to this is what Bobby Ladd told you is that Burris Street and Glencoe Street would fight, right? There was an internal beef between them. And so I've heard the name Darnell Brim brought up, but which clique did Darnell Brim belong to? He belonged to Glencoe. So there's no way that he's hanging out with Orlando Anderson and Corey Edwards at the MGF. But before we get to a word of his, Tupac, Suge members of the group beat up Orlando Anderson. Two and a half hours later, Tupac, Suge and the rest of the crew were headed to Club 662. The women in a Chrysler Sebring were communicating with Suge and Tupac's car. Now it could just be one woman talking to Suge or it could be a couple women talking to both Tupac and Suge, but we know there's some communication going on that the white Cadillac pulls up and one arm out of the rear driver door shoots into Tupac's car, that the murder weapon is a 40 caliber Glock, that the women in the Sebring follow the white Cadillac, that the reports 2662 from people at the scene to Reggie Wright Jr. said South Side did it and that Mob James McDonald knew exactly who he was hunting for that night, Orlando Anderson and Duane Davis.
(53:05)
So having said all that, now let's get to what Duane Davis said. Now you've heard over eight hours. I'm not going to play that. I'm going to give you a few highlights. And again, just like with the clips of the testimony, it's up to you to determine what's actually real, what's actually not real. So if there's some question about what the clips were, please go back and look. Don't take my word for it. Verify everything, right? But we know that there's four statements in different settings with different motives. We have a 2008 proffer for the feds. We have a 2009 interview with Dan Long and Darren Dupree. We have a 2017 Death Row Chronicles and we have a 2019 book.
(53:48)
And those four statements are not exactly the same. In fact, they're quite different depending on the context, I mean, that's just real. But the four statements are based on what Duane Davis's motivations are. The State's position has never been that Duane Davis just wants to unburden his soul to let everybody know about what happened, that he feels his guilt that he just needs to let off his chest. That's never been the State's position. The State's position is Mr. Davis's actions are always driven by his self-interest. That doesn't mean it's not true. It just means that that's the lens for which you need to look at these statements. So in 2008, the truth helps him. In 2009, the truth can hurt him. In 2017, the truth exposes him. And in 2019, the truth needs an excuse. Well, I'll explain that a little bit more as we go through each one of the statements.
(54:44)
First, let's talk about 2008. The one time truth is the incentive. In 2008, telling the truth helps Duane Davis, right? Because this is the exchange. "You tell the truth, we drop your charges." That's the exchange that's going on here. And Mr. Sanft had mentioned, well, nobody believed Mr. Davis in his opening. "Well, nobody believed this, that's why it took so long to get here." Well, let me ask you this. Have you heard of Duane Davis doing a single day of that life sentence that was hanging over his head? He didn't do a single day on a life sentence hanging over his head. You think that's indicative about whether or not the federal agents, the federal government believe what Duane Davis was telling him was the truth? His incentive here, it's the purest incentive to tell the truth.
(55:39)
One thing that you need to evaluate though, what the judge told you, is you need to determine whether a statement is voluntary or not voluntary. Before you consider it, you've got to make that determination. And a proffer is a voluntary statement because if you look at the voluntary instructions, so it's what is juror instruction number 40, he talks about police coercion. But the one thing that's explicitly clear is police coercion does not include factors which motivate a person to speak because of self-interest or by the expectation of a benefit. Mr. Davis is in that room that he's trying to get out from under a life sentence. And what the law tells you is that is never police coercion.
(56:23)
Additionally, a proffer is not coercion. A proffer agreement is something wherein both sides of the contract expect a benefit in exchange for entering the contract. Federal government expected the benefit. They wanted the information. Mr. Davis wanted a benefit. He wanted to not serve life in prison. And so when you're expecting a benefit that you are not being coerced, that's a matter of law.
(56:50)
So here, the law is clear the benefit expected cannot make a statement involuntary. But the other thing that again is interesting is that at the same time, the benefit gave Duane Davis every reason to tell the truth. Every reason to tell the truth. So let's look at that 2000 statement. I want to play again a few clips.
Michael Sanft (57:13):
What do you tell Zip right then?
Duane Davis (57:15):
What's that?
Michael Sanft (57:16):
Do you tell Zip, "Hey, we're going to go handle this shit," or whatever?
Duane Davis (57:19):
Yeah. They asked like, "Y'all want us to come?" We know where them motherfuckers is at." They was telling us that they going to be at the 662 Club.
Michael Sanft (57:26):
Who was saying that?
Duane Davis (57:26):
Everybody.
Michael Sanft (57:26):
Everybody out there?
Duane Davis (57:26):
Yeah, everybody. They gave them a concert.
Michael Sanft (57:26):
Well, how do you know that Zip's got a gun? Does he tell you?
Duane Davis (57:35):
He told us in the lobby when I met him in the lobby. "I got one."
Michael Sanft (57:39):
Did you ask him, "Do you have one?" Or he just tells you, "Hey, I got one."
Duane Davis (57:43):
Yeah, that's when he asked, "Do we need some help? I got some guns." I'm like, "Yeah. Okay, cool." But only one he gave me. Yeah.
Speaker 1 (57:44):
And from St. Martin. Then he talks about-
Duane Davis (57:44):
We went up to the 626 Club. They didn't show up. We waited about 15, 20 minutes. They didn't show up. So it's like, "Let's go get some liquor." We stopped at the liquor store. I got out of the van with the and jumped in the Cadillac.
Speaker 1 (58:12):
And in other parts of the statement, he tells you who's in the Cadillac with him. And notably, the seating arrangement never changes. It's Terrence T. Brown or Bubble Up, the driver, Mr. Davis as the front passenger, Deandre Big Dre or Freaky Dre Smith in the rear driver's side and Orlando Baby Lane Anderson, Orlando Anderson.
Duane Davis (58:34):
Yeah. I think the little liquor store was right there. Then we came up Harmon at the Las Vegas Boulevard and shit. Here they coming at BMW, "Tupac, Tupac." We're like, "There they go." Made a U-turn. We wasn't supposed to make a U. We just wanted a U-turn and they was in the middle lane and we just pulled up on the side and checked every car to see where they was.
Michael Sanft (59:06):
So what directed your attention to him was some girl shouting at Tupac?
Duane Davis (59:10):
"Tupac." He gave himself away. Otherwise, they would've got away. He all hang out. You know how he do. They was in a ditch and we went and got him.
Michael Sanft (59:20):
He did a U-turn, so then you pull alongside of it. You got entered in the car. Have you already handed Lane the gun at this point or at what point do you hand him the gun?
Duane Davis (59:29):
I though he was going to pull on my side. That's my little nephew. I'm going to look out for him. And he pulled off on his side.
Michael Sanft (59:41):
So you were fitting to blast if you had to, or you were just-
Duane Davis (59:43):
Yeah, if we would've been on my side, I would've blasted.
Michael Sanft (59:46):
Okay. So you hand the gun to the back seat?
Duane Davis (59:48):
Yeah.
Michael Sanft (59:49):
You can hear Lane?
Duane Davis (59:50):
I gave it to Dre and Dre was like, "No, no." And Lane's like "Yeah Fuck dude."
Speaker 1 (59:58):
So a couple things from that is one, Mr. Davis says, "I thought he was going to pull up on my side," which will be important later. And then two, that "I was going to shoot, but then I gave the gun to the back. Dre gave the gun to him."
Michael Sanft (01:00:14):
Lane starts blasting. You say Suge looks over, he sees you?
Duane Davis (01:00:35):
Yeah.
Michael Sanft (01:00:35):
He looks right at you?
Duane Davis (01:00:36):
Yeah, he look at me.
Michael Sanft (01:00:36):
Okay. Why was he looking right at you?
Duane Davis (01:00:36):
Fuck, because we've known each other since we're seven or eight years old.
Michael Sanft (01:00:36):
When he looks over at you, and then Tupac's busy getting shot, evidently the story is Tupac's trying to either get out of the car-
Duane Davis (01:00:41):
Get in the back seat or something.
Michael Sanft (01:00:43):
Yeah. What do you see happening inside of that car?
Duane Davis (01:00:48):
I seen a bullet go in Suge's head. I thought he was dead. I though he was dead. He must have scraped him or something in the head or something.
Michael Sanft (01:00:55):
A piece of glass went into his neck right here.
Duane Davis (01:00:57):
And he had a thing in his head too. I though he was dead.
Speaker 2 (01:01:04):
I'm sorry. Did you guys stop? Did Bubble Up stop the car and just let him get off?
Duane Davis (01:01:09):
Yeah. Then we made the right.
Speaker 2 (01:01:11):
Okay. But he stopped what you said while he, "Boom, boom, boom," got off, then took off?
Duane Davis (01:01:14):
Then we made the right and some broad in the Sebring was following us. Stupid bitches. "Ahh." We shot their window out and they stopped.
Speaker 2 (01:01:26):
So Tupac's trying to jump in the back seat. And what's Suge doing, just ducking?
Duane Davis (01:01:31):
Ducking. He couldn't really duck because he was too big.
Speaker 1 (01:01:38):
And here is when Mr. Davis also mentions the girls in the Sebring. It's hard to hear if he says Sebreez or Sebring, but fundamentally the same thing. And then he says, "They're following us and we're shooting at them, and then we hit the window and they stop." I think that's an inference he's drawing from them all of a sudden stopping because he thinks they're pursuing him. But we know from Ingrid, they're not pursuing him. They're trying to get out of there. They just don't know.
(01:02:06)
So if we look at the 2008 proffer, one of the other interesting things, if you listen to it, is that he actually thinks he's on camera at the MGM. If you listen to him talking about the meeting at the restaurant and the cafe, he says, there's an exchange like, "Y'all saw me there, right? Y'all saw me there?" And then Daryn Dupree says, "Oh man, I was there." He's like, "Oh, you're kidding." But he thinks he's on video. It's the reason why he's never denied being in Las Vegas. He actually thinks he's on video. In fact, he further asks, and you can check the transcript or check the audio itself. He further asks, "Did you guys have video at the valet?"
(01:02:41)
So this is why he thinks he's not giving up much, is because he thinks he's already on video. Now, they don't know the shooting would never be captured on the video, but the idea that he was in Las Vegas, he's never disputed from 1998 to 2023, the whole part of this case is he's never disputed because he thought he was on video.
(01:03:02)
Then he also adds the liquor bar, and what we heard from Mike Dorsey was there actually was a liquor store on Maryland Parkway, right? That's what Mike Dorsey said. Mike Dorsey's a documentarian. He said, "Yeah, I looked that up. There actually was a liquor store on Maryland Parkway in that place." And then I think it was followed up by at some point in the '90s was Lee's Liquor going by Lee's Liquor Bar before there was a cease and desist order.
(01:03:26)
He gives the white Cadillac in the seating position, the 40 caliber firearm, shots from the rear driver. And this is really important because he provides a detail that is not publicly available, right? The Sebring with the women following him. I'm not going to pretend that this case wasn't reported on in the previous years between 1996 and 2008. The caliber of firearm was in the papers. I bet you it was even in Mr. Davis's clinics. The fact that a white Cadillac was involved, absolutely well known. What was not well known, what was never publicized by 2008 was the Sebring with the women following. So where does he get that detail? And what's fascinating about it again is Ingrid's not following him. It just looks like that from the perspective of somebody in the white Cadillac.
(01:04:27)
The open lane. Mr. Davis says, "I thought he was going to pull up on my side so I could do the shooting." And as frequently as I've heard this tape, that part never made any sense to me. And trust me folks, I've listened to this once or twice. And then I saw Ms. Stokes' drawing. What does she tell you? She tells you that this lane is open. In my mind's eye when I'm thinking, well, why would you ever think that the car, if you're all the way to the edge, the car would be pulling up on your side, the passenger side? But Ms. Stokes says that, Mr. Heidmeyer, who's at the Maxim Hotel, remember he's the one looking down on this.
(01:05:14)
He also says that after what he sees is Suge being able to turn immediately, make a U-turn immediately and go back down Flamingo, also indicating that there's nobody in that lane because Suge is not in the left turn lane, right? He's trying to go straight. Then there's nobody in the left turn lane, which is why Mr. Davis could say, "I thought they were going to pull up so I could do the shooting." Because if this lane was full, that makes no sense. But since we know that lane is empty, Mr. Davis's story makes sense.
(01:05:51)
And the other thing about the 2008 proffer is where Mr. Davis pushes back. He's not just saying yes, yes, yes. He suggested Lane in the van too? He corrected. No, he's in the Cadillac. They suggested Orlando's behind the driver. There's confusion about where everybody sat. And Mr. Davis says, "No, Orlando is behind me." And then there's this whole exchange about what they did with the gun. And Mr. Davis said, "We left the gun on the tire of the Cadillac." And the officers just don't believe him. That makes no sense at all. You've got this gun used in a murder. Why would you put that on a tire? That doesn't make any sense at all. And Mr. Davis' attorney, Wayne Higgins says, "I mean, you guys aren't thinking like folks from Compton. You guys are thinking like cops." And then what Mr. Davis says is, "Do you want the truth or you want me to lie?" Because the truth is that's where the gun was. So it's not as though Mr. Davis would not push back when given something that wasn't true.
(01:06:56)
Lastly, Mr. Davis's statement makes no sense as a lie. The 2008 statement makes no sense as a lie. He could have said he was just a witness. He has his attorney with him and he does this in 2009. He could have just said, "Man, Orlando had the gun. I was just in the car along for the ride. I had no idea that this was going to go down." Or, "Man, you want the information about what would happen with the Tupac case? I can give that to you." I was the shot caller. Orlando told me, my nephew told me. Big Dre told me. Terrence "Bubble Up" Brown told me. They all told me what happened. I can give you all the information you need." He never has to put himself in the car. It doesn't make sense as a lie. And mind you, this is for the notorious BIG investigation. This isn't even the Tupac investigation.
(01:07:44)
So if the notion is Mr. Davis is creating this whole story, why would he create the story that makes him legally liable for murder when he could just make himself a witness? His non-public information about the woman, his unnecessary details, and those details are like Zip.
Binu Palal (01:08:00):
... about the woman, his unnecessary details, and those unnecessary details are like Zip. Why are we including Zip? If anything, for somebody who's trying to get away with a lie, it makes it worse because that's something that if Zip were to ever have cooperated, he didn't, but if Zip were ever to cooperate, that's something they could say, "Mo, you're lying, your deal's off." Why add Club 662? Why even add that detail? Why can't it just be, we were driving down the street, I happened to be in the car and then we started blasting? Why add that little granular detail? Because there were other people at Club 662 that could have said, "No, he was never there." Why add the liquor store on Maryland Parkway and the changing of the cars? If anything, all you're doing is implicating more people.
(01:08:43)
He says, "I start off in the van with Corey and these other guys and then they were whining too much. So at the liquor store, I go and switch cars." Why are you adding this unnecessary lie if it's a lie? Why isn't it just, " Man, I heard this is what happened. I saw this is what happened." All these unnecessary details. Why add Dre passing up the shot? What does that contribute if this is a lie?
(01:09:16)
The other thing I'll be upfront with you is that not everything that Mr. Davis recalls 12 years later can be confirmed and some of it's probably wrong. He says that he saw Mr. Shakur the night before, [inaudible 01:09:36] Mr. Shakur the night before, Malcolm Greenidge and Reggie Wright Jr. said they came in Saturday night. These are differences that 12 years later will cause reasonable things that you may not remember. It's not whether or not he gets every detail right 12 years later. What he's focused on is the material things, the material things, which are what happened in that car from the shooting of Tupac Shakur.
(01:09:57)
And if you look at the 2008 federal proffer, he admits to being this outside leader, front passenger seat, gets a gun from Zip, gives the gun to the back of the Cadillac, shots from the rear. And this is when he has the most incentive to tell the truth. So that's about 2009.
(01:10:17)
Now 2009 is just weird. This conversation is just a weird one, right? Because Dan Long is coming in thinking, "I'm going to interview somebody and maybe I'll get information enough to arrest somebody." Wayne Higgins is telling Mr. Davis, "Hey, be careful what you say. You might get arrested." And what's going on there came out during Detective Long's, I think it's cross-examination by Mr. DiGiacomo, is that Duane Davis was trying to work off charges. Again, he's expecting a benefit. So the one thing we know is that it's voluntary because if he's expecting a benefit, it's voluntary. And in fact, he even has his attorney there. He's not hooked up. He's with his attorney there voluntarily to give this interview, but it is weird. And Davis's attorney tells him to distance himself from the gun. So he says... Well, this is what he says.
Audio (01:11:09):
Duane Davis: [inaudible 01:11:10]. Somewhere closer to that. Could I talk to D for a second?
(01:11:09)
Dan Long: Sure. Go ahead.
(01:11:09)
Duane Davis: I'm talking about without you.
(01:11:09)
Dan Long: Oh yeah, absolutely.
(01:11:09)
Duane Davis: [inaudible 01:11:10].
(01:11:09)
Dan Long: I'll step out.
(01:11:09)
Duane Davis: [inaudible 01:11:10]. Just so he can clarify.
(01:11:09)
Wayne Higgin: What's up man? Okay. Hold on one second. Let me close the door really quick. Look, you're doing a pretty good job. And I know it's kind of hard, but you ain't supposed to be getting in to anything like, you was involved in murder, you got to keep it [inaudible 01:11:50].
(01:11:50)
Daryn Dupree: But what you told us, stay consistent with what you told us.
(01:11:53)
Duane Davis: He gave me the gun. He gave me the gun.
Binu Palal (01:12:00):
So what happens here is Dan Long has left the room. Mr. Davis says, "Hey, can I talk to D?" And Dan Long says, "Yeah, sure. But no, with you out of the room." So now you have Detective Darren Dupree, you have Wayne Higgins, Mr. Davis' attorney, and Mr. Davis. And what Wayne Higgins tells Mr. Davis, "Hey, look, you're not supposed to be talking yourself into a murder right now, so be careful." Later in the conversation he says, "This man is here trying to put a case on you." That's what he's trying to do. And what Daryn Dupree is there, Darren was also part of the federal task force. And what Daryn Dupree [inaudible 01:12:37], but you got to keep it consistent. And why? Because if he tells a vastly different story here, then the federal proffer goes away because then the federal government's like, "Well, were you lying then or are you lying now? How can we be assured that you've met your part of the bargain if you are telling a totally different story in these two different instances?"
(01:12:59)
So what Duane Davis is trying to do is thread a needle. He's trying to keep it consistent enough in order to keep his proffer deal where his only incentive was to tell the truth, but not catch a case from Dan Law, not trying to catch a murder case from Dan Law.
(01:13:18)
And what is absolutely fascinating is, so when Wayne Higgins is telling him, "Hey look, hey look, you want to distance yourself from the gun," Mr. Davis pushes back his own attorney, "He gave me the gun. He gave me the gun. Am I not supposed to say that? He gave me the gun." So even in his unguarded moments with a detective and an attorney, he's saying, "Martin gave me the gun." Because the first part of the story says Orlando got the gun. And then after this interlude, he says, "No, no, it was me. He gave me the gun." Now he listens to Wayne. He gives his advice a little bit and he alters the sequence of events a little bit. He says, "I gave Dre the gun before we went hunting, but they were still on their way hunting for Mr. Shakur."
(01:14:08)
And if you look at this statement, he still is the leader of South Side. He's still in the front passenger seat. He still gets the gun from Zip. He still gives the gun to the back of the Cadillac, the sequencing is a little different and the shots are still from the rear. He still puts himself in the Cadillac as the shot caller.
(01:14:29)
Now, 2017 is a completely different scenario. Now the gun is dangerous to admit. And if you recall that some of the conversations that happened, this is the one to the BET Chronicles where we've got some audio and you hear Mike Dorsey's phone clicking a little bit and you hear some pieces of conversation where Mario Diaz is trying to get this information for his TV show. Here, Mr. Davis clearly has liability and even says, "They could give me the death penalty for this." So he's very aware of what he can and cannot say, or at least he's trying to not get in trouble.
(01:15:09)
But he still provides motive because of Orlando's beating. He still provides the same people in the Cadillac. He still goes to 662 to seek a violent confrontation. I think this time it's let's just get into a fight as opposed to a shooting, but it's still a violent confrontation he's seeking. He still sees them on Flamingo. They make a U-turn. They turn to confront Tupac and Suge. The only thing that's different here is that the shots came from the back, "I don't know what happened. I think they were blasted. We were blasted. I have no idea." So the 2017 statement is South Side leader, front passenger seat, gun from Zip he denies, gives the gun to the back of the Cadillac, kind of hedges about where the gun came from and then still shots come from the rear.
Speaker 4 (01:15:51):
Mr. Palal, I've received notification that one of our jurors does need to use the restroom at this time, so we are going to take a break. During this recess, you are [inaudible 01:16:00] to talk or converse amongst yourselves or with anyone else on any subject of the trial or read, watch, list to any report or commentary on the trial of any person connected to this case by any means of information including without limitation useful television, internet, radio or form or express any opinion on any subject connected with the trial until the case is submitted to you. Please rise for our jury. We'll have you rise back here at 10:40. For the record, the jury has exited the room. Is there anything we need to address outside the presence?
Binu Palal (01:16:49):
Not from the state.
Speaker 7 (01:16:49):
No, your honor.
Speaker 4 (01:16:50):
Okay. I anticipate we'll roll straight through at this point. So if anybody needs to use the restroom, counsel, anyone or Mr. Davis, please do at this time.
Binu Palal (01:17:00):
We only have three hours left, Your Honor, so I think we should be fine.
Speaker 4 (01:17:02):
Hilarious. Love it. Back on record in C377407. Anything you need to address before bringing in the jury?
Speaker 3 (01:17:14):
[inaudible 01:17:14].
Speaker 5 (01:17:14):
We're on record.
Speaker 4 (01:17:19):
Anything we need to address?
Binu Palal (01:17:19):
No. No.
Speaker 4 (01:17:20):
Okay. Let's bring in the jury. Please rise.
Speaker 6 (01:17:22):
Stand for the jury.
Speaker 4 (01:17:50):
Do the parties stipulate to the presence of the jury?
Binu Palal (01:17:52):
Yes, your honor.
Speaker 3 (01:17:52):
Yes, your honor.
Speaker 4 (01:17:57):
You may be seated. Mr. Palal, you may resume with your closing arguments. Thank you.
Binu Palal (01:17:59):
Thank you. So where we were in 2017, he had the incentive to protect what he was saying because he had more exposure. And so he's still a south side leader. He's still the front passenger seat. He denies the gun from Zip. He gives, he hedges, not very clear, but then he says, "The shots come in from the rear."
(01:18:21)
So now let's look at 2019 [inaudible 01:18:23]. But first, when we're looking at the 2017, this isn't confusion. It's not as though Mr. Davis is like, "Well, I don't know how to keep this story straight about what happened in the Cadillac in Las Vegas." It's calculation, right? It's his self-interest and his self-interest dictates what he says, but it's never, "I'm not sure what happened in the Cadillac while I was in Las Vegas."
(01:18:47)
Okay, 2019. Now the story pays him, and an excuse protects him. And so one thing I just want to talk about briefly about what an adopted admission is, and that's number 39. A statement doesn't have to be made by a defendant in order to be considered his own statement. If you find, and again, this is your province, if you find that a defendant by his own words or conduct manifested that he adopted a statement or believed it to be true, you may consider that statement as the defendant's own statement, the statement as if he made it himself.
(01:19:19)
And so we have the book. It's Keffe D with Yusuf Jah. Now I don't know the correct way to spell Keffe D, maybe with two Fs, maybe with two E's, maybe with three E's. I've tried to look it up. There's no place for an official spelling of Keffe. But this is what he tells you about the book.
Video (01:19:46):
Duane Davis: Well, this is my book here. I would like you guys to buy it and get the real truth instead of from a cop or some fucking industry people, or some bullshit. You're getting it from the real motherfucker. So go get the book and you can get the real truth about this whole situation. Thank you.
Binu Palal (01:20:06):
So that is a textbook version of an adopted admission, right? What he's saying is, "This is my book. This is the truth. Please go get it." So if Yusuf Jah wrote it doesn't matter. If Keffe D wrote it doesn't matter. If some homeless dude on the street wrote it doesn't matter. The second he holds it up and says, "This is the truth, this is the true version, come and get it." It is now an adopted admission as though he said it for himself. And these are some of the things he says. "I have risen in the ranks to become a major shot caller for the notorious South Side Compton Crips." And we actually know this outside. We've learned this before. When he talks about the Glock, "I pulled out the Glock that Zip had given me and tossed it in the backseat." So that's doing two things. One is telling you that Zip gave him the Glock and he tossed it in the backseat, Bubble Up did the driving, Baby Lane and Freaky were riding in the back. It's the same composition of people in the Cadillac.
(01:21:05)
"Bubble Up busted a U-turn, hit the gutter lane on their asses. They had a caravan of at least 18 to 20 luxury cars. As they sat in traffic in the middle lane, we slowly rolled past each one, looking into each car until we pulled up to the front vehicle and found who we were looking for." And this is key, right? Because in every iteration, this is an intended target, right? It was by initially they were looking for them at 662. They gave up the search, but once they see them again, they re-initiate the mission. They make the U-turn and they're going there for a very specific purpose, to shoot and kill the people in the BMW.
(01:21:48)
Now this is the part that Mr. Davis adds, right? "The shit was on. Tupac made an erratic move and began to reach down beneath the seat. It was the first and only time in my life that I could relate to the police command, keep your hands where I can see them Instead, Pac pulled out a strap and that's when the firework started. One of my guys from the backseat grabbed the Glock and started busting."
(01:22:10)
So now Mr. Davis, because he has some exposure, is trying to create a self-defense narrative. But have you heard of any other firearm being used? No. Or have you seen any physical evidence of a firearm being used? No. Is there any suggestion that another firearm's being used? No. So what do we do with this? We don't throw away everything Mr. Davis has said. What we say is, what is his self-interest in saying this? He published a book and he doesn't want to get arrested for the admissions in the book, even though as we learn, we'll learn very soon that this doesn't even qualify as legal defense.
(01:22:50)
Finally, a theme that was reiterated throughout all of Mr. Davis's statements is, "Them jumping on my nephew gave us the ultimate green light to do something to their ass." And I know you folks have heard a lot of Mr. Davis over the last couple of weeks. One interesting thing that you hear occurring is whenever Mr. Davis is asked, "Do you feel bad for what happened? Do you feel bad for having participated in the murder of Mr. Shakur?" And Mr. Davis has two responses. One, Tupac brought it on himself, which in this courtroom, not true. In the world of gangs, it's a different story. The other thing Mr. Davis always says is, "I'm sad what it did to my life." If you listen to any one of those instances, it's not about his actions. He feels justified in the world that he lives in to take these actions. He's more upset about the consequences of having participated in the murder of Tupac Shakur.
(01:23:55)
And on the book, he says he's a leader. He was in the car. He armed the shooter. He hunted the victim. He did it for revenge. He published the proffer, which is interesting because what he says in the book is, "I went there, I did a proffer. I had to do it. I had to tell the truth. That's what my attorney told me." And so at that point, Mr. Davis has broken the confidentiality of the proffer. Now he's not the first one. Greg Kading in his personal capacity published the details of the proffer. There is no doubt about that. In his personal capacity after leaving the LAPD, and no charges followed as a result of that. [inaudible 01:24:49] alleged proffer [inaudible 01:24:49].
(01:24:51)
Then in 2019, Mr. Davis does two things. He publishes the fact of the proffer and starts profiting off the proffer as well. And there's a fair critique of Greg Kading to say, "Hey, you are making money off your investigation." That's a fair critique, but it is an entirely different proposition to be profiting from a murder. And that is what Mr. Davis is doing. He is profiting off a murder at this point.
(01:25:30)
And in the book, Mr. Sanft had pointed it out that in the book, he does say that some of the facts have been changed. There is a disclaimer in here. Some of the facts have been changed, and they have. Some of the facts have been changed. But many years ago, OJ Simpson wrote a book that said, "If I did it." Dwayne Davis wrote the book, "I did it." And so in 2019, he's still the South Side leader. He's still in the front passenger seat. He gets the gun from Zip. The gun moves towards the rear. There's shots from the rear.
(01:26:14)
And the point of this is not to say all these other facts align. In fact, he does change things in the book. He says, he calls Lil Owl the reaper. He changes names. He changes hotels instead of the Monte Carlo, now he's at the Caesar's Palace. He changes some of these things around. He's a little self-aggrandizing, not shockingly, but the core facts remain. The material facts remain. The statements are different, but again, his motivation is what changes those statements. In 2008, the truth helps it. 2009, the truth can hurt him. 2017, the truth exposes him. 2019, the truth needs an excuse because when he's going public saying, "I killed, I participated in the killing, I orchestrated the killing of Tupac Shakur," he needs for some public and legal reasons to say, "Hey, he started blasting first," even though we know that's a lie. And so these are the changes, whether he procures a firearm from Zip and [inaudible 01:27:23] saying who fired from the back of the Cadillac and adding that Tupac strikes back. These things are about one thing though, his own responsibility.
(01:27:31)
But let's talk about the thing that never changes. He never gets himself out of the Cadillac in 2008, 2009, 2017, 2019. And the one thing he never says from 1998 to 2023 is, "I wasn't there." Mr. Sanft proposed to you this idea that this case was about fact versus fiction. I disagree. This case, like all cases, is about evidence versus argument. The judge told you what each is. Evidence which you are to consider in this case consists of the testimony of the witnesses, the exhibits and any facts agreed to by counsel. That is what evidence is. Mr. Sanft told you that, "Well, a microphone is always a microphone and that's the only way you can know something's true if it's an object that retains property over years." That's no basis in the law.
(01:28:38)
And the other part is statements, arguments and opinions of counsel are not evidence in this case. You guys have done a great job listening to me for probably too long, but what I say, and what Mr. Sanft says, what Mr. DiGiacomo says, it's not evidence. Our little clips, even the little clips I provided you of the testimonies, your understanding of what you've heard and the accumulation of things that have been admitted, including those statements, that's the evidence in this case. And so when Mr. Sanft tells you that everything that Mr. Davis said was BS, that's not evidence. That's argument.
(01:29:20)
Because I'm sure defense will argue Duane Davis was making this all up, but according to who? According to who? Detective Dan Long said he was ready to arrest. Mob James told you he knew precisely who he was hunting. According to who is this a lie? Who have you heard from say that this is a lie? What is the evidence in this case? In fact, Daryn Dupree, a man who worked 33 years in homicide, who was part of that federal task force said this.
Video (01:30:05):
Daryn Dupree: I didn't think Mr. Davis was lying because he put the gun in his nephew's hand. And if anybody knows anything from what I hear, Mr. Orlando Anderson was the man besides Keffe D in that neighborhood. He was the prince and his family loved him. I didn't think that Mr. Davis who put the gun in his own nephew's hand, dead or alive and put that smut on him unless it was true. The person that killed Tupac...
Binu Palal (01:30:48):
Okay. And again, your memory governs not a little clip that I put together, but it's a pretty thorough explanation of why Mr. Dupree doesn't think Mr. Davis is a liar. Because think about what this story is if Mr. Davis made it up. What kind of person would say that the person I love, the person who was beat down, is responsible for one of the most notorious murders in Las Vegas and the country? He would not. It would make no sense to put that smut, as Detective Dupree [inaudible 01:31:22], somebody that you love as a lie. Now, as a truth to get out of a life sentence, that's a different story.
(01:31:31)
Now I'm going to briefly discuss murder and then I promise I'll sit down. Who fired is not the question. So we're talking about the legal issues in the case. Who fired is not the question you'd ask. The law asks two questions instead, did Mr. Davis help the killing with intent? He has to have the intent or did he agree to it? And you take that one at a time. So we're not required to prove precisely which defendant actually committed the crime or which defendant aid and abetted. In fact, you don't even have to agree whether it's aiding abetting more directly.
(01:32:08)
And the other thing is, and this is important in this case because you've heard a lot of other people's names, you're not here to decide other people's guilt, whether they're guilty or not guilty. Mr. Davis can be guilty and somebody else can also be guilty. You're not here to decide anything beyond Mr. Davis' guilt or being not guilty. So what's aiding and abetting? It's instruction number nine, all persons who knowingly and with criminal intent, and he has to have the intent to be clear, the criminal intent to aid and abet are principles and are equally guilty. To aid and abet is to act with the intention that the crime be committed. You don't have to pull the trigger if you knowingly help the crime along, meaning for it to happen, the law treats you as though you pulled the trigger yourself.
(01:32:53)
And so what do we have here? We have Mr. Davis getting the gun, Mr. Davis' status as the shot caller, right? His status is what makes him part of this. He aided and abetted this murder. He got the Glock that Zip had given him and tossed it in the back. And he got the gun for what? For what purpose? Why does he have this gun? Why does he give it back? You know the answer.
(01:33:20)
And there's a second independent path. So you have aiding and abetting, which is I helped the crime. And then there's conspiracy, I agreed to the crime. That I agree to the crime. And one of the ways you prove that up is normally you don't have a handshake or a contract saying, "We are going to go murder somebody today," normally you do it by the coordinated series of events who you're with before, during, and after the crime occurs. And in that instance, the act of one becomes the act of all.
(01:33:49)
So what makes a conspiracy here? We talked about this, it's a coordinated series of acts. The act of one is the act of all. And so whether or not Mr. Davis fired, and he did, that's not our theory, the shot from his crew while he was leading them with the gun he provided in furtherance of the plan in the eyes of the law, he's guilty of murder.
(01:34:07)
And one of the most difficult things for Mr. Davis in this case is his status and his presence. You combine those two, so what is his status? He's the shot caller. In every instance, in every iteration, he's the leader of the South Side Crips. Now sometimes he says, I used to be the leader, but in every iteration he's the leader of the South Side Crips. And we've established that with Mr. Davis's statements and without Mr. Davis's statements. We've established that through all the witnesses who discussed Mr. Davis in this case agree, Mr. Davis was the leader, Mr. Davis was a shot caller. So he has that status and then we have his presence in every iteration he's inside the car. So when you have the shot caller sitting shotgun as shots are fired, there can be no doubt that Mr. Davis is liable for that murder, is responsible for that murder, and frankly, coordinating that murder.
(01:35:08)
The shot caller doesn't just ride along. That's what you heard Bobby Ladd say, in no world does a shot caller just sit there. This shooting, if he's in the car... Now, if he's not there, all bets are off. But if he's in the car, he is responsible, he's the one guiding, he's the one giving the approval. In his own words, he's the one giving the ultimate green light. Now with murder, murder hit, the laws of murder here are, that you had to have malice and malice here is no mystery. If you're acting in revenge, that's malice. It's malice enough to establish a record. Why is Mr. Davis on the hunt for Mr. Shakur and Mr. Knight? Revenge. There's no question about that.
(01:35:53)
And then the real question for you folks is going to be the level of degree, first or second degree. That is a meaningful distinction, first degree versus second degree murder. That's one thing that you have to really look at. So the degree [inaudible 01:36:07] on Davis's own mind. What can we establish that he's thinking? And you never know what somebody is thinking. You can never pop in their brain. You can only learn by their actions and what they're doing. So willfulness is the intent to kill. He armed himself for one reason, he first got the gun for himself and then gave it to the back for one reason and that is the intent to kill. Deliberate. He got the gun. He organized the group. He hunted for Mr. Shakur. This is a course of action chosen and weighed. It's not a reflex. This happened two and a half hours later, right? It's not as though I hear this, we grab my guns and let me start shooting. Two and a half hours later, he has to organize the group, the van and the Cadillac This is a deliberate set of actions.
(01:36:56)
And then finally, premeditated. Premeditation is a design, a determination to kill, distinctly formed in the mind at the time of the killing. He armed himself before he ever laid eyes on Tupac that night. The design was formed long before the shot. And so here's an interesting break. We have him going to Club 662 for the express purpose of a violent confrontation. And then he goes to the liquor bar and it's over, right? It's over. And then they're driving along and they see Mr. Shakur. And again, they could have just driven off, but instead they make the U-turn. And it's that U-turn that is the premeditation. It need not to be a day, minute, it can be as quick as excessive thoughts of the mind. And in that minute, in that second, when they decide to make the U-turn with the shot sitting collar shotgun, the decision had been made.
(01:37:58)
It's a plan, not an impulse. We know the beating, he arms himself, he organizes the hunt and the U-turn. The firearm as a deadly weapon. And so this has been something that I've heard in Mr. Sanft's opening. Well, where's the gun? Well, the law says we don't need to require the gun. And of course that makes sense. Frequently, if you commit a crime, you commit a murder with a gun, you're not keeping it with you. And so the law doesn't require us to have a gun, nor does it require us to have a Cadillac, by the way. What would those things say anyway? It would tell you that a gun was used in this crime. Okay, we know that. We would know that a Cadillac was used in this crime. Okay, we know that. And what's interesting about the 40, the Glock is that we heard from the NIBIN investigator, that Glock has never been used again. In the 30 years, the Glock has never been used again. It was disposed of. And he is guilty of use with a deadly weapon, even if he's not the person that pulls the trigger, as long as he armed the shooter and wants him to use it as part of the continuation of the crime. So you don't have to be the person pulling the trigger. If it's part of your conspiracy to use the gun, you're guilty of the with use of a deadly weapon.
(01:39:26)
And finally, I want to just give this the short shrift that it deserves, Mr. Davis in his book and in the 2017 documentary tries to make some claims that, "Well, Tupac started blasting at us," in some effort to make a self-defense claim. But self-defense is never available to the original aggressor, a person who sought the quarrel with the design to force a deadly issue. The person killing must act under the influence of those fears alone and not in revenge. Who's doing the hunting? Even if we were to buy the public story as opposed to the private story, even if we were to buy the public story, it's still not self-defense. It's still not self-defense.
(01:40:03)
So it's not first degree murder, it's not second degree murder without use of a deadly weapon because we know that a deadly weapon was used. It's not that guilty because it's not self-defense because you can establish the crime, a large part of the crime, the context of the crime, and with Bob James, frankly, the crime without Mr. Davis's statement. And then when you throw in Mr. Davis's statements, it's not not guilty. And because he was premeditated, willful and deliberate, it's not second degree murder either. It's first degree murder.
(01:40:41)
Now, the last thing I'll talk to you about is Mr. Davis's view about the compensation he has gotten. And he's gotten compensation. He got compensation for the 2017 documentary. He got compensation for the book. He's gotten compensation for the YouTube videos. He's gotten compensation for a lot of these things. And there's the argument that, well, how do we know he did it if he's getting paid for it? Well, those aren't mutually explicit. And Mr. Davis explains explicitly what the nature of his money is. In fact, this is after he's arrested for the murder, not before, after, even after being arrested for murder. This is what he says.
Audio (01:41:27):
Duane Davis: [inaudible 01:41:35] got blood on my money.
Binu Palal (01:41:36):
Blood on my money, and then laughing about it. And whose blood is on that money? Mr. Shakur's. For nearly 18 years, Duane Davis has told the police, television, books, YouTube interviewers, anybody that will listen, he has told, he is resp...
Mr. Palal (01:42:01):
... anybody that will listen, he has told me. He is responsible for the murder of Tupac Shakur. Tell him you hear him. Find him guilty.
Speaker 8 (01:42:18):
Thank you, Mr. Palal. Mr. Sanft, are you prepared to give your closing argument?
Mr. Sanft (01:42:53):
May we approach the bench.
Speaker 8 (01:42:54):
You may. At this time, we're going to take a 10-minute recess. During this recess, you're admonished not to talk, converse amongst yourselves or with anyone else on any subject connected to the trial or read, watch, listen to any report of or commentary on the trial of any person connected with this case by any means of information, including without limitation, newspaper, television, internet, and radio, or form or express any opinion on any subject connected to the trial until the case is submitted to you. Please rise for the jury. For the record, has the jury exited the room. My understanding is Mr. Davis isn't feeling great, or am I able to give him cough drops, CCDC?
Video: Mr Sanft (01:43:53):
I was told he couldn't. Otherwise, I would've been doing that, Your Honor, just to let you know.
Speaker 8 (01:43:58):
CCDC, who's in charge here?
Video: Greg Kading (01:44:00):
Clark County. I don't have a problem with it.
Speaker 8 (01:44:03):
You don't have a problem with it? Okay. These are from my staff, so I obviously use them [inaudible 01:44:07].
Video: Greg Kading (01:44:07):
As long as it's not the attorney, no.
Video: Mr Sanft (01:44:08):
[inaudible 01:44:13].
Speaker 8 (01:44:12):
No, it's fine. Don't worry about it. All right, we'll be in recess.
Video: Mr Sanft (01:44:20):
Thank you, your honor. I appreciate that.
Speaker 8 (01:44:20):
No problem. Let's go back on record. We're back on record in C377407. Mr. Davis is back after being checked out by medical staff. Anything we need to address outside the presence?
Video: Mr Sanft (01:44:33):
No, Your Honor, thank you.
Speaker 8 (01:44:33):
You're welcome. [inaudible 01:44:35]. All right, let's bring in the jury. Everyone rise. All right, do the parties stipulate to the presence of the jury?
Mr. Palal (01:45:10):
Yes, Your Honor.
Mr. Sanft (01:45:10):
Yes, Your Honor.
Speaker 8 (01:45:11):
You may be seated. Welcome back, ladies and gentlemen. We are now into the defense closing argument. Mr. Sanft, whenever you're ready, you may proceed.
Mr. Sanft (01:45:24):
Thank you, Your Honor. Good morning, everyone. One of the things obviously that we've learned over the time that we've spent here together is that it's your recollection that governs whether or not whatever the evidence is. So even though we're sitting here and we're telling you what we think the evidence has shown, when you go back into that room, and there's [inaudible 01:45:57], your notes and your recollections will govern what the facts are in the case. So what I'm going to try to do is show you things that I believe are relevant in the course of the trial. Now, one of the things you just have to understand is that Mr. [inaudible 01:46:13], I think brought this up as well, is that with regards to the snippets, the videos and so forth that I'll show you, I don't want you just to take it as gospel truth. Whatever those snippets are, compare that against your notes and your recollection. Is that fair? Okay. Now, in addition to that, we have to ask ourselves the question really at this particular point, it's like, why are we here 30 years later if Duane Davis that actually confessed, truly confessed? That's really the question of the day, right? When you sit around and you think about a case like this over 30 years, you have to ask yourself, what did he really confess to that was true? So let's walk through what we know and then figure out at the end where they are in terms of their case. Now, I have to give you this caveat, though, something called burden shifting, meaning remember in the beginning I said if I just sat there and played with my hair, looked out the window, technically and really honestly, the state of Nevada still has to show you proof beyond a reasonable doubt, right? I could just not say anything at all and just sit there.
(01:47:20)
And the worry is when I put on a presentation like this is that you're going to listen to my presentation, listen to the state's presentation and go, " Well, I wasn't quite sure about the state, but I definitely don't believe in the defense statements," and so as a result, lean back towards the other side. If I were to sit down right now, you would still be obligated to weigh all the evidence in terms of what the state's burden or job is in this case. Their responsibility is to show you that they've proven their case beyond a reasonable doubt. Now, one of the things I asked everyone at some point, I think, was what favorite movie do you have? My favorite movie, I just took this picture this morning, early morning working on this PowerPoint, is Ocean's 11. And the reason why I like Ocean's 11 is because it's like a twisty movie at the end, right? You sort of have to wait till the end to realize some of the twists and turns.
(01:48:14)
And some of the questions that were asked during the course of this trial, you may be thinking in your mind, why ask that question? Or why bring in this piece of evidence into the case? So what you're going to learn during the course of this thing is that the evidence that we have is incomplete in this case. You hear from both Detective Becker and Detective Long that they are missing officer reports. Now, why is that important? It's because we're not giving you everything and you as jurors deserve everything in terms of the full weight of the evidence in this case. We don't have it.
(01:48:51)
And because of that, you have to keep in mind as we're going through all the evidence in this case that, look, the Metro's investigation was compromised. Weird that you would have a detective concerned enough about his file that he would lock it up. Weird enough that you would have another detective basically have to create a false case number to hide people from unauthorized access of a file until you realize who it's about. Tupac Shakur was the most famous rapper in the world and everyone wanted to know the answer to the question who shot and killed him. Now, one of the things that we've talked about before is Compton PD, and you've learned this already, right? We told you in the beginning, look, Compton PD was shut down due to corruption. And who did we hear this from? We heard it from Special Agent Lee. I can turn this up. Your Honor, we had it working before, so I don't know why it's not working now. This tech guy... This is the tech guy.
Speaker 9 (01:50:36):
He just happens to know this one button.
Video: Mr Sanft (01:50:55):
And in terms of the Compton Police Department, fair to say that it...
Mr. Sanft (01:50:56):
So Special Agent Lee talks a little bit about the Compton-
Video: Mr Sanft (01:51:04):
And in terms of the Compton Police Department, fair to say that at some point they actually disbanded or they were shut down?
Video: Special Agent Lee (01:51:12):
Yes, that's accurate.
Video: Mr Sanft (01:51:14):
And that would've been in what year?
Video: Special Agent Lee (01:51:16):
I don't remember specifically. It was somewhere in the late '90s, I believe, or early 2000 period.
Video: Mr Sanft (01:51:23):
And why did they get disbanded?
Video: Special Agent Lee (01:51:26):
I don't know these specifics. I know there was numerous allegations of corruption and such and things like that in our department, organizational structural problem deficiencies.
Mr. Sanft (01:51:41):
All right, so once again, we learned this information. Now, one of the things that I'm going to turn your attention to in your instructions, so you can just write down this particular instruction, is instruction number 42. Instruction number 42 is an instruction that says the following, and I want to make sure everyone understands this. "Where independent evidence establishes that the victim's death was caused by the criminal agency of another, a defendant's own statements, if believed, admitting the crime need not be further corroborated by evidence connecting the defendant to that crime. It is up to the jury to determine the weight to be given any admission or confession." Now, what does that mean? That means if you believed his own statements, as Mr. Davis has been telegraphed or whatever we've presented for Mr. Davis in this case, that you don't have to corroborate any of it.
(01:52:37)
But here's the thing, if you don't believe it, then I think you do have to corroborate. So even though the state may say, "Well, hey, we don't have to corroborate anything, but we're going to show you guys stuff." In reality, corroboration's important. We need to know and test the veracity of something. So if you don't believe his statements, then we do have to corroborate. And in this particular case, number 44 deals specifically with the credibility of a witness. And I just want to read this real quick for you guys because when we go through it, this will be important. The credibility or believability of a witness should be determined by his manner on the stand, his relationship to the parties, his fears, motives, interests, or feelings, his opportunity to have observed the matter to which he testified, the reasonableness of his statements, and the strength or weaknesses of his recollections.
(01:53:28)
That's the stuff, right? When you hear the testimony of people up on the stand, when you hear them talk about what they recall, that's the kind of thing you want to do with regards to that credibility. And when you do, determine. If you believe that a witness has lied about any material fact in the case, you may disregard the entire testimony of that witness or any portion of his testimony which is not proved by other evidence. So the idea behind it is corroborate. I say something, should be proved by something else. Now, you're also asked in this case, just don't leave your common sense at the door. Look, when you walk in here, it's not suspended disbelief and you're not watching a movie. Your common sense and life experience as men and women of our community governs in terms of how you look at the case and what you think about the facts in the case.
(01:54:22)
Now, one of the things that the state has talked about was this idea of direct and circumstantial information. Now, here's the thing. I think Mr. Palal had said something along the lines of, "This case is drenched in circumstantial evidence." He talked about this idea of rain. So okay, yeah, you see outside, we're in Vegas, dark clouds over the horizon, humidity goes up, you smell the rain in the air, the ground is wet and the car is wet, right? Those are all things that could indicate to you when you leave here that it rained. Sure, right? You can agree to that. Now here's the thing about it. Each of those details are facts. So when we say you smelt the air, that's a fact. You experienced that yourself. That's direct evidence of an element to the circumstantial evidence. When you say you see puddles on the ground, that's direct evidence, right?
(01:55:20)
So it's not like it's circumstantial, circumstantial, circumstantial. You still have to show facts in order for you to get to that circumstantial decision or result. Does that make sense, everybody? Okay. So in this case, when we talk about fact versus fiction, what we're talking about in this particular case goes to the heart of the issue with dirty cops, and this is coercion 101. Now in this case, what you've learned and what hopefully you've heard during the time we spent together is that Mr. Davis wanted his own attorney involved, and Greg Kading, this disgraced LAPD detective, calls him dirty, and Mr. Dupree or Detective Dupree in this case was in the room. Now, even though he told you that he was not in the room, he's in the room when they're having conversations and this is what happens in this case.
Video: Greg Kading (01:56:12):
There's some problems in my opinion, and this may not be a shared opinion, but I just don't believe in Edi's ethics. I think he's a dirty attorney. I think that he will lie, cheat, and steal in order to get himself out of any kind of problem. I think there was ethical problems with the way that he had Orlando testifying on behalf of Suge Knight and that whole thing is the problem we don't want to have to deal with. And as you know, Edi Faal also represents Michael Durow and we just don't want all those problems.
Video: Speaker 8 (01:56:38):
He represents Michael Durow right now?
Video: Greg Kading (01:56:44):
Well, yeah, right now. [inaudible 01:56:49].
Mr. Sanft (01:56:52):
What you just heard right there is a detective telling a defendant who his choice of attorney is and not. How does that reconcile in everyone's brain? How does that become something that's okay? The reason why that's important is because of the jury instructions specifically on the issue of whether or not someone's coerced into a discussion about anything to do with anything. And just for those who are following along here and keeping score, this would be jury instruction number 41. 41 says this, "In making a decision about the voluntariness of a confession or admission, you should consider all of the evidence about the statement, including the circumstances under which the defendant may have made it. Factors to be considered in determining whether a confession or admission is voluntary includes the youth of the accused," and of course that's not here. "Also, his or her lack of education or low intelligence, the lack of any advice of constitutional rights, the length of detention, the repeated and prolonged nature of questioning, and the use of physical punishment such as the deprivation of sleep or food."
(01:58:03)
Now you have to understand something. The state has to prove to you by a preponderance of the evidence that what his confessions were or what he talked about were voluntary. Now what does that mean? That means in this case that they have to show you that it's more likely than not that his confession was not voluntary. Here's the problem. The people that are in the room talking to Mr. Davis at that particular point don't have his best interest at heart. You know what that includes? Mr. Higgins, the attorney. So you have a detective say, "Don't go with your attorney. Mr. Higgins is your attorney." And now here we are, having conversation after conversation after conversation after conversation. So in terms of the elements of whether or not there's a lack of any advice of the constitutional rights, you have an attorney who's definitely not working on the side of Mr. Davis in that room cajoling, pushing, reminding, directing what he's going to say to the people that are in that room.
Video: Greg Kading (01:59:02):
[inaudible 01:59:11].
Mr. Sanft (01:59:25):
So once again, you're hearing Greg Kading's voice on there and he's telling Keffe or Mr. Davis the things that he thinks and the things that he thinks would be appropriate for Mr. Davis' best interest. Does that sound right to you or does that sound like the lack of any advice of constitutional rights? Now in addition to that, here's the last portion.
Video: Greg Kading (01:59:43):
What this ultimately comes down to is how a lot of people, your life is, your family. And when I say your family, I don't mean your extended family. I mean your brothers and your sisters and your wife and your kids. That's it. Anything beyond that, as far as we're concerned is fair game. Kevin worked out his own deals, speaking got a lot [inaudible 02:00:08], I don't think that's going to be a problem. And we'll throw that one in. If that's what's important to you, we'll throw that one in. But besides that and everything else circling for us.
Video: Speaker 8 (02:00:16):
[inaudible 02:00:19].
Mr. Sanft (02:00:24):
... you have a tinge of what we like to call the kind of unethical behavior we would never want from our police officers in this case. Now, in addition to that, what did we learn from Detective Long? Detective Long testified and basically said that, look, there are times when I left the room so that Mr. Higgins and who? Mr. Dupree or Detective Dupree can have conversations. How was that okay? Now, when we think about the way this is working out in terms of integrity, listen to the reports that were made in this case about Becker and Long and protecting their file. You also heard from a civilian investigator, Dorsey, who got in here and testified and said, "Hey, he also used material like for instance, Captain Scott's book with the autopsy photograph." And Mr. Dupree did not want to say this, but he did say this on the stand that Kading had stolen the Tupac file.
Video: Speaker 11 (02:01:25):
Was there a problem at the Las Vegas Metropolitan Police Department of information related to your investigation being leaked publicly?
Video: Mr. Dupree (02:01:39):
Well, I became aware that there may have been some information being leaked. I couldn't say who specifically was doing it, but I was becoming concerned to the point that in our office we had shelves behind... Not behind my desk, but there were some shelves where a lot of the case files were stored, and once this case continued and the nature of who the victim was, especially when he passed away, there seemed to be a lot of interest in it, outside interest, especially with the media. And I became concerned about it, so I started locking my case files in my desk because I didn't want them to be available. Because I had left things on my desk and a couple times I had found things different than when I left them and it just bothered me. So that's why I locked them up.
Mr. Sanft (02:02:56):
Now, why is that important to you? It's to determine the quality of the information that you've received in this case. Whether or not it's all of it, whether or not in terms of its integrity's been preserved. Now the additional...
Video: Mr Sanft (02:03:11):
... was there still an interest in the murder of Tupac at the time that you took over the case? Meaning was there media attention? Maybe not to level it was in the beginning, but was there still issues with regards to access to the file and that kind of thing?
Video: Speaker 12 (02:03:25):
Yes. Yes, there was. Now I know where you're going.
Video: Mr Sanft (02:03:30):
Yeah. And what I mean by that initially is that even in Metro, was there any concern on your part about unauthorized access to the file?
Video: Speaker 12 (02:03:38):
Not by me. I wasn't concerned, but my lieutenant had become concerned and wanted to sequester the file away from everybody else because there was a lot of people going in and looking. Very, very famous person.
Video: Mr Sanft (02:03:55):
And with regards to the going and looking, can you describe to the jury what type of activity we're talking about here in terms of going in and looking?
Video: Speaker 12 (02:04:05):
I didn't do any investigation in this, but my lieutenant told me that people had been going in and being curious looking at the file.
Video: Mr Sanft (02:04:16):
Did you at any point... Was there any measures that was taken to preserve the safety and security of that file?
Video: Speaker 12 (02:04:24):
Yes.
Video: Mr Sanft (02:04:25):
What were those measures?
Video: Speaker 12 (02:04:26):
They locked down the file itself, which was the hard copy of the file. We used to, at that time, we were on a computer drive called the F drive, which turned out to be too small and they later moved it to another drive, because homicide just kept growing. So they changed the way I did my reports. I would hand them in and they were secured.
Mr. Sanft (02:05:04):
Now, once again, this is the civilian investigator...
Video: Mr Sanft (02:05:08):
Referring me back to your previous testimony with regards to Captain Scott, just for the jury's edification, Cathy Scott is not a detective.
Video: Speaker 13 (02:05:17):
Correct.
Video: Mr Sanft (02:05:18):
She is a reporter.
Video: Speaker 13 (02:05:20):
She's a journalist, yes.
Video: Mr Sanft (02:05:21):
She's a journalist, all right. And she wrote a book with regards to her information she had gathered as that journalist, right?
Video: Speaker 13 (02:05:28):
Correct.
Video: Mr Sanft (02:05:28):
Not her own investigation, but what she had heard on street.
Video: Speaker 13 (02:05:31):
The street? And from detectives that she talked to, yes.
Video: Mr Sanft (02:05:33):
Right. So when she first published her book, fair to say what I'm holding up for you, and I want to make sure I'm accurate for the jury, this is the third edition, right?
Video: Speaker 13 (02:05:40):
Okay.
Video: Mr Sanft (02:05:43):
Are you aware that Cathy Scott's first edition that was published was actually in 1997, a year after?
Video: Speaker 13 (02:05:52):
Something like that. It was very fast after that. I remember that.
Mr. Sanft (02:05:57):
And then once again.
Video: Mr Sanft (02:05:58):
[inaudible 02:05:59] Greg Kading leaves LAPD and takes the Tupac file with him?
Video: Speaker 14 (02:06:05):
From what I hear, something to that effect.
Video: Mr Sanft (02:06:08):
Meaning he stole the file?
Video: Speaker 14 (02:06:11):
Something to that effect.
Video: Mr Sanft (02:06:12):
Now in addition to that, he also took the Biggie file, right, with him when he left?
Video: Speaker 14 (02:06:16):
From what I hear, I've never seen him, but that's what I hear.
Video: Mr Sanft (02:06:18):
Okay.
Mr. Sanft (02:06:21):
Now, one of the things that is the danger in this case has always been just because we say something, is it true? Now, like what Mr. Palal had said earlier about the microphone, what you're holding in your hands right now that you can touch and see and feel is a fact, right? That pen, that piece of paper, the chair that you're sitting on. The Lakewood Mall incident is interesting to me. And the reason for that is because they're using this as sort of the triggering mechanism that starts a war in Compton between South Side Crips, Mob Piru. The question you have to ask yourself is this.
Video: Mr. Palal (02:07:04):
Those tensions boiled over in the Lakewood Mall in the summer of 1996. There, you'll hear that Trevon Lane, a member of the Mob Piru associated with Death Row Records, was there with other members of Mob Piru in order to do some shopping. Lakewood Mall was a mall nearby Compton. You'll also hear that Baby Lane Anderson, Orlando Anderson, the defendant's nephew, was there. Now, Trevon Lane that day was wearing a chain with a Death Row medallion, and there was a fight that occurs between the Mob Piru Group and the South Side Compton Crips. And at one point that-
Mr. Sanft (02:07:48):
Fight that we're talking about was discussed by the man who got up here named Dirt Rock. Remember him? He got up here and he talked about it and he said that it was basically mayhem. And I want to make sure-
Video: Mr Sanft (02:08:00):
You told Detective Long a more specific sort of thing that happened at the Lakewood Mall, right?
Video: Dirt Rock (02:08:06):
Yeah, I would say.
Video: Mr Sanft (02:08:08):
Yeah. Can you tell us, for instance, the location of where the fight took place?
Video: Dirt Rock (02:08:15):
Yeah, it was by Foot Locker.
Video: Mr Sanft (02:08:16):
By the Foot Locker?
Video: Dirt Rock (02:08:16):
Yeah.
Video: Mr Sanft (02:08:16):
In fact, you had made mention that the fight at the Foot Locker was so bad that they had to remodel it after the thing had gone down with the Lakewood Mall, fair?
Video: Dirt Rock (02:08:27):
Yeah, it was turned into the World Foot Locker.
Video: Mr Sanft (02:08:29):
You described it as mayhem that was occurring in that Foot Locker.
Video: Dirt Rock (02:08:34):
Yeah.
Mr. Sanft (02:08:37):
Now that's important. His testimony to you under oath is that, "Hey, this is what happened at the Lakewood Mall in the Foot Locker." Now here's the question, though. I mean, it's funny how we just immediately jump and we say, "Oh, Lakewood Mall incident, Lakewood Mall incident," and we jump into it as actually being true. What proof do you have that actually happened? What proof? Now, Detective Ladd, what does he say?
Video: Mr Sanft (02:09:09):
We go back to the Lakewood Mall incident, right?
Video: Detective Ladd (02:09:14):
Sure.
Video: Mr Sanft (02:09:15):
Is the Lakewood Mall incident in your mind the definitive act in which the war is now declared between the Mob Piru and the South Side Crips?
Video: Detective Ladd (02:09:28):
That was the first incident that sparked this whole back and forth thing. Yes.
Video: Mr Sanft (02:09:36):
Now let me ask you this. Did it really happen?
Video: Detective Ladd (02:09:39):
Yes.
Video: Mr Sanft (02:09:40):
Okay. Now in your book, you identify it as happening at the Lakewood Mall?
Video: Detective Ladd (02:09:45):
Yes.
Video: Mr Sanft (02:09:46):
And it happened in a Foot Locker?
Video: Detective Ladd (02:09:48):
Yes.
Video: Mr Sanft (02:09:49):
Now, do you have any indication at all of a police report or a call or 911 to the area on a fight that occurs at the Lakewood Mall that day?
Video: Detective Ladd (02:10:00):
No.
Video: Mr Sanft (02:10:01):
No?
Video: Detective Ladd (02:10:02):
No.
Video: Mr Sanft (02:10:03):
Do you have indication at all from the security people at the mall where they would've written up a report that said, "Hey, we had an altercation here at the Lakewood Mall?"
Video: Detective Ladd (02:10:14):
I don't think a report was generated by the security officers, no.
Video: Mr Sanft (02:10:18):
Okay. Now, fair to say, of course, there's been some description of that brawl being the kind of brawl that actually required Foot Locker to redo their entire inside because it just destroyed the inside. Do you recall anything like that?
Video: Detective Ladd (02:10:34):
I never heard anything like that. I just know there was a fight at the Foot Locker.
Video: Mr Sanft (02:10:40):
Right. You heard there was a fight, but you never made any effort, for instance, and it's not your job, because it's Lakewood, right?
Video: Detective Ladd (02:10:46):
Correct.
Video: Mr Sanft (02:10:46):
But in essence, no verification that even Footlocker was contacted to say, "Hey, did a fight break out over here on this particular day?" Nothing like that?
Video: Detective Ladd (02:10:56):
Don't recall, no.
Video: Mr Sanft (02:10:58):
Okay. So in essence, what we have right now is what you had heard from people on the street as to what happened at this Lakewood Mall incident, right?
Video: Detective Ladd (02:11:05):
Yes.
Video: Mr Sanft (02:11:06):
Now, some people, I would assume, though that the shooting of Tupac was in retaliation, or maybe the fight of Tupac and Orlando was in retaliation to what happened at Lakewood Mall. But as you're sitting right now, you don't have any actual proof of the Lakewood Mall incident actually occurred?
Video: Detective Ladd (02:11:24):
No.
Video: Mr Sanft (02:11:27):
Okay.
Mr. Sanft (02:11:27):
Once again, do not presume anything in this case. When someone says, "Hey, this happened," look for the evidence that supports it. Look for the facts, like you would with a microphone or a pen, that supports it. Now, we have Special Agent Lee, and what does he say as a member of the FBI.
Video: Mr Sanft (02:11:48):
Can you tell us what facts you have to support that there was even a Lakewood incident that occurred?
Video: Special Agent Lee (02:11:58):
I'm sorry. You're asking what facts?
Video: Mr Sanft (02:12:02):
Sure.
Video: Special Agent Lee (02:12:03):
Well, we have several witness statements.
Video: Mr Sanft (02:12:05):
Okay. So you have several witness statements. You are aware that those, allegedly, and according to what you write yourself, this was a couple weeks before the murder of Tupac Shakur. Marcus, who lived at the South Side Crip neighborhood was in a mall by himself. A number of Blood street gang members attacked Marcus and began beating him. Orlando Anderson and then others approached the situation, observed what was happening, then went to the aid of Marcus. They beat up the Blood gang members. That's what you wrote in your 302, right?
Video: Special Agent Lee (02:12:36):
If that's what's written, yeah.
Video: Mr Sanft (02:12:37):
Now, in terms of that information, did you ever go to the mall to verify that there was this thing that happened a couple weeks before the murder of Tupac Shakur which would've been sometime in August of 1996? Did you ever do that?
Video: Special Agent Lee (02:12:50):
No, I did not.
Video: Mr Sanft (02:12:51):
Now, in fairness to you, sir, Lakewood Mall in that area is governed by a police department. Is it Compton or is it the next one over? I'm not sure.
Video: Special Agent Lee (02:13:01):
Yeah, it wouldn't have been Compton.
Video: Mr Sanft (02:13:03):
Okay. So whoever's next one, did you ever any part reach out to that police department to say, "Hey, can you get us the information on this so we can verify before we put it into our 302 that a couple weeks before the murder of Tupac Shakur there was a beating that took place?" Did you ever do that?
Video: Special Agent Lee (02:13:18):
Okay. So your statement regarding doing it before we put in the... It was information that was provided to us by Mr. Davis. So at that time we're just recording what Mr. Davis is telling us. So this is a follow-up investigation on that.
Video: Mr Sanft (02:13:36):
Sure. But the state has not introduced this document as an exhibit for the jury to consider. You telling us that you can't verify the information in it?
Video: Special Agent Lee (02:13:45):
I'm telling you what Mr. Davis told us.
Video: Mr Sanft (02:13:49):
Okay. But you cannot verify that information. You're telling us right now you didn't verify the information that he told you.
Video: Special Agent Lee (02:13:54):
I didn't verify that specific event.
Video: Mr Sanft (02:13:56):
Okay. Do you know if your partner did?
Video: Special Agent Lee (02:14:08):
I'm not sure.
Mr. Sanft (02:14:11):
Once again, we can talk all day and have statements made, but without facts, what are those statements? They're just words. So even the FBI agent can't tell you that that was a confirmed event that actually occurred, that was a triggering mechanism to a fight between Piru Bloods and South Side Crips, can they? You don't have proof, so can it even exist? Now, when you think about it, you don't have any facts. So you start thinking. Well, so many people have said it. So many people have said, "Oh, well this Lakewood Mall incident has occurred."
(02:14:49)
Your job as jurors is very difficult. You have to sit here and weigh the evidence, but what facts do you have of it? If something happened inside a Foot Locker, for instance, you would think that there would be a report filed by Foot Locker. Or an alternative, if the Foot Locker had damage caused to the inside of it, it would be an insurance claim, right? There would be some trail and information, or even just the police showing up on scene. Now, the second one I wanted to talk a little bit about is this idea of Tupac, Tupac. That my client describes how he first sees Tupac Shakur on the street.
Video: Mr. Davis (02:15:39):
[inaudible 02:15:32] Tupac. Tupac. [inaudible 02:15:35]. It was in the middle lane. We just pulled up on the side and checked every car to see where they was.
Video: Speaker 15 (02:15:44):
So what directed your attention to them was some girl shouting at Tupac?
Video: Mr. Davis (02:15:49):
Tupac. He gave himself away. Otherwise he'd got away. [inaudible 02:15:54].
Mr. Sanft (02:15:53):
It's what he says. Now what did you hear from Leonard Jefferson? He-
Michael Sanft (02:16:00):
... what he says. Now, what did you hear from Leonard Jefferson? He testified he was there among the caravan. What does he say? Was he running up to the park?
Speaker 12 (02:16:10):
No.
Michael Sanft (02:16:12):
And so when you ran up, Tupac, was he hanging out at the window? Was he sitting in his chair?
Speaker 12 (02:16:17):
He was sitting in his seat.
Michael Sanft (02:16:20):
His seat. Okay. And when you had that conversation with him, of course, you're having a conversation and it's not like... I mean, you're not hearing people screaming out Tupac's name or anything like that?
Speaker 12 (02:16:28):
No. No.
Michael Sanft (02:16:31):
All right. He's present at the scene. This is what he recalls. Well, let's talk about somebody else. Let's talk about Ingrid Stokes. What did she say? She's in the vehicle that's right next to Tupac and Suge Knight's vehicle.
(02:16:43)
And then according to the testimony, she edges forward and then the other vehicle pulls up on the next thing over. But what did she say about this, "Tupac, Tupac"? And when that was happening, did any of your people in your vehicle yell out, "Tupac, Tupac"?
Speaker 10 (02:16:58):
No.
Michael Sanft (02:16:58):
Anything like that?
Speaker 10 (02:16:59):
No, absolutely not.
Michael Sanft (02:17:00):
" Oh my gosh, it's Tupac"?
Speaker 10 (02:17:01):
No.
Michael Sanft (02:17:02):
Okay. Now, during that time period, as you're over here behind Suge's vehicle or next to it, can you describe to me what Tupac was doing in the vehicle?
Speaker 10 (02:17:13):
When we pulled up on the side of him and she was talking to Suge, he was relaxed, sitting in the passenger seat, and Suge was relaxed, talking to Lauren. Nothing. There was no engagement.
Michael Sanft (02:17:28):
Okay. So, as you're sitting there and you pull up, Tupac was not hanging out the window and doing something out of the window?
Speaker 10 (02:17:36):
Absolutely not. No.
Michael Sanft (02:17:36):
Okay.
Speaker 10 (02:17:36):
No.
Michael Sanft (02:17:38):
And his torso was not sitting on top of the window yelling to his fans, "Tupac, Tupac," anything like that?
Speaker 10 (02:17:44):
No, there was no fans around. They were just driving in the car listening to music like we were.
Michael Sanft (02:17:47):
All right. Once again, I want you to remember that, okay? My client says he sees him and that's how he's able to recognize that it's Tupac, is because the noise and the person hanging out of the window is Tupac. Now, in Mr. Davis's book, he puts in the book exactly how he describes what happens here.
(02:18:14)
And what he says is, if you look at the book, "After our pit stop at the liquor barn, we continued towards the carriage house. As we were driving, the two vehicles that were with us got caught at the traffic light and we kept rolling a few blocks down. We were sitting at the light and who did we see? The Death Row caravan hit the corner of Tupac, hanging out of the window of a black luxury BMW waving to his fans. People on the streets were screaming, 'Tupac, Tupac, we love you Tupac.' In unison, all of our heads turned. There then go right there. If Pac had not been hanging out of the window, we would've never have seen him."
(02:18:53)
Why is that important? Because we are taking his account, and what we're saying is at this particular point, is that a fact or is it a fiction? That is obviously not what happened on that particular night because you have eyewitnesses who say something completely different. But what the State wants you to do is take that book, like you would an affidavit or a promise at the bottom of an application for credit, and sign it saying that, "I attest this to this book being true and correct with regards to what he recalls."
(02:19:24)
Now, look at the facts of the Koval versus Flamingo. Mr. O'Kelly, Dean O'Kelly comes in and testifies that he had found these bullet casings and these were the cones. And I think somebody had counted the cones and realized that there was a discrepancy in the number, but the cones are set up. This right here, this is Flamingo. That right there, where the red lights are on top, that's Koval.
(02:19:52)
Now, the picture, of course, is... Technology is probably better now than it was back then. But in terms of what you're looking at on the screen, let's just look at it for what it is. How can my client see Tupac hanging out of the window screaming if he's sitting at the intersection? And you have to remember that Ingrid Stokes had testified and said that there are at least one car in front of Suge's car, if not two.
(02:20:21)
So if the other individuals are on the other side, and they're going to cross, but they're waiting at the light, how can anyone see Tupac Shakur inside a BMW if no one's screaming, "Tupac, Tupac"? Is that a fact? This is the testimony that you've heard from people. Those are facts that I'm showing you right now. In fact, if anything, when you look at that again to see how dark this area is, the lights are there. Once again, this is 11:00 at night or 10:00 at night. It's dark. This is their evidence. Now, Mr. Davis in his book writes and says, "We were sitting at the light." He's sitting at the light waiting for a red light. Say he is. He would have to run that red light to go down the street on Flamingo, flip around and come right back. Now, the other part of this, too, that just doesn't make any sense, is when you look at it from the viewpoint of this picture, and when you see that white vehicle that's right there, that would be basically Suge Knight's vehicle. The evidence alone just on this would indicate to you that Mr. Davis is not telling you the truth, or in the alternative, he's not telling you a fact. He's telling you fiction as to how this all goes down on the night of September 7th, 1996.
(02:21:45)
Now, we're asking you to use your common sense, right? Don't leave it at the door. Don't leave it at the courthouse steps. But when you think about Mr. Davis' statements, they all conflict. The only thing that doesn't conflict in terms of the statements is what we would like to say are historical facts. And let me tell you the reason, the difference here. Anyone ever seen the documentary called Titanic with Jack and Rose? Yeah. All right. So we've seen that. Well, I'm sorry, I said documentary. We've seen that movie.
(02:22:25)
Now, do we know if Jack and Rose actually existed? The answer is no, we don't. However, we do know that the Titanic did strike an iceberg and sink. That's a historical fact in the middle of fiction. So in this particular case, yes, his statements conflicted with one another. They conflict the book and they conflict with the facts. And then the only thing that we have that we can agree on is that Tupac Shakur was shot and killed on September 7th, 1996 in Las Vegas, Nevada.
(02:22:56)
Now, some of the additional information you've heard from the discussions that Mr. Davis had with people in 2008, 2009, he stated that he waited outside of 662 for 15 minutes. Do you recall that? Go back to your notes. But with regards to what's in the book, he says he waited in the parking lot for 90 minutes. Why is that important?
(02:23:18)
Because there's uniformed Metro police officers sitting in the parking lot. You heard testimony from Reggie Wright Jr., who says, "Metro was guarding security from the door to the parking lot, and I had my own car, police officers and off-duty police officers on the inside from the door going into the club, as well as [inaudible 02:23:42].
(02:23:43)
One of the other things that's interesting about what is in the book, for instance, is when Mr. Davis says that he had a gun. When you read the book, and you have that opportunity, you can take that book and look through it, one of the things that's interesting to me is this idea that he sees Zip and Zip is in the parking lot or in the valet area.
(02:24:07)
So it says, "While we were waiting for the valet to bring out our cars," this would be at the MGM, "Zip seized the opportunity and called me over to his Benz. Zip was a big time New York player, pimp and hustler who used to come out to California to handle his business and kick it with us sometimes. As I walked up to the driver's side window, I noticed that the rapper, Foxy Brown, was in the vehicle or the car with Zip.
(02:24:28)
So, he instructed her to step out of the car and motion me to jump in. Zip had a hidden compartment that he opened up, reached in, pulled out a black 40 Glock out. He turned to me and said, 'It's time to get the money.' Zip handed me the 17 shot pistol, which I promptly put down the back up waist of my pants. I hopped out of the car, held the door open for Foxy Brown to get back in, closed the door and they pulled off."
(02:24:53)
Just imagine and just use some common sense. Is the book basically saying that when you're a gangster in Compton, you can carry a gun whenever you want? And that when you're driving towards the state of Nevada and you see the sign that says," Welcome to Nevada," you pull over at some type of locker and then deposit your firearms 'cause you don't want to break a law in Nevada about carrying a firearm? If you are a legitimate gangster, do you have someone hand you a gun and say, "Hey, take this one gun and go and commit a murder"? Does that make sense to you?
(02:25:31)
Now, in addition to that, one of the things that we've asked you to consider in terms of your weighing of the evidence goes back again to the idea of witnesses, their own recollections, you're here to give whatever weight. I'm going to read the instruction again. "The credibility or believability of a witness should be determined by his manner on the stand, his relationship to the parties, his fears, motives, interests and feelings, his opportunity to have observed the matter to which he's testified, the reasonableness of the statements and the strength or weaknesses of his recollections." Now, watch this. This is the State's [inaudible 02:26:12]-
Vlad Lyubovny (02:26:11):
You and Orlando and everyone else meets up, but you guys don't have any guns?
Duane Davis (02:26:17):
Who said that?
Vlad Lyubovny (02:26:19):
Well, it was in the book. Until Zip, Von Zip came in the picture.
Duane Davis (02:26:26):
Yeah. All right. Listen, I don't want to talk about that.
Vlad Lyubovny (02:26:30):
Okay. But it is in the book.
Duane Davis (02:26:32):
Okay. Yeah. Let them read about it.
Vlad Lyubovny (02:26:35):
Okay. And I guess Foxy Brown was with Zip?
Michael Sanft (02:26:38):
Now, here's the question. Is that the reaction of a man who wrote his own book and knows the details of the book? Does that look like a guy who understands and knows that, "Yes, that actually did happen because I wrote it in my own book"? That man, when that statement was made, looks over to the left or looking over to his right. And I don't think he's looking with this idea that somehow he knows what's going on.
Vlad Lyubovny (02:27:01):
You and Orlando and everyone else meets up, but you guys don't have any guns?
Duane Davis (02:27:07):
Who said that?
Vlad Lyubovny (02:27:09):
Well, it was in the book? Until Zip, Von Zip came in the picture.
Duane Davis (02:27:17):
Yeah. All right-
Michael Sanft (02:27:18):
... and important because you have firsthand experience of a person who does not know his own book, or whatever the story was, whatever the fiction was that was inside that book. Does that sound like someone who wrote his own book when he's asking the question, "Who said that we didn't have guns?"? That is what you would use in terms of your common sense, in terms of weighing the evidence in this case.
(02:27:41)
Now, another thing in the book is he talks a little bit about Ingrid's car, and this is what he says about it. He says, "When the shooting stopped, we boned out and the white Chrysler Sebring full of young ladies was following us. Their window quickly got shot out, so they stopped. The interesting thing to me was all of them rough ass niggas they were supposed to have with them, none of them did a damn thing and tried to come after us. There were a lot of shots let off in both directions."
(02:28:11)
Interesting part, right? Their window quickly got shot out, so they stopped. Once again, he's supposed to be there. He's supposed to be at the scene. He's telling you firsthand knowledge of what happened. No, let's take a look at the testimony. And so at some point when the shots were ringing out, you just immediately just gassed the car and made a right hand turn on Colby?
Speaker 10 (02:28:35):
Yeah, into the turning lane.
Michael Sanft (02:28:36):
Okay. And your testimony here right now, for instance, is that the top was down, but you didn't see [inaudible 02:28:41]-
Speaker 10 (02:28:41):
No, I was looking down 'cause I was initially changing my seat. So I would thank God I was all face down.
Michael Sanft (02:28:47):
Okay. And when you pulled off and you made that right-hand turn, did anyone shoot at you?
Speaker 10 (02:28:53):
Probably. I honestly don't know. There was a lot of gunshots.
Michael Sanft (02:28:57):
Sure. After the event had occurred, did you ever observe any bullet holes in your vehicle?
Speaker 10 (02:29:04):
There was no bullet holes in my vehicle.
Michael Sanft (02:29:06):
Was there any shattered windshield as a result of anything happening on the scene?
Speaker 10 (02:29:11):
No.
Michael Sanft (02:29:14):
Okay. Fact or fiction, right? Yes, we understand that Tupac got shot in Las Vegas on September 7th, 1996, but outside of that, what facts do we have to support what's in this book? Now, in addition to that, Mr. Davis talks, or in the book, talks specifically about his vehicle.
(02:29:32)
And what he says here is that, let's see here, "Had busted on some off-duty cops in Atlanta a few years earlier, so he wasn't scared to bust. On top of that, by the time he rolled up, he had to know the person they had jumped on was in the casino was a South South Crip, so they had been on high alert. When the shots settled, a couple of people in our car had fragments and glass in their hair, but none of us had been hit."
(02:30:01)
Once again, you're reading a book that is fiction and not fact, but the State wants you to believe that this is somehow a confession that he was there and present at the time of the shooting. Now, in addition to that... [inaudible 02:30:16]. Did you actually look at the actual cartridge casings themselves?
Speaker 11 (02:30:22):
Yes. I looked all seven side by side, and I screened them, and they grouped them into one grouping, which represents one firearm.
Michael Sanft (02:30:30):
All right. And as far as you recall, or understand, that the cartridge casings were located at one scene, not multiple scenes?
Speaker 11 (02:30:39):
I didn't look into the case notes. That's try to keep our distance. We don't do any investigative work at the lab, so we don't want to bias our mind to what was. So I did not review any of the crime scene photos, any of the diagrams. I do not know. All I know is I have seven cartridge cases. How do they group and which ones they enter?
Michael Sanft (02:31:02):
Okay. And so out of the seven, all of them look like they're fired from the same firearm?
Speaker 11 (02:31:06):
Yes. They had similar visual characteristics, and I entered one, which I assigned as Lab Item One.
Michael Sanft (02:31:12):
I see. So no... Now, the reason why that's important is because now it indicates what's the physical evidence here, right? What is the facts? The fact is the cartridge casings, whoever shot from whatever gun it was, it was only one gun that was the shooter, right? Whatever it was. Not multiple people shooting back and forth. Now, I guess the question is, once again, just like the Lakewood Mall incident, we have to ask ourselves, was any of the people that we've talked about in the car? See, once again, facts, right? We're like, "Oh no, we know that at least Orlando was in the car." How do we know that? What facts have you guys taken down that says that they've proven that Orlando Anderson was even in the car? We presume that there was a fight that occurs at the NGM, and that as a result, it has to be Orlando.
(02:32:02)
But if Orlando was sitting right there in that chair, what proof do you have that Orlando Anderson was even in the car beyond [inaudible 02:32:13]? But no, what we do is we lump everybody into the equation. Now, one of the things that was done in this case were photo lineups, right? A tool that detectives use to help identify potential suspects. In this particular regard, the photo lineup that shows Terrence Brown, as far as you know, no one identified Terrence Brown as being in a vehicle even in Las Vegas on September 7th, 1996?
Speaker 13 (02:32:42):
Yeah. If Terrence Brown was in one of those photo lineups, then he wasn't identified, correct.
Michael Sanft (02:32:48):
How about Deandre Smith? Was he ever identified by anybody in his photo lineup as being present in Las Vegas, Nevada on September 7th, 1996?
Speaker 13 (02:33:00):
I don't recall anybody being identified in a photo lineup.
Michael Sanft (02:33:04):
Okay. Once again, a tool for everyone to use. We don't have proof that even Orlando is in the vehicle. Now, here's the question you have to ask yourself. Is Davis, Smith, and Brown even in Las Vegas on September 7th, 1996? Why is that important? 'Cause we're presuming all this stuff. Yes, there's a book written, he says in these interviews, but what actual proof do you have that Davis or Smith or Brown was even in Las Vegas?
(02:33:34)
Now, here's the thing. We know that Orlando was, right? There's video of Orlando at the MGM. He gives his ID to a cop. We know he's here, but who else? What proof do you have beyond reasonable doubt? Now, the things that we would look for would be in the MGM surveillance. Anything in there that would spot a person that looks like Mr. Davis in a suit walking through the MGM.
(02:33:59)
How about paperwork, receipts, things that would indicate that, "Hey, I bought some stuff here in Las Vegas," something along those lines? How about phone records? Anything with regards to Mr. Davis' phone records to his home for maybe his cell phone, or maybe just the phone in the hotel room, 'cause we're talking about 1996. How about photographs? These people, when you go to a fight, you go to a fight, you want to memorialize a moment with a photograph. What about something like that for Mr. Davis? And the ticket stub is important in this case. And the reason why that's important is because we're going to talk about the ticket stub and the search warrant. Now, the ticket stub is an exhibit that I have brought up. According to the testimony that you heard, this was found with Suge Knight at his home. This is what Detective Ladd, he had said that this was obtained at Suge Knight's house.
(02:34:53)
This is a ticket stub for the Seldon versus Tyson fight for September 7th, 1996. Why would he have this ticket? Because it's important. It's an event, right? You go to the fight. You know where you don't find any evidence of this? In that guy's house, right? Something as important as this or something as memorable as this, we don't find it there.
(02:35:15)
Now, here's the thing though about it that's interesting. Compton PD does a search, and you recall it was about two weeks after this event had occurred. They said, "Look, we went and did a search of all these homes. It's 38 homes." You know the homes that they also hit as well? Mr. Davis's home and Orlando Anderson's home. So let's look at that.
(02:35:41)
This would be back in your... When you go back and look at it. But with regards to this address here, and I want to say this is 1405 South Burris. Write that down because that's Mr. Davis's address in this case. They look through it, there's the address, people that live there. And then what do they do? They find some information that they take with them.
(02:36:08)
So you're going to have this document when you go back there. This is a receipt for property taken from that house, and that was done on... Make sure I get the right date here. This was done on October 2nd, 1996, right? So they go in there. They're looking for stuff. Here's what they find. Three L.A Cellular envelopes, bills and miscellaneous papers, one empty envelope addressed to the bank, a card, a hotel receipt, and they take that. But what does the evidence show you? What do the facts show you?
(02:36:42)
They don't have that receipt. We don't know where it came from. We have no idea. You start jumping and you help the State out, you would say, "Of course, it's from here in Las Vegas." Okay, where? When? How? We don't have any evidence, and this is based upon their search. They also searched the house next door. The house next door was technically vacant, but Orlando Anderson was in that house. And this is 1409 South Burris and what do you find there?
(02:37:09)
You find a letter from Excalibur Casino addressed to Orlando Anderson, but nothing else. No date, no reason, and we don't have the letter to show all of you. We also have an envelope addressed to Orlando Anderson that's from that address. You also have miscellaneous bills addressed to Orlando Anderson. But you would think this would be important for you, right? To determine whether even Orlando Anderson was staying at the Excalibur on September 7th. We don't even have that.
(02:37:41)
Now, in addition to that, what you also have as well is... Let me just go back real quick. 1997, another search is done of one of the places that Mr. Davis stays. And in that place when they went in there, they're looking for information. It's, of course, for another investigation, but ultimately at the end of the day, they're still wondering who, if maybe Mr. Davis was involved with the Tupac murder.
(02:38:09)
And this is what they find in the receipts, and this was as of... This would be the 27th of May 1997, so a year later. They find the following money due bill for the Monte Carlo Casino, right? This is what they have. This is what they do. How does that help you? It doesn't. There's no date. There's no time. There's nothing that would indicate that it has anything to do with the Tupac murder.
(02:38:38)
But once again, this is them coming into your home, or into his home, and searching without any type of announcement. They're doing this as a surprise, and that's all they find with regards to Mr. Davis. Now, you have to understand that as we sit here right now, the question's always going to be asked, "Why would he say these words?"
(02:38:58)
Well, obviously, it was because he wanted to protect himself, he wanted to protect his family, and he wanted to make money. So let's listen to what Mr. Dupree has to say. Now, in addition to that, we talked a little bit about the type of scenario that Mr. Davis is in, right? He's being targeted as a potential suspect in the Biggie Smalls murderer. You developed information about him being a drug dealer. Right?
Mr. Dupree (02:39:23):
Yes.
Michael Sanft (02:39:24):
And you had said, I think, there was... How much time is he looking at? Life sentence?
Mr. Dupree (02:39:28):
I think so, yes. Right.
Michael Sanft (02:39:30):
Pretty heavy sentence. Right?
Mr. Dupree (02:39:31):
Yes.
Michael Sanft (02:39:31):
And so, you had also targeted the idea though that it wasn't him moving some large amount. It was people coming into his house, potentially his family. People could be arrested, his friends, for instance, that was part of that, and they all could go to prison. Right?
Mr. Dupree (02:39:47):
I will say this. Mr. Davis took the hit for a lot of people in his family, and his kids, his wife, but that's why he did a lot of the stuff he did. I will say that.
Michael Sanft (02:40:02):
And I appreciate you saying that. And so in essence, he said, "Okay, this is all on me. I'll take the hit for the family"?
Mr. Dupree (02:40:08):
Yes.
Michael Sanft (02:40:11):
Now, going back again to more facts. Mr. Davis says, or the book says that he saw Suge, Snoop, Tupac, in a Rolls Royce on Friday at MGM. What proof do you have of that? Detective Long has an interview with my client in 2009.
Detective Long (02:40:26):
Everybody knows the case. And you said a couple of days before the fight?
Duane Davis (02:40:26):
Yeah.
Detective Long (02:40:33):
Are there any incidents in Las Vegas prior to the fight, the Tyson fight?
Duane Davis (02:40:37):
No. [inaudible 02:40:37]. They had pulled up in their Rolls Royces. The girls was out there. We seen them and all that.
Detective Long (02:40:43):
Who'd you see?
Duane Davis (02:40:49):
It was Snoop, Tupac and Suge. They had a black, white, and a red Rolls they pulled up in.
Detective Long (02:40:59):
Where was this? Where was this?
Duane Davis (02:41:09):
It was at MGM?
Detective Long (02:41:09):
For the fight?
Duane Davis (02:41:09):
Yeah.
Detective Long (02:41:09):
Okay.
Duane Davis (02:41:09):
And Mike Tyson the pulled up in the Bentleys. [inaudible 02:41:11], Mike Tyson, and what's his name? Valentine. They pulled up in they Bentleys. And the girls, men and ladies, Rolls Royce [inaudible 02:41:20].
Detective Long (02:41:28):
Do you remember anything about what Suge or Tupac were wearing when you saw them pull up? Do you remember at all?
Duane Davis (02:41:41):
No.
Detective Long (02:41:41):
Okay, that's fine.
Duane Davis (02:41:41):
This was on the day before.
Detective Long (02:41:41):
The day before the fight with Seldon?
Duane Davis (02:41:41):
Yeah.
Detective Long (02:41:42):
Okay. So, there was a big entourage of girls running everywhere?
Duane Davis (02:41:46):
Yeah. Yeah. [inaudible 02:41:47].
Detective Long (02:41:47):
Pretty good circus going on?
Duane Davis (02:41:47):
Yeah.
Detective Long (02:41:50):
Las Vegas circus? All right.
Michael Sanft (02:41:51):
So, Malcolm Greenidge had testified, what does he say? "Tupac was not there on Friday. He shows up on Saturday." So your testimony here today is that you drove into town with Tupac, Tupac's fiance, and somebody else in a Lexus.
Malcolm Greenidge (02:42:06):
Mm-hmm.
Michael Sanft (02:42:07):
Is that a yes?
Malcolm Greenidge (02:42:08):
That's correct.
Michael Sanft (02:42:09):
And that would've been... What day was that exactly? The day of the fight, the day before?
Malcolm Greenidge (02:42:14):
That was the day of the fight.
Michael Sanft (02:42:15):
So, you arrived into Las Vegas the morning of Saturday, the fight's on Saturday? The fight's on the Saturday.
Malcolm Greenidge (02:42:22):
It was late afternoon.
Michael Sanft (02:42:26):
Okay. Why is that important? Once again, little tiny details, that over time when you weigh the credibility of the statements made by Mr. Davis to whoever, were never verified. You have to understand that as he's sitting there and having conversations with people, the hardest thing about telling a lie isn't the lie itself. It's the first time you have to repeat the lie, is trying to figure out, "What did I say? What was I wearing? Where was I at? And who was I with?" as you're going through the lie. Now, every lie after that, muscle memories. It gets a little bit easier when you start repeating the lie again. But that first lie, what we're talking about here is 2009 after the proffer of 2008.
(02:43:03)
Now, one of the things that he also talks about is, "Where did this happen?" He's telling in 2008, the group of people that's there, including the FBI, where he got shot. And then he talks about what was off at Sunset and Flamingo. And we know that that's not true because Sunset and Flamingo run parallel to one another, right? And then also he talks about. It just describes it in Death Row Chronicles about it being like a parade. Well, let's look at it.
Duane Davis (02:43:28):
We went up to the 626 Club. They didn't show up. We waited about 15, 20 minutes, they didn't show up. So it's like, "Let's go get some liquor." We stopped at the liquor store. I got out the van [inaudible 02:43:46].
Detective Long (02:44:57):
Were was the liquor store at?
Duane Davis (02:44:57):
It's that street. It's a highway. What's that big highway here?
Detective Long (02:44:57):
Las Vegas Boulevard?
Duane Davis (02:44:57):
No, not that one. It's east of it.
Detective Long (02:44:57):
What's the one that runs behind [inaudible 02:44:58] hotel?
Duane Davis (02:44:57):
It was gray.
Detective Long (02:44:57):
It may or may not be on that map.
Speaker 14 (02:44:57):
It's the intersection where they [inaudible 02:44:58].
Duane Davis (02:44:57):
[inaudible 02:44:58].
Detective Long (02:44:57):
[inaudible 02:44:58] or something? Real close to the 626 Club?
Duane Davis (02:44:57):
Yeah.
Detective Long (02:44:57):
[inaudible 02:44:58].
Duane Davis (02:44:57):
It's a big highway. [inaudible 02:44:58].
Detective Long (02:44:58):
Yeah, so you guys go to the liquor store, you're tired of [inaudible 02:44:58]. You jump into the Cadillac and you what? You go to a liquor store, you get out of there, you got a van, you jumped into the Cadillac with Lane and them guys and then what?
Duane Davis (02:45:38):
We go and offload [inaudible 02:45:39]. Is there a Harmon?
Detective Long (02:45:38):
There is a Harmon on there. Harmon Street's on there if you can see it. Should be a Harmon Street on there. Koval, Harmon.
Duane Davis (02:45:38):
And where did he get shot at? On Harmon, did he?
Detective Long (02:45:38):
Mm-hmm. [inaudible 02:45:39] right there.
Duane Davis (02:45:40):
No, it was on this street [inaudible 02:45:39]. I think it's Marvyn Parkway or something like that. Did they call that? Yeah. [inaudible 02:45:40] right there. Then we came up Harmon along the Las Vegas Boulevard. And, "Aw, shit. Here he come in that BMW. [inaudible 02:45:53]" They was in the middle lane and we just pulled up on the side and checked every car to see where they was.
Michael Sanft (02:46:08):
And with regards to Mr. Davis' statements.
Speaker 15 (02:46:12):
Then Dwayne Davis decides that he's going to do public interviews regarding his role in the murder of Tupac Shakur.
Speaker 16 (02:46:23):
So you ended up getting in the car with Baby Lane and them?
Duane Davis (02:46:40):
[inaudible 02:46:39] right on Sunset and Flamingo. [inaudible 02:46:41], "Hey it's Tupac. It's Tupac."
Michael Sanft (02:46:48):
... Sunset and Flamingo. Now, you have to ask yourself the question. If he's the man who commits the crime or is present during the murder of Tupac Shakur, it doesn't sound like he knows where it's at, but let's look at this. This is the video that was shown to you by the documentary people that were doing the Death Row Chronicles. I want you to watch his reaction here.
Duane Davis (02:47:10):
I'm here, Koval and Flamingo. And this is the spot that changed my life forever. September the 7th.
Michael Sanft (02:47:10):
Now, let me ask you this. Does that look like somebody who knows exactly where the spot was that it happened? Remember the testimony of the person that got up there? He said, "Oh yeah, we went and we asked him going out to the area. What evidence do you have of that? He's standing on a corner, and if you look at it again, he's on this corner of Koval.
Duane Davis (02:47:43):
I'm here, Koval, Flamingo. And this is the spot that changed my life forever.
Michael Sanft (02:47:52):
[inaudible 02:47:52] hover right over the back of his shoulder is where the turn would've been made by Suge Knight and so forth to make that left. That's not a man that's pointing to the exact location at which the murder occurred.
(02:48:03)
Now, why is that important for you? Because by this point, I mean we're talking years later, information about where Tupac was shot and killed, the general location of it, the Koval area, that's what he was pointing to. You don't have any proof that he knew exactly where the murder was. Why is that important? Because you would think that's one thing you would remember, is where it was when it happened.
Duane Davis (02:48:25):
I'm here, Koval-
Michael Sanft (02:48:44):
I'm sorry, let me go back there again. Let's do it one more time.
Duane Davis (02:48:44):
I'm here, Koval, Flamingo. And this is the spot that changed my life forever. September the 7th.
Michael Sanft (02:48:44):
You know what would've been a better angle for this crew when they're doing their documentary would've been from the other corner, right? You stand on that corner and you point backwards like, "This is where the spot happens. This is where I was. This is where Suge was. This is where the next car was and the next car." You get specific. You don't sit on the corner of Koval and Flamingo in some random corner to say, "This is where my life changed." That's not how it works. You show people exactly where it happens. He never knew because he wasn't there.
(02:49:13)
Now, in addition to that, what you find as well is one of the images from the State's exhibit in this case is [inaudible 02:49:23]. Now, one of the things that was asked about multiple times from different people who were responding to the State's subpoena is, "You don't want to be here right here. You're responding to a subpoena." Well, why is that important? Because they were showing you that, "Hey, I don't want to come forward. I don't have time for this, but I get dragged into court." Right?
(02:49:42)
We heard from people that the State had asked about. But who are the people that should have shown up in this case? Detective Mogg, the main detective, right? The guy who pushes this over the goalposts and says, "Hey, now there's enough evidence to charge this case. Where's Detective Mogg?" Could they have subpoenaed him?
Michael Sanft (02:50:00):
... case. Where's Detective Mogg? Could they have subpoenaed him? Sure. Did they do it in this case? How about Suge Knight? They know where he's at. He's in custody. It's not like he's going anywhere. Why isn't he here to share his story with you? How about Foxy Brown? Now, Foxy Brown is an artist. She's not here. You saw parts of the book where the reference to Foxy Brown in it. Where is she at? This Big Meech of Detroit is another individual that's named in the book. So when you read the book, what you're going to find is Big Meech is one of the individuals in the van that they're driving, allegedly.They never go talk to Big Meech of Detroit. Where's he?
(02:50:41)
And then this Yusef Jah person, who is that? And then once again, our disgraced LAPD detective, Greg Kading. Now, you have to understand how many people had eyes on this file. It isn't just one or two people. We're talking different highly qualified professional organizations, from the FBI to Metro, to LAPD, to Compton PD, and even to Mike Dorsey, the eager beaver civilian investigator. Those guys are all looking at this file, and none of them verify any of the information that we're talking about here. How is that possible? How's that possible?
(02:51:25)
And that's a problem in this case, when you presume that just because the state says something that it's true. Now, in addition to that, think about all the law enforcement tools that they have to their disposal. Wiretaps, phone records, bank records, business records, hotel records, digital forensic examinations of digital devices, fingerprints, DNA, surveillance videos, surveillance. They can do firearm and casing examinations, search warrants, DMV databases, criminal history databases, gang databases, photo lineups, and then I fell asleep, so I don't know how many more.
(02:51:57)
But when you look at all the tools at their disposal, they have nothing in this case that says that that man was here in Las Vegas on September 7th, 1996, with all of their tools. And once again, for some of us that may be a little bit younger, the idea behind this is, yeah, maybe some of that stuff wasn't around like digital forensics examination. Sure. Maybe the DNA wasn't as good back then, but all the other stuff is still relevant. There's not one thing that says that Mr. Davis was in Las Vegas on the night of the shooting of Tupac Shakur.
(02:52:33)
Now, one of the things we talked about was retaliation, right? He said, "Oh, this was retaliation." And Mr. [inaudible 02:52:42] over here said that this was one of those things where retaliation was key. And I think MOB James got up here and said, "Oh yeah, if this happened to me, this is what we would do." "That night we knew who did it." Really? What proof do you have of that? Right? So what they're alleging is MOB James went hunting. I think that's what the state said. MOB James went hunting. How? How did they retaliate against these four individuals when they went back to Compton?
(02:53:15)
So the analysis is man gets jumped at a casino and then you shoot him to kill him. That person just happens to be Tupac Shakur, the crown prince of Death Row Records, the number one rap artist in the world. And then nothing happens to those four individuals? Well, let's ask the question as to what happened with the four individuals that were allegedly in the vehicle that somehow there's going to be retaliation.
Video: Michael Sanft (02:53:43):
At the time, with Terrance Brown, you are aware that Terrance Brown actually dies in what, 2015?
Video: Detective Ladd (02:53:51):
Yes.
Video: Michael Sanft (02:53:52):
Right. And when he dies, do you know how he dies?
Video: Detective Ladd (02:53:58):
Yes.
Video: Michael Sanft (02:53:59):
How did he die?
Video: Detective Ladd (02:54:00):
He was at a marijuana dispensary in Compton and a robbery occurred and he got killed during the robbery.
Video: Michael Sanft (02:54:09):
So based upon the way he was murdered in that case, no indication that that was some type of retaliation for the murder of Tupac in 1996 or something?
Video: Detective Ladd (02:54:19):
No.
Video: Michael Sanft (02:54:20):
Okay. In addition to that 1996, I apologize, with regards to Deandre Smith, do you know when he passed?
Video: Detective Ladd (02:54:29):
2004 and he died of medical complications.
Video: Michael Sanft (02:54:34):
Right. And as far as you know, nothing that would've been associated with any type of retribution or revenge for the murder of Tupac Shakur?
Video: Detective Ladd (02:54:43):
Correct.
Video: Michael Sanft (02:54:45):
Now Orlando is the one who passed away relatively quickly after the shooting?
Video: Detective Ladd (02:54:51):
Yes, approximately a year and a half.
Video: Michael Sanft (02:54:54):
Right. And in terms of how he passes, he was shot and killed?
Video: Detective Ladd (02:54:59):
Yes. You want me to tell you what happened?
Video: Michael Sanft (02:55:00):
Please.
Video: Detective Ladd (02:55:02):
Orlando Anderson was with his best friend, Michael Dorrough. They were at a burger stand in Compton. And across the street from the burger stand, there was a car wash. Orlando Anderson recognized the people at the car. There was three people sitting in the car, and he recognized one of them that owed him money for some narcotics that he didn't pay him for. So Orlando Anderson took it upon himself and he initiated the confrontation. He drove up to the car and he exited with a gun. However, one of the persons in the other car, they had a gun too, so they had a shootout at the car wash.
(02:55:41)
And then when the smoke cleared, Orlando Anderson was killed during the shootout, as well as two other people in the other car were killed.
Video: Michael Sanft (02:55:49):
And in terms of the two other people in the other vehicle, were they both Crips?
Video: Detective Ladd (02:55:53):
Yes.
Video: Michael Sanft (02:55:54):
So it wasn't a Blood on Crips sort of shootout?
Video: Detective Ladd (02:55:58):
No.
Video: Michael Sanft (02:55:59):
It was just over money and drugs?
Video: Detective Ladd (02:56:00):
Yes.
Michael Sanft (02:56:03):
Where's the retaliation guys? Where's the thing that says this was a gang thing and as a result of Tupac fighting and getting into altercation with Orlando Anderson, the cost him his life, that somehow that in of itself is done and no one goes after the four individuals that were allegedly in the car. Do you know why they didn't do that? It's because they weren't in the car.
(02:56:29)
Because as you recall, MOB James' testimony up here, this man gets up here and he's... MOB James. But he's the type of person though that you think if he's impulsive on this stand, how do you think he was 30 years ago? You don't think he would've done something? If the word on the street was it's these four guys, you don't think he would've done something? But no, these guys don't die at the hands of any of the Piru Bloods. Interesting, right? No retaliation. And in this case with regard to Baby Lane with Orlando Anderson, he sues Tupac's estate for injuries. Why do you do that? Why do you get involved in a lawsuit if you're the guy who's the shooter and commits the crime? Why would you do that? And then you heard testimony that Suge Knight and Death Row Records pays him money. Why would you do that? You're Suge Knight, you're in the car, you narrowly missed death, and now you pay this guy money? This very fearsome man, Suge Knight, who's the type of person that allegedly even held Vanilla Ice over a balcony to get the rights of something or another, pays this guy money? This powerful man of a $300 million company pays this guy money? How does that work?
(02:57:54)
Now, this is where the common sense comes into play, doesn't it? Shooting of Suge Knight, murder of Tupac and no retaliation. Tell me how that makes sense to you. Now in addition to that, when we go through the questions, what evidence do you have to show that Tupac was even a gangster? I think we had testimony that says that he wasn't affiliated with a gang. He was on a Death Row label. Suge Knight was MOB Piru, and so as a result, maybe he was just hanging around with people who were. But do you have any evidence to show that he was actually a gang member with the MOB Piru? The answer would be no.
(02:58:42)
So we can't presume that either. They haven't shown you proof of that. So as a result, there's no retaliation going on between anybody because there's no gang warfare going on between anybody. Lakewood Mall incident was not proven to you, nor does it exist because you don't have any proof of it. Now you have this idea that there's a gang war going on and no proof of that after the fact.
(02:59:03)
Now let's talk about this white Cadillac. The white Cadillac that shows up everywhere, right? Now the first time we hear of the white Cadillac is when Luxor Security tells Detective Becker basically that a white Cadillac shows up and is at the rear of Suge and Tupac's caravan. So let's hear this.
Video: Marc DiGiacomo (02:59:22):
The Angel Zavalza.
Video: Detective Becker (02:59:27):
Right.
Video: Marc DiGiacomo (02:59:27):
Zavala? He was working as well. His recollection of the vehicles were there was a white Dodge Caravan, a black BMW, a Mercedes, and two other black vehicles. Two white vehicles were also behind the group. Zavalza said he thought the last car was a Cadillac or Buick with four black males, was what he reported.
Video: Detective Becker (02:59:50):
Right. That's correct.
Video: Marc DiGiacomo (02:59:50):
Thank you, Judge. I have nothing further.
Video: Judge (02:59:58):
Okay. Any recross?
Video: Michael Sanft (03:00:00):
Just real quick, Detective Becker, with regards to that last line, the last line is that the last white vehicle was either a Cadillac or a Buick, right? So the Cadillac was a white Cadillac.
Video: Detective Becker (03:00:15):
Correct. That's the way that's worded, yes.
Video: Michael Sanft (03:00:17):
All right, thank you.
Video: Detective Becker (03:00:18):
Either a white Cadillac or Buick, yes.
Video: Michael Sanft (03:00:20):
All right. No further questions. Thank you.
Michael Sanft (03:00:23):
Why is that important? Remember the timeline. Tupac gets into a fight with Orlando Anderson, Tupac, Suge Knight, and the rest of the Piru Bloods leave for Death Row records. They leave MGM and where do they go? To the Luxor. While at the Luxor, they get changed. While they're getting changed, they get picked up by Suge Knight and the caravan. Now from that point forward at the Luxor, you've heard now that there is a white Cadillac that's in the caravan and they're picking up Tupac.
(03:00:54)
Now what happens to this is that caravan does not go directly to 662. They go instead to Suge Knight's house, and it's a private community. And this is what Officer Hyt says.
Video: Michael Sanft (03:01:06):
I'm going to turn your attention to the Suge Knight residence. Can you tell us what you actually did at the residence?
Video: Officer Hyt (03:01:13):
I was with another officer and we were at a gate and we basically stayed at the gate while an entourage of vehicles came through. Approximately 15 vehicles came through and the last one being Suge Knight's.
Video: Michael Sanft (03:01:25):
Okay. Now with regards to the entourage of vehicles, where did they go?
Video: Officer Hyt (03:01:30):
In through the gate. I never went in through the gate, so I didn't see where they went after they entered the gate.
Video: Michael Sanft (03:01:35):
Okay. And with regard to the vehicles that went in, did you recognize or give note of any of the vehicles that were in there?
Video: Officer Hyt (03:01:41):
The last one was Suge Knight's. It was a cream-colored Cadillac.
Video: Michael Sanft (03:01:44):
Okay.
Michael Sanft (03:01:48):
Okay, did you hear that? Cream-colored Cadillac goes into Suge Knight's residence along with a long line of vehicles. This is right after they were at the Lux store. They picked up Tupac and now the caravan goes into Suge Knight's residence area. And it's a private community, so it's not like this Cadillac just happens to drive down the street. He's in a private community because you heard from that particular officer that he was not inside of the community. He was on the outside by the gate. Now here's additional testimony from this officer.
Video: Judge (03:02:18):
Did you see the cream-colored Cadillac leave?
Video: Officer Hyt (03:02:21):
Yes. They all left.
Video: Judge (03:02:25):
Okay. When was that?
Video: Officer Hyt (03:02:30):
Close to 10 o'clock, I would say.
Video: Judge (03:02:31):
Okay.
Video: Officer Hyt (03:02:32):
Maybe 9:30-ish.
Michael Sanft (03:02:34):
Okay. So now it's not like the cream-colored Cadillac or light colored Cadillac or white-colored Cadillac, whatever you want to call it, parks itself at some other residence in the community that Suge Knight lives. They all leave. That's important, right? Because in essence now that white Cadillac or that cream-colored Cadillac is by all intents and purposes, just by the actions, part of the caravan. Now another sergeant that's there at the scene, he testifies and he says this about the color of the Cadillac.
Video: Michael Sanft (03:03:07):
Now with regards to your recollection for that night, what were the other vehicles that you remember entering into the residence area of Suge Knight and leaving the area of Suge Knight's residence?
Video: Sergeant Mangrum (03:03:20):
Well, Suge and Tupac were there approximately 30 minutes and they exited back out followed by a cream-colored Cadillac, a compact vehicle that was occupied by four females.
Michael Sanft (03:03:39):
Okay. So once again, you have law officers, law enforcement officers sitting there and they're just taking casual notes of things. No one's understanding this. And 30 years later, we're now talking about a cream-colored Cadillac that goes in and out of Suge Knight's residence. Now let's keep going.
Video: Michael Sanft (03:03:57):
Oh, and when that white Cadillac left that guard gate, it was occupied by two black males as well?
Video: Sergeant Mangrum (03:04:06):
Yes.
Michael Sanft (03:04:09):
Okay? Not two white males, not a black male, a white male. Two black males. And the question's asked about a white Cadillac, right? So a light-colored Cadillac. Let's just keep going.
Video: Michael Sanft (03:04:21):
Just with regards to the last question that was asked. He says that it was a white Cadillac. It was either white or cream, as far as he knows.
Video: Sergeant Mangrum (03:04:30):
Yes.
Video: Michael Sanft (03:04:31):
Is that correct?
Video: Sergeant Mangrum (03:04:31):
Yes.
Video: Michael Sanft (03:04:32):
That's what you wrote in your report?
Video: Sergeant Mangrum (03:04:33):
Yes.
Video: Michael Sanft (03:04:34):
Thank you. No further questions.
Michael Sanft (03:04:36):
Now the reports are important, right? Because this man would never have guessed in a gazillion years he'd be sitting on the witness stand 30 years later. What do you think he would have to do? He would have to refresh his recollection based upon what he wrote down in his report as a police officer, right? So thank goodness he had done that. Now, Malcolm Greenidge says he saw a light colored white Cadillac right before Tupac is shot. Ingrid Stokes describes the Cadillac as whitish, the Cadillac fleeing the area after the shooting. Let's hear what she says.
Video: Binu Palal (03:05:08):
And did you see the color of the vehicle?
Video: Ingrid Stokes (03:05:11):
Yeah. So we almost hit the car when we were trying to drop off. There was a car in that last lane that was the turning lane, and it was a white four door. I can't tell you what kind of... It was like white-ish.
Michael Sanft (03:05:24):
Okay? So that's what she says is the color of the vehicle that was the shooter in this case. Now, Heidmeyer, do you remember him? He was the guy that was the very well-dressed older gentleman that was from the Maxim Hotel, and he was a security guard. And this is what he describes when he goes through it.
Video: Marc DiGiacomo (03:05:46):
... over the wall, what do you see?
Video: Mr. Heidmeyer (03:05:48):
I see a line of vehicles in the left straight lane on Flamingo, heading east, and there's several vehicles. There was a white Dodge Stratus at the front, a black BMW behind it, another dark car, and I believe another car, and then there was a white Chevy Suburban behind that and several more cars.
Michael Sanft (03:06:14):
Okay. Why is that important? Well, obviously he doesn't know how many cars. We've had detective or Officer Hyt say there was 15 vehicles that leave Suge Knight's residence. But one of the things that you find out from what he's saying is that you don't have a description of a white Cadillac. And this is, remember, how he's looking at the road, right? He hears shots. He runs over to where the parking structure is and he looks out and he's telling you what he sees. Because guess what's happening? Suge Knight's vehicles making a U-turn. Everyone in that caravan is making a U-turn.
(03:06:47)
So what he is seeing is after the shots are fired, right? There's no white Cadillac. Now, if it was somebody in the group, maybe somebody's mom was driving it or another person and it was all legit, where is it now? Where is that white Cadillac? We don't know. Let's keep going with that. So crime scene analyst, Dan Ford, what does he do? He documents the vehicles in the caravan when they are stopped. So as the vehicles go back down Coval, they make a left onto Las Vegas Boulevard and then Suge stops the BMW in the intersection of Harmon and Las Vegas Boulevard.
(03:07:25)
Crime scene analyst, Dan Ford, appears on scene, and this is what he documents in his crime scene report. 1996 BMW, 1995 BMW, '96 Lexus, Mercedes-Benz, Dodge and Dodge. No Cadillac. Now you have to ask yourself the question, why isn't there a Cadillac? Why isn't there a Cadillac? The testimony from the people that were there say that Cadillac drifts down from the back, drifts up to where the BMW is and shots are fired, and that Cadillac was whitish, light, white, cream, whatever, and then takes off.
(03:08:09)
Now, let me just finish up with this point. Here's my problem with what I just did there. Here's my problem. This is 30 years later. You don't have any detective who got up on the stand to testify and say, "Hey, we eliminated that theory." In fact, I don't think that theory's ever existed until such time as we took a look at it and realized, "Hey, we got a problem with this Cadillac." It pops up at the Luxor. It pops up at Reggie or at Suge Knight's residence. It pops up... And then all of a sudden it's gone. Why didn't detectives look into it?
(03:08:43)
Once again, not your burden. Your burden is to see whether or not that guy has been proven beyond reasonable doubt to being present at the scene of the shooting. Now, Reggie Wright, what do we know about this guy? Ex-Compton cop. And once again, this is one of the state's witnesses. He's a felon. This is their witness. What does he do? He pulls security from Tupac and Suge. Why would you do that? But in this case, he takes over a $300 million company with no paperwork. He just presumes it because, why? Suge gets in trouble for violating on probation to which that guy, Reggie Wright had testified and said, "Yeah, I knew that." And he's the main guy for the security.
(03:09:26)
What does he get convicted of as a felon? Money laundering. What does he tell his people to do after the shooting occurs? Lie to Metro. Why is that important? Because what he also told you is, "Hey, I'm Suge's right-hand man. When you make a call, if you want to find Suge, call me. I'll get you Suge." He also is the guy who does all the logistical stuff, right? He's the guy that's at the 662 and so forth. This is his testimony.
Video: Michael Sanft (03:09:49):
Now, up until this point, you had developed into the person that if you wanted to get a hold of Suge, they would call you, right?
Video: Reggie Wright (03:09:56):
In the streets, meaning when we out and about. He had an office staff, assistance, Mr. Anderson and Mr. Tesray, Roy, that were in the office. But generally if I call Suge, he'll pick up.
Michael Sanft (03:10:11):
He had basically made himself into the right-hand man for Suge Knight. Here it is. His job was to provide security for Tupac, right? This is what he says about that.
Video: Binu Palal (03:10:23):
As the head of WrightWay Security, which was contracted by Death Row Records, were you responsible for Tupac Shakur's security?
Video: Reggie Wright (03:10:32):
Yes, sir.
Video: Binu Palal (03:10:33):
How did you handle Tupac Shakur's security?
Video: Reggie Wright (03:10:37):
Well, I had two guys that were primarily always assigned to him. One guy was a guy by the name of Kevin Acke, who was with him a lot at the beginning. Later on towards the end, a gentleman by the name of Frank Alexander was the one that worked with him as well. And then I would always have additional guys, like Al Giddings one of them fill in for him when those guys wasn't available. Generally always had one security guard with him.
(03:11:09)
After this particular song came out in about May or June, we upped it to two security officers.
Video: Binu Palal (03:11:16):
Now, you mentioned a particular song came out that changed how you handled Tupac Shakur's security. What song are you talking about?
Video: Reggie Wright (03:11:23):
It was a song called Hit 'Em Up.
Video: Binu Palal (03:11:27):
And is it fair to say that in that song, Tupac is aggressively expressing his dislike for the members of Bad Boy Entertainment as well as other artists?
Video: Reggie Wright (03:11:44):
That's fair to say.
Video: Binu Palal (03:11:45):
And as a result of that, you decided to change security for Tupac or increase it?
Video: Reggie Wright (03:11:51):
Well, I was a part of the discussion, and ultimately had to approve it. But I'm sure Mr. Knight and possibly Mr. Shakur and maybe the security officer that was primarily with him, we all agreed that he probably needed another guy with him.
Michael Sanft (03:12:09):
Does that make sense? I mean, what he's saying there is like, "Hey, one of his songs, one of Tupac's songs at that time was definitely geared to cause some reaction from other people hearing that song, and as a result there was some concern." And on the night of the fight, September 7th, 1996, how many people do you have in your notes were guarding Tupac? On the night of the fight with all these people around? Now let's continue on with Reggie though. Let's figure out in terms of what he does here.
Video: Michael Sanft (03:12:43):
You have Frank Alexander, you have Tupac, and no other bodyguards protecting Tupac that night.
Video: Reggie Wright (03:12:52):
Yeah, Kevin Hackey was supposed to attend, but he didn't. He wasn't there, and I didn't know that he hadn't shown up yet.
Video: Michael Sanft (03:13:00):
But you are aware at that particular point, Tupac was the most famous rapper almost in the entire world, if not the entire world, and you only assigned one person and another person calls in sick?
Video: Reggie Wright (03:13:11):
He didn't call in sick, he just didn't show up. But, yeah, I mean, it wasn't unusual for Mr. Shakur to roll around with one guy and his Outlaw guys.
Video: Michael Sanft (03:13:22):
But once again, you're telling us it's only Frank Alexander that's coming from your office, right?
Video: Reggie Wright (03:13:27):
That is correct.
Video: Michael Sanft (03:13:28):
And you also share with us that there's other people inside of 662 who are patting down the MOB James crew, but you can't send any more people over to be there for Tupac?
Video: Reggie Wright (03:13:41):
If I knew there was going to be an issue that eventually happened, of course I would've. I would've asked him to stay in the hotel if I knew what was going to happen.
Video: Michael Sanft (03:13:50):
Now, you are aware that this was fight night, this was Mike Tyson, and that everyone in the world would show up to Las Vegas to be there for the fight, right?
Video: Reggie Wright (03:13:59):
Yeah.
Video: Michael Sanft (03:14:00):
There's so many people.
Video: Reggie Wright (03:14:01):
Yeah.
Video: Michael Sanft (03:14:02):
And in your opinion, only if you believe that Tupac was somehow going to get into a fight or something along those lines, would you have provided more than just the one person? I'm just asking for your clarification.
Video: Reggie Wright (03:14:14):
I would've had an army around him if I knew something like that was going to happen or suspect something like that was going to happen. But the gentlemans that were with them and the ones that you seen kicking on Mr. Anderson, those were security as well.
Video: Michael Sanft (03:14:31):
That was whose security?
Video: Reggie Wright (03:14:33):
Death Row and staff.
Video: Michael Sanft (03:14:35):
But once again, let me make sure I'm clear. You, at this particular point, only have one security guard with all these other people from, I don't know, from Death Row Records who are not security guards. They're all gangsters, Mob Piru people.
Video: Reggie Wright (03:14:50):
Yeah, I trust more than I trust my security. Yes.
Video: Michael Sanft (03:14:53):
So more than you would trust cops and off-duty cops and retired cops, you trust those Mob Piru guys?
Video: Reggie Wright (03:15:01):
I do personally.
Video: Michael Sanft (03:15:02):
Okay.
Michael Sanft (03:15:04):
What's the problem with that? When you are... first of all, you have a very important client and his name happens to be Tupac Shakur, you have to understand his history, right? This wasn't the first time that Tupac had been shot at. He'd been shot at before. This was a violent sort of lifestyle that potentially he was potentially going to be in danger of, and you put one guy on him. And then what you say and what you tell all of you is that, "Hey, and by the way, even though I run a security program with all these retired and off-duty police officers, I trust Mob Piru, gangsters and criminals to do the job." Why? How? That makes no sense.
(03:15:53)
So what he says is he says he has 20 to 25 people at 662.
Video: Michael Sanft (03:15:56):
So you're sitting at the club and you don't know-
Video: Reggie Wright (03:15:59):
I wasn't sitting, but yeah.
Video: Michael Sanft (03:16:00):
Oh, well, whatever. I mean, I'm sure you're working, right?
Video: Reggie Wright (03:16:02):
Right.
Video: Michael Sanft (03:16:02):
So you're working and your concern is making sure the club passes and that the club passes for Suge Knight. Even though his attorney's present, all these cops are on the outside and you have the security proficiency of MOB James on the inside, right?
Video: Reggie Wright (03:16:16):
And about 25 to 30 of my guys.
Video: Michael Sanft (03:16:18):
And so once again, yes, 20 to 30 of your guys.
Video: Reggie Wright (03:16:21):
Correct. Yeah.
Video: Michael Sanft (03:16:22):
Retired police officers or off-duty police officers.
Video: Reggie Wright (03:16:24):
Correct.
Video: Michael Sanft (03:16:25):
And they're all there.
Video: Reggie Wright (03:16:26):
Correct.
Michael Sanft (03:16:31):
And I don't know if you want to chalk it up to bad business. I don't think this is bad business. At that particular point, what he's done is exposed Tupac Shakur and Suge Knight to potential harm that occurred that night. You put into the other equation, of course, that guy became the right-hand man to Suge Knight, that Cadillac seemed to have a pretty good home at Suge Knight's residence. And what do you have? You have an issue, right? Because right now, with regards to everyone else that's here at 662, you have Metro on the outside.
Video: Reggie Wright (03:17:03):
And that was James [inaudible 03:17:05]. James was with Suge at the beginning, and quite frankly, he might be a little upset that my guys kind of took a lot of their roles or their responsibilities.
Video: Michael Sanft (03:17:18):
Right. So on this particular night, there's actually metropolitan police officers that were... Were they hired by you to be on the outside?
Video: Reggie Wright (03:17:27):
Well, I would say Club 662 or under Mr. Calise and the person that was running the club, under their direction. I knew they were going to be there, but I didn't speak to anyone from the police department to say, "This is how much y'all going to be getting paid. I need you to do this." I just knew they were going to be working from the door.
Michael Sanft (03:17:51):
It still does not ring true. And if you were a detective during that time period, what kind of investigation was done on Reggie Wright Jr.? What kind of investigation was done on Reggie Wright Jr. to see could he have been responsible for what happened here?
(03:18:12)
I want you to take a look at the picture that was part of the exhibits in this case. And once again, this is Suge Knight's BMW. It is sitting on the third lane, and then you have two other lanes. The middle lane is occupied by Ingrid, who then moves up. A white or cream-colored Cadillac, depending on how he looks at it, rolls up in the next lane over and shots ring out into that vehicle. Now, it's a moving target because the other vehicle's moving. Suge Knight's car is perfectly still. But the way that the bullets are grouped and the impact in this area indicates what? Whoever held that gun knew how to shoot it, because of the grouping.
(03:19:01)
Now, here's the problem with that. Who was in that white Cadillac? That guy? That guy's responsible for this? Orlando Anderson is responsible for this? You have no proof. There is no evidence. There's nothing, when you look at this picture and every other picture in this case, that says that Dwayne Davis, Orlando Anderson or Dre or in the alternate, Bubble Up, the man that's driving the vehicle, were ever there. What evidence do you have?
(03:19:33)
But you have a very amazing grouping in this case from a white or tan Cadillac in this case. Now, one of the individuals that we've talked about is Greg Kading, right? He gets removed from the Biggie Smalls Task Force. He's escorted out the door with LAPD. He steals the file. We've talked about that. He creates books, podcast documentaries. That part's last part is important. Why? Because that's how he's making his money nowadays. Now in this case, we've talked a little bit about this idea of a shot caller.
(03:20:06)
What evidence do we have that Dwayne Davis has ever called a shot in his life before the Tupac situation? Do you have anything about that? Do we have anything that he's ever called a shot after? And what proof do you have that he actually called the shooting death of Tupac? Once again, we jumped the conclusion. We say, "Oh, well he had to have done it because he's the uncle of the nephew of the guy who got jumped." We can't put Orlando in the car. We can't even put Davis in Las Vegas, but we're saying that he did it. Just look at the proof.
(03:20:44)
If you have proof, your recollection's valid. But here's Detective Ladd.
Video: Michael Sanft (03:20:51):
In terms of your investigation in this case, did TPD ever order a hit on anybody before or after the shooting of Tupac occurred?
Video: Detective Ladd (03:21:05):
Not that I know of.
Michael Sanft (03:21:08):
That's coming from Detective Ladd, right? Boots on the ground. He's in Compton. He's a Compton gang detective. And what does he tell you? "I don't have any proof of that. I don't know." Now we talk about the Ten Day War, and in that case, what Detective Ladd tells us is no one's ever charged in that case. Weird, right? People are shooting each other and there's no indication that it's an actual Southside Crip versus Piru Blood war.
(03:21:37)
In addition to that, what are the details here that we want to get out? First of all, the state's brought up this idea of the Chrysler Sebring. Here's what I want to tell you, 30 years later, or even at the time when the statement was made about the Chrysler Sebring, how many people knew the information in this case? You don't know. But I would presume if you just follow what MOB James said, everyone knew everything that was to do with anything with this case. And when you follow what the detectives say, there were leaks everywhere with Metro in terms of their file. What information was sacrosanct?
(03:22:11)
What information was kept in a vault that was buried 30-feet down, that had a double combination cold and a rottweiler sat on the top of it? What information that no one would've had access to that was leaked out through Metro's people that they were concerned about or an alternative, talked about on the streets? So this idea of a Chrysler Sebring, is that enough? Is that when you say, "Ah, definitely. That's it. That's the one thing."
(03:22:38)
What we would like instead is when they searched his home, Davis' home, did you find something that maybe was one of the girls in Chrysler's possession? It just happened to pop up. Now I don't have anything to talk about. But a Chrysler Sebring? No. The .40 Glock, the Saints basically submitted on this one, meaning that, hey, the information about a .40 Glock was pretty quick. You have to remember that people were looking at this, trying to get as much information as they can, any which way.
(03:23:07)
So you have Kathy Stein who writes a book, you have all these people writing articles and all kinds of stuff back in those days. And as a result, any of this information was available, because you had newspaper articles. We looked at some of them over here. And then we talked about this Laker ticket, which I can't find. But the Laker ticket is important. And the reason why it's important is because in the book, Mr. Davis talks about meeting up with Suge Knight sometimes later at a Lakers game and they have a conversation. Weird, right?
(03:23:41)
It's like this man allegedly just looked directly into Suge's eyes and then shots ring out that killed Tupac and then all of a sudden they're at a Laker game. Somehow Colby just kind of brought them together and now they're back to being normal. That's not how this works. That doesn't make any sense. But the state finds a ticket that's a Laker ticket. Now here's the problem with that-
Mr. Sanft (03:24:00):
... ticket, that's a Laker ticket. Now here's the problem with that. In terms of the ... Let me get to the ticket here. When you think about the ticket in this case, go back again to my original problem. That's a Laker game ticket that allegedly my client held onto, which we don't even know if he was at the game. But look at this ticket by Suge Knight, the Tyson ticket. He has the ticket indicating that he was there. You know what would be a better case for them? If they had this ticket. If they found this ticket in Mr. Davis' home, this would be a better piece of evidence in this case.
(03:24:38)
Now we're also going to talk a little bit about the Coyote Cafe. There was some discussion with this young man who gets in here and he's part of the security for MDM, and he talks a little bit about the security and the video back then, but we get into a little bit of scuffle over this idea of what was in the security report. What we did is we included the security report for you to look at. This is the security report. And in that report, a officer writes a report that says, "On Sunday, August 7th, 1996, approximately 8:50, this officer was in the elevator pour when I noticed a DMA wearing a sports jersey, forced his way past the officers at the North Key checkpoint by the Coyote Cafe."
(03:25:22)
Why is this important? Because in the book, allegedly Mr. Davis is waiting for his nephew at a cafe at the MGM. They don't name the cafe. They just say we're waiting for him at the cafe because everyone had gone to different locations of the fight. Which by the way, the book also says that he was sitting in the second row, sitting in the second row of the Tyson fight, and so afterwards they're all going to meetup at the cafe.
(03:25:47)
What the State will argue to you is what this description is indicating that he's trying to get into the cafe to be with his uncle. Does that look like that's what that means? Trying to force his way past the officers at the North Key checkpoint by the Coyote Cafe. He had unidentified black male adult was questioned by myself and Officer Cornba at the side of Coyote Cafe. BMA was very uncooperative on answering their questions. While questioning the BMA he continually kept looking over his shoulders toward the North Key checkpoints. It was seconds thereafter that I noticed a large group of BMAs forced away through the North Key checkpoint.
(03:26:32)
Now, it seems clear that whoever they were talking about, which we now know is Orlando Anderson was running from that group of people, which we now know was Tupac and Suge Knight and the Death Row Records people. Does that show you anything at all that he was meeting up with his uncle after the fight? They're going to trying to make it a point. I just want to make sure we're clear. Because in the book, it says the following. Sorry.
(03:27:00)
"After the match, we headed to the prearranged meeting place where we waited for about 15 minutes. Little by little, everybody showed up except for my nephew. Then some people showed up and said they saw some Death Row people jump on my nephew down by the casino. We came to find out later the same dude from the Lakewood Mall." Which once again, is this even true? "Got his chain of snatch, was walking with Tupac when they saw Baby Lane at the lobby of the MGM. We rushed out of the cafe and went to find Baby Lane."
(03:27:32)
Now here's the question. What surveillance do you have for that? Do you remember in the surveillance that they showed you when Orlando was talking to the police officers and so forth there? Did you ever see a bunch of people rush in there? That would've been nice, right? They would've seen a younger version of that guy running in 30 years before running in to check up on his nephew. Look at the surveillance for yourself. Is that a fact? That's not proven. Just like everything else in the book.
(03:27:56)
Now finally, search warrant of Mr. Davis' home. 2023, his home gets searched and they're looking for evidence. They're looking for evidence and they take a whole bunch of stuff. Among the things that they take is they take this binder. And once again, it's odd for a hardcore Crip dude to have this particular binder that they are saying that somehow contained information in there that indicated to them that he was responsible for Tupac's murder. This is what they are giving you. This is their evidence. In addition to that, they look through his iPads and computers and I think we had Detective Gaddis testify to that and say, "Hey, we didn't look at any of that stuff" or, "There was no evidence that was found in those things." Why is that important?
(03:28:47)
Because if you're actively working on a book, what are you doing? You're emailing back and forth, you're sending manuscripts to Davis to say, "Hey, read this." And he said something back and says, "Hey, it wasn't white. It was cream colored Cadillac." That kind of stuff. That's what would've happened. That's what they're looking for. They found nothing. That's a fact. In addition to that, they find the book. So the book is in the evidence and you'll have an opportunity to go through the book. But you know what's interesting in the book as well is the part that we talked about. This is in the book.
(03:29:20)
"Although the authors and publisher have made every effort to ensure the accuracy and completeness of the information contained in this book, we assume no responsibility for errors, inaccuracies, omissions or any inconsistency herein." Why is that important? When's the last time a book had that language in there? Typically, something like this would be if it's a historical sort of fiction, right? Well, it's a book about a guy who's in the Gulf War and he's a soldier and he does soldier stuff and that's a book about him. Yeah, the Gulf War was true, but him as a person is fictional. That's the same kind of level. And when you put that in a book, what are you telling the reader? We can't verify the information that's in the book.
(03:30:06)
Now we talked a little bit about the spelling of Keffe. Keffe is his childhood name. He couldn't pronounce Keith. So when he was a kid it was Keffe. Keffe. And it's important, right? Because you would think that a man who just published a book that he's very proud of this book, that he would put up there Keffe the book. Is that the spelling of his name? Now what the State did is they said, "Hey, we couldn't verify the spelling of his name." Well, here's the thing. Here's the verification of his name. Let me show it to you real quick. They found inside of his home this jacket.
(03:30:53)
And this is a jacket for, looks like South Side City of Compton, State's Exhibit 103. They took a picture of the front of that jacket, which is this one right here, right? So this is the front of the jacket. But when you look at the closeup picture of this, what you find is this. This is how Keffe spells his name. So even though we might pronounce it Keffe, it's spelled like this. Now why is that important to you? Because if you just published a book or if you're reviewing a book for the first time and you're going through the manuscript, the actual spelling of your name is probably the most immediate thing you pick out, especially when it's on the cover of the book, let alone inside of the book.
(03:31:38)
Why is that also important? Because in this case, Keffe, Keith is also the treasurer of this organization. It's a Low Rider organization. So this is a man that's paying attention. He's not just a guy who's a member who just gets a jacket and they realize, "Oops, we misspelled your name." This is a man who would've put the exact spelling of his name on his jacket the right way because he was a treasurer of the club. That's what that means. Why is that important? Because Keffe never saw this book, never read it, never reviewed it. So when he holds it up and he tells people like, "Go buy the book," what's he trying to tell you? "Go buy a book that's not verified. I don't know anything about, but I'm here to make money off of this book." So use your common sense.
(03:32:22)
In addition to that, one of the other things as well that I just wanted to bring up is this picture here. This is State's Exhibit 151. This is a picture of P. Diddy with Zip Martin. You know what's interesting about this picture? Is how many times allegedly Davis saw Diddy. And it wasn't in some alleyway committing a crime or doing anything back. He saw him in the back of the award ceremony for Soul Train Awards or whatever the case is. Where's his picture? Where is that guy's picture with Diddy? Just like Bon Zip's picture with Diddy. Because you would think on some level you want to show off. You want to say, "Hey, this is my boy. Here I am with Sean Combs." Where is his picture? It's because it didn't happen.
(03:33:19)
No, there is a quote that's not even Voltaire here, by the way, but I think the quote fits. And that is, "We live in a world, especially in our country where freedom of speech is a right." We enjoy that as citizens and as people who live here in America. And here's the problem, right? There are times when we hear someone say something and we're like, "Ugh." We don't approve of it. "I don't want to hear it. I may be triggered by that. I may be angry by that." But the problem is though at the end of the day, we would defend it because as Americans that's what we would do is defend people's rights. In this case, when the State closes and they just say, "Hey, this man basically said blood money," we don't even know what that means. Where is that from? How is that in context?
(03:34:05)
You guys got to look at it. But when you throw blood money out there, what you're trying to incite is for you to get angry, is for you to say, "Hey, you know what? No, we're going to punish this guy for this." Voltaire basically says, "Look, I may not agree with what he said, but at the end of the day, we defend it." Now, once again, is there any proof to anything that he said? When you go back and deliberate, ask yourself the question, what is fact and what's fiction in this case?
(03:34:36)
And finally, before I close, it's very difficult on a case like this when you have so much information, maybe you're sitting here and you're logically going through it and realizing like, "Hey, we don't have it." But there's few of us that feel it in our bones and we say to ourselves, "No, he's got to have done it. There's no way this man would've just said this over and over again without it not being true." And that's fine. That's your feeling and there's no way that anyone would disrespect you for feeling that way. But the problem is you have to ask yourself if you're feeling that, what facts do you have to support how you feel? Because we can feel that, but whether or not it's proven beyond a reasonable doubt by the state is quite a different question. And that's the question you have to ask yourself in this case.
(03:35:24)
And it's going to take some courage to say, "You know what? I might feel this way, but there's no proof beyond reasonable doubt that Mr. Davis committed any crime in this case, let alone murder of Tupac Shakur." So if you keep asking yourself the question, you just keep lying over and over again and keep telling the fiction, does that change it into a fact? No. You have to have supporting facts in order for a fiction to become a fact. So when I leave, State will get up in the rebuttal. They have the last say because they have the burden. They have to convince you that they have done their job, that they have shown you everything beyond a reasonable doubt. Sometimes some of these prosecutors, I don't think it's going to happen with Mr. DiGiacomo, but sometimes prosecutors will hear, "Well, Mr. Sanft said this and Mr. Sanft said that." Here's the thing, whatever you recall is really what the facts are in this case. So even though I put up stuff on the screens, doesn't mean that that's what it is. It's your recollection. But in essence, when I was showing you things, it's basically what the facts are.
(03:36:25)
So in essence, if you ever hear from Mr. DiGiacomo, "Oh, this is what Mr. Sanft said," it's what the facts have shown you. That's all. And what facts do you have to show that that man was even in Las Vegas on the night of the shooting of Tupac or in the vehicle? When you go back and deliberate, we are confident you're going to come back with a verdict of not guilty for Mr. Davis because it's the only verdict that makes sense in this case. It's the only verdict that has any facts. Thanks.
Judge Carli Kierny (03:37:05):
All right. Thank you, Mr. Sanft. As you've recently heard, because the state has the burden of proof, they are allowed to open and close the closing arguments. So at this time, I'm going to turn the floor over to Mr. DiGiacomo for his rebuttal closing argument.
Mr. DiGiacomo (03:37:25):
Everything that happens in a courtroom-
Mr. Sanft (03:38:14):
May I approach, Your Honor?
Judge Carli Kierny (03:38:15):
Yes. Come on.
(03:38:15)
You may proceed.
Mr. DiGiacomo (03:38:16):
Thank you. As I was saying, the jury trial in America, in any courtroom, a jury trial in America is about the truth. That's ultimately the determination that the jury gets to make. What's the truth of the matter here? And Mr. Palal said, and I won't try not call him Mr. Binu, but Mr. Palal said, "You started this case two weeks ago." Well, actually, no, you started it three weeks ago because during jury selection, there was as much going on, maybe at the time he didn't realize it. Do you remember Mr. Sanft's theme during jury selection for a lot of you? It was like, what if you had a family member that you never thought would steal, got accused of stealing, and you wouldn't believe it? You'd want to look at the evidence, you'd want to hear the witnesses. And almost to a juror, you say, "Yeah, but then I'd ask him, but if they told me they did it, I'd believe them." Right?
(03:39:17)
And what was our, or at least mine more than Mr. Palal's, was this isn't a referendum. It's not a referendum on the Las Vegas Metropolitan Police Department. It's not even a referendum on the task force that was involved in this particular case. And it's not even a referendum about our decision in 2009 not to prosecute Mr. Davis, because this case is not about provability. It is a slam dunk, absolutely, totally no defense to murder case. It's about admissibility, right? Because what happened in this case is in 2008, think about what you know from Detective Becker. You know from Detective Becker ... Well, first, let me back up. How about you know from Bob James that there's two people, and why is it those two people that they're hunting from the South Side Crips, right? Because the only person that Suge Knight probably knows in that car is Duane Davis and the other guy got his ass beat on the MGM video.
(03:40:23)
So that's the two names that they know, right? That's the only two names Bob James knows when he goes to go hunting. So Compton, by the morning of September 8th, 1996, one, knows it's South Side and at least two of the people involved in this case. And then you have the search warrant in evidence. We didn't read it to you, but read the 10-Day War search warrant and all of the violence that occurred and all of the information that was gathered by the end of October, the end of the 10-day war really, but by October 2nd of 1996, the police know it's South Side. They just don't have a witness. It's CRI, credible, reliable, or confidential, reliable informants or whatever it is that the LAPD uses or Compton Police uses. By March of 1997, what does Brent Becker tell you? Brent Becker tells you, "We know the four people in the car," and it just happens to be the same four people he says are in the car 11 years later.
(03:41:33)
That is the evidence that you have in front of you. And his defense is, well, Mr. Sanft's defense is he lied, but that isn't his defense. You haven't heard one recantation of his 2008 proffer or the various versions that go thereafter. Why didn't-
Mr. Sanft (03:41:54):
Your Honor, may we approach.
Judge Carli Kierny (03:41:54):
You may.
Mr. Sanft (03:41:54):
I'm sorry. May we approach?
Judge Carli Kierny (03:41:54):
Yes.
Mr. DiGiacomo (03:43:01):
Think about all the pieces of evidence you have in this case, right? You have 1997 where [inaudible 03:43:06] won't let him really answer a question about much. You have 2008, 2009, 2017 twice. You have 2019, the book. And I'll agree with Mr. Sanft, most of it is garbage. You guys can read it. We didn't present you that. I'll explain to you why you got the book. But then what else did you learn? In 2023, this man was arrested and he got on jail calls and he repeatedly said things that indicated he told the truth. When he says, "I didn't break the deal. Greg Kading broke the deal." What was the deal? The deal was to keep it confidential.
(03:43:51)
And why was this a problem in 2009 for us? Because we have a recording where our detective is asked to step outside the room. We have a lawyer coaching the Defendant to not say things that are going to get him in trouble. We have a task force officer who's sitting in there going, "Yeah, but be consistent." And there is this whole very weird conversation. What we don't know in 2009 is if even the 2009 statement is admissible in front of a jury, but certainly we don't have 2008. And whatever Greg Kading did, whether you like it, don't like it, cops write books. Whatever he did, he wasn't a signatory to the agreement. So in 2011 and 2012, when there's the book and the documentary that's published and this recording is released, legally, it didn't exist for the state of Nevada. You heard from Wade Lee, "For me to use federal government evidence, I have to get a letter from the federal government to utilize it."
(03:44:54)
What happens after that? Oh, 2018, Death Row Records. All right, this guy, Sizzle Reel. He says he's the last living witness. This is great. Wait till we see Death Row Records and then what's published? Every viable admission that he makes in the public release of Death Row Records is from the 2008 recording. And what does E1 Entertainment do? Tell us we can't have the underlying records. We don't have it. We can't have it. All we have is Duane Davis' face on for some time, but most of the admissions, and now you know why now that you've heard the underlying recordings, because these documentarians are trying to tell the truth, but Mr. Davis' version of events doesn't match the facts in those two statements. And when you actually hear it, his first one, why does that break down? It's not because he's not wearing a suit. That first one breaks down because they get to the point where they want to talk to him about the murder and he says, "I haven't had enough time to talk to my lawyer about exactly the way I'm going to word this so I don't basically violate the terms of the proffer agreement or get the death penalty or get prosecuted by the state of Nevada."
(03:46:05)
So 2018, we're sitting there, nothing we can do. And then what happens is in 2019, he writes a book and there's all this, "We should have called Detective Mogg." What exactly was Detective Mag going to be able 30 years later to corroborate specific facts that are named in this book? No. When Mr. Davis sat down and told the police in 2008, they already had corroborated all. In his book, what he did was two things, because we hadn't yet seen the underlying recordings, you know that, from 2017. At the end of his book, when you get there, he starts talking about SA Holiday. Who the heck is it? Special Agent Holiday. Who is this guy?
(03:46:55)
... who he is. Call up the federal government. "Hey, did Duane Davis ever talk to Special Agent Holiday?" "Oh yeah, he was interviewed in 1998, 1999." And then after you get into them and look at those statements that he made in 1998 and 1989, you then realize, "Oh crap, that is what in the beginning of the proffer, the statements he's allowed to review and make any corrections to." Where he says things like, "No, I didn't see Reggie Wright at the Petersen Museum." That is what allowed the admissibility of all of these statements to come in. It's because when he wrote the book, he described his lawyer. He described conversations with his lawyer. He said, "I did a proffer and he said, I told the truth because I knew I couldn't lie."
(03:47:52)
Look, Daryn Dupree obviously was uncomfortable with the entire situation. And like I said, it's not a referendum on what the task force did. When they found out they were going to get information on Tupac Shakur, it would've been nice to get a phone call and say, "Hey, the guys who actually have jurisdiction on this case should probably be involved in this, but that's not what this case is about, right?" Daryn Dupree said QPD took the hit for his family. Explain to me what hit this guy took. "He got caught with a gallon of PCP, a kilo of cocaine, should have gone to prison for life." He said, "I know nothing about Biggie Smalls. They should have left it there, sent him to prison for life because he's the head of the South Side Crips. He's dangerous." Mr. Sanft says he's never shot before. Yeah, his first criminal conviction is for shooting at a house. Read the book.
(03:48:46)
He says, well, Mr. Sanft says there's no evidence that he was involved in the retaliation. Really? Because in those statements that you heard here, he says that the stupidest thing I ever did was hold a meeting and tell the youngsters, "You take care of the young mob guys, we'll get the big guys." That's what he's doing. Mr. Sanft got up here and accused, I think, Reggie Wright of murder. Let me get this straight because he only picked little parts of this. So they go to the Luxor. There is a cream color Cadillac. I wonder how many cream colored Cadillacs there are in all of Las Vegas, or maybe it's a white Cadillac, either one.
(03:49:29)
I'm just going to call it a white Cadillac because it's less words. And that white Cadillac then goes and is driven by Suge Knight when he drives into his residence with the caravan and it's inside the residence for 30 minutes. When it leaves, Sergeant Mangum says Suge Knight and Tupac are now in the BMW and the last car out is the white Cadillac and it's a 15 car chain, right? There's only six cars caught at Harman and the Boulevard, right? But who's in that caravan? [inaudible 03:50:06] With Frank Alexander and Yafeu and everybody else.
(03:50:09)
Are you telling me if the white Cadillac that's Suge Knight's Cadillac shot Suge night ... Well, first of all, are you kidding me that Suge Knight set this up? So Suge Knight's driving the vehicle, he's going to put himself in the line of fire to have Tupac shot when he catches a bullet in the head. That's the defense. The defense is Suge Knight did it. Oh, but if Suge night didn't do it, well then Reggie Wright did it because he wanted to kill Suge to take over Death Row Records. Really? So you're going to kill the guy who's making the most money for Death Row Records as you're trying to take it over? None of that makes sense. But what did Sergeant Mangum tell you, right? He didn't know. And guess what? Weird.
(03:50:50)
There was no question asked to Brent Becker about that portion of the investigation, but he looked at his report and he goes, "Oh yeah, look at that. All of the overtime officers? Yeah, they're all here. Oh, look at this. There's the gate log with all the license plates for all the vehicles." You don't think that was all run down early on in the investigation? Of course it was. We didn't feel the need to call Brett Becker back from Texas to say Reggie Wright and Suge Knight didn't try and kill themselves. So if it's not them, who is it? That's the question you have to ask yourself.
(03:51:26)
Mr. Sanft says that, " Oh, it's involuntary, his statement, because he didn't have his dirty lawyer in the room," Edi Faal. And you know he's dirty, right? Because he's the guy who, according to everybody, pays $60,000 or receives the $60,000 and is representing Orlando Anderson for him to perjure himself at Suge's probation hearing. That guy should be the guy that the government says, "Yeah, we want you in the room for him." But more importantly, that Mr. Sanft just played you, that Mr. Sanft just [inaudible 03:52:01] Does the Defendant say about Michael Dorrough, the reaper, that he was snitching on him. So Edi Faal couldn't have been the lawyer in the room. It wouldn't be legally appropriate in the least bit for Edi Faal to represent Duane Davis when he's representing Michael Dorrough, the guy who's providing information on Duane Davis.
(03:52:22)
What else do you know? There's things in that book that are true and there are things that are just giant lies. Mr. Davis says Corey Edwards, C. Ray, "Ratted me out." Well, what do you know? 2006, he gave a statement to the task force. 2026, he gave a statement to Gaddis and Mogg. You heard about the efforts we went through. We blew up his house. We blew up his girlfriend's house on back-to-back days. We got a warrant out of a California court world. But Mr. Davis tells you exactly what Corey Edwards said. He says Corey Edwards is in the van behind. Why are we working so hard to get Corey Edwards to this courtroom? Right?
(03:53:09)
Oh, once again, I know the lawyers have said it. Pay very careful attention to that Dirt Rock and the Lakewood Mall thing, because actually it's Mr. Sanft saying that the fight was actually in the Foot Locker and that caused them to remodel. What Dirt Rock says is it was by the Foot Locker, and then later they remodeled to the World Foot Locker. There's no description by Dirt Rock of the fight spilling in there and breaking up all the furniture. These are kids fighting in a mall. Is it shocking to you that the police weren't called? And look, I don't run security for the Lakewood Mall either, but read the search warrant in this case from September of 1996. There's all kinds of descriptions of this Lakewood Mall incident in that search warrant.
(03:54:04)
What else does the Defendant say? Defendant says, "Corey Edwards started snitching on me the moment his neighbor got killed." Oh, shocking. Bobby Finch gets killed, happens to be Corey Edwards' neighbors, happens to look just like Corey Edwards. She calls Suge and tells him, "I'm not part of this. I don't want to die over this." And the response from Mr. Sanft is, "Well, they never actually got to kill Mr. Davis and Orlando Anderson, so they must not be guilty." There must be some other South Siders who did that. Is there anybody in the world who doesn't think Orlando Anderson is the person that pulled the trigger on this thing? Bobby Ladd knows it because just as Mob James explained, he's the Prince of Compton. He didn't just get beat down by Tupac. He got beat down by Tupac and Suge and Neckbone and Buntree and every one of those guys on video in Las Vegas. And I know there's this complaint about the surveillance video. Look at that surveillance video on a number of different issues.
(03:55:12)
One of which is, maybe the most important of which is the cameras are fixed and you can't see a darn thing unless the operator is following it. Yeah, they keep it on the victim for a short period of time, Orlando Anderson, and then they follow the suspects out. They didn't think at that moment to focus on where did the victim go after he left security because the shooting doesn't happen for two and a half hours later. So this is not modern day Las Vegas with the high definition cameras. Mr. Sanft tells you, "Oh, well, what facts are there that he's in the car?" Well, as far back as 1998, he says that he's in Vegas. He's like, "Oh, well there's no evidence he's in Vegas."
(03:55:58)
But there's actually more than that. And he brought up the search warrant returns and he says there's a hotel receipt taken out of Defendant's house and there is a letter taken out. Now, sadly, Compton PD exists no longer, so those records as to exactly what was taken. But if you looked at the Excalibur receipt in this case for Orlando Anderson, that receipt shows that he checked in on the 6th or 7th and checked out on the 8th. I think it's the 6th to the 8th. That isn't a letter from the MGM. What does Mr. Davis say? Or, the Excalibur. What does Mr. Davis say? Orlando stayed at the Excalibur because he had comp points from their, everybody knows their casino cards. So who's getting a letter for something like that? That letter allowed the police, and if you look, the search warrants on October 2nd, on October 3rd is the facts from the Excalibur showing Orlando Anderson's room. And when you continue to look at that receipt, you will see that Detective Becker went through and he wrote down the hotel phone numbers that they're calling. And then you see hotel receipt as the other thing that's collected. And what do you have from this case, which is the MGM Corey Edwards hotel receipt. But that one is only from September 6th to September 7th. Corey Edwards didn't stay, or at least his room, did not stay at the Monte Carlo Saturday night, but he did stay there on Friday night. And if you look, his phone is calling the Excalibur about one o'clock in the afternoon the next day on the 7th, the day of the homicide.
(03:57:46)
But then you go back to the Excalibur receipt and you look at it. And on the morning after the murder, September 8th of 1996, whoever's in Orlando Anderson's room is calling the Monte Carlo. There's somebody else from the group's-
Mr. DiGiacomo (03:58:00):
Carlo. There's somebody else from the group staying at the Monte Carlo. And what does the defendant say? We checked in under my wife's name, Paula Clemons, right? Look at the search warrant where everybody's name, you can go down there to each of the hotels. "Hey, can you tell me who stayed here? Who stayed here?" If the name is under Paula Clemons, you're never going to find it. And by the time he gives that up in 2008, the records are gone. There's no way to look to see the Paula Clemons stay there. But oddly enough, and this is completely oddly enough, Mr. Sharp, there was no probable cause to believe we were going to find this in Mr. Davis's house.
(03:58:42)
But for some reason, along with a scrapbook that he keeps, now that scrapbook's empty, but all of these things right here, he has a scrapbook. And when you say, well, maybe it's not a scrapbook of his greatest hits. Well, it's everything about Tupac and Biggie in the beginning. And on the backside are pictures of his kids. This guy's scrapbooking his murder for God's sake. But we find this, and it's a money due bill for the Monte Carlo Casino. Ladd and Brennan, when you ask Ladd, "Hey, why did you collect this item? I know it's Compton. I know it's gone, but why would you collect that? Because it put QPD in Vegas on the time of the Tupac murder."
(03:59:25)
What other reason is there to collect that particular piece of item? Nothing. There's no other reason to collect that. And you know already there has to be somebody else at the Monte Carlo because why would Rasheena be calling Orlando at the Monte Carlo in Paula Clemons' room? Like the defendant says, "We went back and partied. Orlando stayed with us at the Monte Carlo. We know he came here with Rasheena Smith. He even says Paula and Rasheena are here. So, who's in Orlando's room? Because Orlando ain't... But when she wakes up the next morning, Sunday morning, she's calling over to that Monte Carlo to talk to Orlando. That's why there's the communication back and forth between them.
(04:00:12)
There are many small facts you could go through in this particular case. Little things like, yeah, I mean, 30 years later, Detective Ladd said this was found at Suge's house. If we look at the search warrant from October of 1996, Suge's house wasn't searched. So, this may have been found at Suge's house at some point in time, but it wasn't certainly from the October 2nd of 1996 case. Mr. Schamp made a big deal about the girls yelling. And the suggestion even from Mr. Paul is it's the girls in the Sebring, but that's not what Mr. Davis actually says, right? Yeah, he said Harmon one time and the Boulevard, but he meant Flamingo and the Boulevard. They're at the light at the corner.
(04:01:06)
There is a 15 car or more caravan that's left Suge's house. And by this time, you know it's at least 17, right? So, randomly, even though nobody in the world knows that Tupac and Suge are in this car, both Mr. Jefferson and Ingrid Stokes somehow figured out that Tupac is in this vehicle and nobody joined the line. You don't think anybody on Las Vegas Boulevard on September 7th of 1996 yelled out Tupac's name? Maybe they don't remember it 30 years ago, but that's the corner that he says he hears Tupac's name being screamed out, not all the way down the street at Koval and Flamingo.
(04:01:42)
Then he has to do the U-turn. Then he has to go all the way down the caravan looking in which car is actually Tupac and Suge. And then he hands the gun back. Dre hesitates. Orlando takes it and he shoots the gun. The argument from Mr. Schamp is somehow don't believe a completely corroborated full confession to this case because he was looking at a life sentence. And because he was looking at a life sentence, my client made up this highly detailed story, this highly detailed story where in 1998, he says who's here in Vegas with him. 1999, he gives a little bit more, yeah, we were going to kill him, but not till we get back to Compton. So, he tells you his intent in 1999, right?
(04:02:39)
And then in 2008, Mr. Davis tells a highly complicated story, one of which has Corey Edwards and Kevin Davis and now Tracy Sessions. Vic Meach's name is in the book. It ain't anywhere in any of the statements, right? Tracy Sessions, Kevin Davis, his brother, don't imagine he's giving us much evidence. Tracy Sessions, dead. So, Corey Edwards is the only guy left alive in the van behind them that he's originally in. And he says, we get to the 662 and Corey starts complaining about what? Suge's got the cops on the payroll. Suge can have the cops kill us. Well, how the hell do they know or believe that Suge has the Las Vegas Metropolitan Police Department on the payroll unless they showed up to 662 and saw a bunch of uniformed cops sitting there?
(04:03:32)
And then how does he happen to know there just happens to be a liquor store at the corner of Flamingo and Maryland? This is a high ranking drug dealer who comes to town on the strip. What tourist knows where Maryland Parkway is, by the way? But if you look at exhibit number two, number one is the one modern day, but exhibit number two is where the 662 is and the Monte Carlo. And guess what? The 662 is past Maryland Parkway. How does he know that little tiny fact? And he says, "Oh, well, so much has been out there in the public ether." Do we honestly think a guy who's dumb enough to write a book could keep this story straight this many times, this many times over?
(04:04:16)
How does he in 2008 tell the most compelling version of events that is corroborated by every single piece of paper or every single other piece of evidence in this case? Tell me how it's possible he was able to do that. And then tell me these guys didn't want to know about Tupac. They want to know about Biggie. So, why didn't he tell some lie about Biggie Smalls? Explain that to me. Why doesn't he go, "Okay, let me tell you, here's what happens in the Biggie Smalls murder. If he's just going to make up a story about a murder, he might as well make it up for the jurisdiction that you're in front of, right?
(04:04:53)
Why is he making this story up about this particular case?" And then you ask yourself, the cops don't believe him. Well, the federal government not only didn't prosecute him, they signed him up as a confidential informant, flew him to New York and sent him in. And what was... Yes, Zip had cancer. Zip eventually dies. He's out of the game, passes him off to his nephew. But what's the one thing you know from that? You know he knows Zip, which means every single fact that the defendant says in this case is corroborated with but one thing. And that's who's in the car. That's the argument. The argument is apparently, we have to have a surveillance camera that shows him in the car.
(04:05:38)
He has to be caught immediately thereafter in the car. Well, I mean, this is 1996 technology, so I guess there's no cell phone records or anything else. So, I guess if there was a cameraman on the corner of Koval and Flamingo, we could convict the guy. But since there's not, there's no facts in this case. It's absolutely ridiculous. Go and read his book if you want. You will not be smarter for it, let me tell you. But he tells two giant lines in the book, but he also tells you his reasoning for it. He is really, really, really upset that Greg Kading released that recording. Right, wrong, or indifferent.
(04:06:19)
But in the grand scheme of things, he got away with a life sentence on PCP and a kilo of cocaine and he got away with a murder. So, in the grand scheme of things, I know he's upset, but he shouldn't be out there profiting off a murder in our jurisdiction. That's not something he should be doing in response to Greg Kading, but that's what he wants to say. Basically, he wants to call Greg Kading out and say he's a dirty cop. Well, there's no evidence that he was a dirty cop. There's no evidence that Greg Kading did anything wrong. As a private citizen, he wrote a book like every other ex-cop who had a high profile case. It didn't change anything about the nature of this case.
(04:06:59)
It didn't change the evidence. It didn't change the admissibility of the statement. It was when he decided in 2019 to write a book and waive his confidentiality, the federal government said, "You can use the evidence." And at that point, everybody had known. In Compton early on, the original investigators in March of '97, the task force in 2008, and the Clark County District Attorney's office in 2009, and we had to eat Crow and allow a murderer to live in Henderson and not charge him because of the various things that happened in this case. But to suggest now that there is no evidence of his guilt, the defendant said on one of those social media clips when you watch them, he literally says, "I beat the streets, I beat the feds, and I beat cancer." And now he's trying to beat 12 of you. That's what's going on here. Mr. Davis is attempting to escape responsibility for a crime everybody knows he committed, even him, and he admits to it for seven, eight times over the course of 30 years, and there's no evidence contradicting that fact. End of the day, hold him accountable for the crime he committed. Thank you.
Judge Carli Kierny (04:08:32):
Thank you, Mr. DiGiacomo. At this time, we're going to swear in the officers to take charge of the jurors and alternate jurors. We'll need my JEA to come up. Randy will take the alternates and Steve will take-
Mr. DiGiacomo (04:08:44):
[inaudible 04:08:45].
Judge Carli Kierny (04:08:48):
Got it. All right, so we'll swear them in. We'll swear the two marshals because we have two marshals. We can just use the marshals. Okay. All right. All right. We'll have them sworn.
Speaker 18 (04:08:57):
Do you solemnly swear that you will keep this jury together in some private and convenient place and you will not permit any person to speak to them or speak to them yourself unless it'd be by order of the court, except to ask them whether they have agreed upon a verdict and that you will return them into court when they have so agreed so help you God?
Speaker 17 (04:09:12):
I do.
Judge Carli Kierny (04:09:14):
All right, ladies and gentlemen of the jury, as you know, a criminal jury is composed of 12 members. There are 16 of you in this case. Four of you are going to serve as alternates. You are not discharged from jury service. Your service may still be needed if one of the other jurors is no longer able to participate in deliberations. Additionally, the admonition remains in place. You're not to talk to anybody about the case. You're not to look up anybody involved in the case. You're not to research the case on any way, not to go to and check out the scene, et cetera. The alternate jurors in this case are as follows.
(04:09:45)
Juror 13, Hartman, juror 14, Pavlina, juror the back door with this door with Marshall Spies. He will take you back to your vehicles. Additionally, he's going to get your names and numbers so that we can contact you if you're needed to come back and we'll also let you know what the outcome of the case is. All right. The 12 of you are going to go back with Marshall Stevenson at this time to deliberate. Please rise for the jury, everyone. All right. For the record, the jury has exited the room. I just want to thank the attorneys for the dedication that they've given to this case so far and the respect they've shown to the process and to each other.
(04:11:12)
If you would give your numbers to Jessica, we will contact you if we have question. We have a verdict. Other than that, we'll be in recess. All right. Thank you everyone.
(04:11:23)
All right. Good afternoon, ladies and gentlemen. We do have a verdict. Anything we need to address before bringing in the jury?
Mr. DiGiacomo (04:13:47):
Not from the state.
Speaker 19 (04:13:48):
No, Your Honor.
Judge Carli Kierny (04:13:49):
All right. Please rise for the jury. Do the parties stipulate to the presence of the jury?
Mr. DiGiacomo (04:14:19):
Yes, Your Honor.
Speaker 19 (04:14:19):
Yes, Your Honor.
Judge Carli Kierny (04:14:20):
You may be seated. Welcome back, ladies and gentlemen. Has the jury selected a foreperson in this matter?
Mr. DiGiacomo (04:14:27):
Yes.
Judge Carli Kierny (04:14:28):
Who is the foreperson? All right. Ms. Foreperson, has the jury reached a verdict?
Speaker 20 (04:14:32):
Yes.
Judge Carli Kierny (04:14:33):
Please hand it to my marshal. Will the defendant and his attorneys please stand to receive the verdict? And the clerk will now read the verdict out.
Speaker 18 (04:14:57):
District Court, Clark County, Nevada, State of Nevada versus Dwayne Keith Davis. Case number C23377407-1, department two. The verdict reads as follows. We, the jury in the above entitled case, find the defendant, Dwayne Keith Davis, as follows: count one, murder with use of a deadly weapon, guilty of first degree murder with use of a deadly weapon dated this 31st date of August 2026. Ladies and gentlemen of the jury, is this your verdict as read? So, say you one, so say you all?
Jury (04:15:25):
Yes.
(04:15:25)
Yes.
(04:15:25)
Yes.
Judge Carli Kierny (04:15:27):
Does either party desire to have the jury polled?
Speaker 17 (04:15:29):
Yes, Your Honor.
Judge Carli Kierny (04:15:30):
Okay. Please poll.
Speaker 18 (04:15:31):
Juror number one, is this your verdict as read? Juror number one, is this your verdict as read? Juror number two, is this your verdict as read?
Jury (04:16:12):
Yes.
Speaker 18 (04:16:13):
Juror number three, is this your verdict as read?
Jury (04:16:14):
Yes.
Speaker 18 (04:16:15):
Juror number four, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number five, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number six, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number seven, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number eight, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number nine, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number 10, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Juror number 11, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
And Juror number 12, is this your verdict as read?
Jury (04:16:16):
Yes.
Speaker 18 (04:16:16):
Thank you.
Judge Carli Kierny (04:16:16):
The clerk will now record the verdict in the minutes of the court. I want to thank you all for the time and attention-
Mr. DiGiacomo (04:16:21):
Judge, may we approach?
Judge Carli Kierny (04:16:22):
... to this case.
Mr. DiGiacomo (04:16:24):
May we approach?
Judge Carli Kierny (04:17:14):
Yes. Ladies and gentlemen, there's potentially a second part to this trial that you'll have to potentially deliberate on, as the attorneys reminded me. So, at this time, I'm going to have you guys go back into the back. The attorneys are going to see if we will need to do the second part. I will inform you of any update and then come talk to you. So, at this time, please rise for the jury. For the record, the jury has exited the room. Do you need a few moments to discuss how we want to proceed with the second part?
Mr. DiGiacomo (04:18:14):
We are going to discuss with Mr. Sands and then also reach out to Detective Ladd. If they don't want to stipulate, we would suggest doing it by video. It's very short testimony that I think is not in dispute among the parties.
Judge Carli Kierny (04:18:28):
Okay.
Mr. DiGiacomo (04:18:29):
And so, just if we could give us a few minutes, then-
Judge Carli Kierny (04:18:32):
I can do that.
Mr. DiGiacomo (04:18:32):
... we'll let your marshal know.
Judge Carli Kierny (04:18:33):
Okay.
Mr. DiGiacomo (04:18:33):
Thank you.
Judge Carli Kierny (04:27:12):
On record. Back on record in State versus Davis, C377407. My understanding is that the State has a record to make.
Mr. DiGiacomo (04:27:18):
Yes, Your Honor. Due to witness logistics, we are deciding to not proceed with the gang enhancement. Mr. Ladd was our witness for the gang expertise during the course of the trial. We think he would be able to prove up the gang enhancement as he would just be by 10, 15 minutes worth of testimony, but there are logistical issues on our end that prevents that from happening. So, at this point, we will voluntarily dismiss the gang enhancement to the charge.
Judge Carli Kierny (04:27:46):
Okay. So, then at this point, what needs to be done is setting the matter for sentencing. We'll refer the case to the Department of Parole and Probation preparation of PSI. Set it down for sentencing on the following date.
Speaker 18 (04:27:58):
That's October 13th at 10:30.
Judge Carli Kierny (04:28:00):
Given the jury's verdict at this time, I'm going to hold Mr. Davis with no bail. We'll be in recess.
Duane Davis (04:28:05):
Excuse me.
Judge Carli Kierny (04:28:06):
Yes, sir.
Duane Davis (04:28:06):
I would like to have my stuff back on the computers, all the phones, everything.
Judge Carli Kierny (04:28:06):
Okay.
Duane Davis (04:28:06):
And I would like to appeal this matter.
Judge Carli Kierny (04:28:13):
Of course. There will be an appeal, but that happens after sentencing. And then you can talk about evidence that needs to be returned to.
Speaker 19 (04:28:23):
Thank you.
Judge Carli Kierny (04:28:24):
Okay. I'm going to go talk to the jury real quick. If you guys want to come back, you're welcome to. Give me about five minutes though.
Speaker 19 (04:28:28):
Thank you.